A collection of poems by Valerie Martínez inspired by the murders of over 450 girls and women in the cities of Juárez and Chihuahua, Mexico, since 1993.

Join the call for a better world with this New York Times bestselling picture book about a school where diversity and inclusion are celebrated. The perfect back-to-school read for every kid, family and classroom! In our classroom safe and sound. Fears are lost and hope is found. Discover a school where all young children have a place, have a space, and are loved and appreciated. Readers will follow a group of children through a day in their school, where everyone is welcomed with open arms. A school where students from all backgrounds learn from and celebrate each other's traditions. A school that shows the world as we will make it to be. “An important book that celebrates diversity and inclusion in a beautiful, age-appropriate way.” – Trudy Ludwig, author of The Invisible Boy

Jay Bontrager, a strong, sexy California blond, has mostly adjusted well to living with paraplegia since his spinal cord injury. But Jay feels disgusted by devotees--"freaks" who are attracted to people with disabilities--until he meets the enigmatic and beautiful devotee Erin Silver. Unfortunately, after Erin overhears Jay expressing his contempt for people like her, the disgust is mutual: She can't stand to be in the same room with him. Things get even more complicated when her brother, unaware of their brief but hostile acquaintance, installs Jay as Erin's new housemate. Erin has long struggled with the guilt and self-loathing caused by her strange attraction to disabled men and just wants to be normal. The last thing she needs is a disabled (and, God help her, hot) roommate reminding her she's defective. Once she gets to know him better, though, she begins to see Jay in a different light. Maybe he's not a complete jerk after all. But what will happen when, against her better judgment, she finally lets herself trust him--even love him--and finds out he's been deceiving her all along?

Human beings are inherently sensual. We all share the want and need to indulge in a thirst until no longer thirsty. We want to feel the sensation of a soft touch that makes the body vibrate. We long for satisfaction that feeds the soul with warmth, be it physical or emotional. Skye is a bit naïve when it comes to relationships. Montgomery is the on again, off again love of her life. Chelsea is the new age college roommate, while Terri is emotional, plain and simple. How will they navigate the world of love, lies, lust, and heartache? They are each swept up in a whirlwind of confusion. Is Skye the innocent damsel in the distress she first appears, or is she a sexually charged vixen? Lines are blurred as Skye takes on men and women in a world of erotic and mind-boggling relationships. Lust has a way of fooling people into thinking it's love, and as lust becomes Skye's fixation, who will pay the highest price: the lover, the cousin, or the wife?

From Amanda Lovelace, a poetry collection in four parts: the princess, the damsel, the queen, and you. The first three sections piece together the life of the author while the final section serves as a note to the reader. This moving book explores love, loss, grief, healing, empowerment, and inspiration. the princess saves herself in this one is the first book in the "women are some kind of magic" series.

From one of contemporary literature’s bestselling, critically acclaimed, and beloved authors: a “luminous” novel (Jennifer Egan, The New York Times Book Review) about a fiercely compelling young widow navigating grief, fear, and longing, and finding her own voice—“heartrendingly transcendant” (The New York Times, Janet Maslin). Set in Wexford, Ireland, Colm Tóibín’s magnificent seventh novel introduces the formidable, memorable, and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be sucked back into it. Wounded, selfish, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning insight and empathy, and when she begins to sing again, after decades, she finds solace, engagement, a haven—herself. Nora Webster “may actually be a perfect work of fiction” (Los Angeles Times), by a “beautiful and daring” writer (The New York Times Book Review) at the zenith of his career, able to “sneak up on readers and capture their imaginations” (USA TODAY). “Miraculous...Tóibín portrays Nora with tremendous sympathy and understanding” (Ron Charles, The Washington Post).