Two and a half centuries after the American Revolution the United States stands as one of the greatest powers on earth and the undoubted leader of the western hemisphere. This stupendous evolution was far from a foregone conclusion at independence. The conquest of the North American continent required violence, suffering, and bloodshed. It also required the creation of a national government strong enough to go to war against, and acquire territory from, its North American rivals. In A Hercules in the Cradle, Max M. Edling argues that the federal government’s abilities to tax and to borrow money, developed in the early years of the republic, were critical to the young nation’s ability to wage war and expand its territory. He traces the growth of this capacity from the time of the founding to the aftermath of the Civil War, including the funding of the War of 1812 and the Mexican War. Edling maintains that the Founding Fathers clearly understood the connection between public finance and power: a well-managed public debt was a key part of every modern state. Creating a debt would always be a delicate and contentious matter in the American context, however, and statesmen of all persuasions tried to pay down the national debt in times of peace. A Hercules in the Cradle explores the origin and evolution of American public finance and shows how the nation’s rise to great-power status in the nineteenth century rested on its ability to go into debt.

With over 80,000 copies sold since its first appearance in 1959, The Age of Improvement has every right to claim the status of a classic of modern historical writing. Asa Briggs' masterly study of the period stresses the underlying unity of the age. In the background are the new economic powers based on the development of a coal and iron technology, in the foreground, the problems posed by the world's first industrial revolution.

In spite of the importance of the idea of the 'tale' within Romantic-era literature, short fiction of the period has received little attention from critics. Contextualizing British short fiction within the broader framework of early nineteenth-century print culture, Tim Killick argues that authors and publishers sought to present short fiction in book-length volumes as a way of competing with the novel as a legitimate and prestigious genre. Beginning with an overview of the development of short fiction through the late eighteenth century and analysis of the publishing conditions for the genre, including its appearance in magazines and annuals, Killick shows how Washington Irving's hugely popular collections set the stage for British writers. Subsequent chapters consider the stories and sketches of writers as diverse as Mary Russell Mitford and James Hogg, as well as didactic short fiction by authors such as Hannah More, Maria Edgeworth, and Amelia Opie. His book makes a convincing case for the evolution of short fiction into a self-conscious, intentionally modern form, with its own techniques and imperatives, separate from those of the novel.

"Alexander Negrov surveys the history of biblical interpretation within the history of the Russian Orthodox church from the Kiev period (tenth to thirteenth centuries) until the Synodal period (1721-1917). He presents a coherent analysis of the essential elements of Orthodox biblical hermeneutics as it developed over a period of several centuries critical to the defining of the Orthodox church."--BOOK JACKET.

Despite the 1800 Act of Union, Ireland was not an integral part of the United Kingdom. Its viceregal government, the breadth and depth of its poverty, and the extent, persistence, and savagery of peasant violence marked it as distinct. This distinction was emphasized by Ireland's Protestant ascendancy in an overwhelmingly Catholic population. In his examination of British administration in Ireland from 1812 to 1830, Brian Jenkins focuses on the Catholic issue which dominated Britain's Irish agenda during this period. He argues that the British government attempted, within the context of the time, to govern Ireland in a civilized and enlightened way.

Early American Methodists commonly described their religious lives as great wars with sin and claimed they wrestled with God and Satan who assaulted them in terrible ways. Carefully examining a range of sources, including sermons, letters, autobiographies, journals, and hymns, Jeffrey Williams explores this violent aspect of American religious life and thought. Williams exposes Methodism's insistence that warfare was an inevitable part of Christian life and necessary for any person who sought God's redemption. He reveals a complex relationship between religion and violence, showing how violent expression helped to provide context and meaning to Methodist thought and practice, even as Methodist religious life was shaped by both peaceful and violent social action.