The Collected Works of E. M. Delafield (Illustrated) is a comprehensive collection of the renowned author's works, spanning various genres such as fiction, non-fiction, and humor. Delafield's literary style is characterized by its wit, social commentary, and keen observation of early 20th-century British society. The collection offers a glimpse into the challenges faced by women during that era, as well as Delafield's unique perspective on topics such as marriage, class, and gender roles. Delafield's satirical tone and sharp wit make her works both entertaining and thought-provoking, appealing to readers interested in British literature and feminism. The inclusion of illustrations enhances the reading experience, capturing the essence of Delafield's storytelling. E. M. Delafield's diverse body of work and insightful commentary make The Collected Works of E. M. Delafield (Illustrated) a must-read for fans of classic literature and social commentary.

Edmée Elizabeth Monica Dashwood, (1890 -1943), commonly known as E. M. Delafield, was a prolific English author. She is best known for her largely autobiographical Diary of a Provincial Lady, which took the form of a journal of the life of an upper-middle class Englishwoman living mostly in a Devon village of the 1930s. In sequels, the Provincial Lady buys a flat in London, travels to America, attempts to find war-work during the Phoney War, and tours the Soviet Union.

Im at a bit of an impasse here. I dont have spare copies of the books, so I cant be specific (ie delete pages xi, xii etc)! I simply cant do that. With regards to the prelim pages, thats rather similar. I sent two prelim pages for each title, which I can set out again if needed. One is a title page, and one is a copyright page. All I want is for premedia to delete the scored out pages, and insert my two in title page, copyright page order at the start of the book. Can you advise on how I can set this out so that they will accept this?

This edition includes: "Zella Sees Herself" (1915) - Zella is a beautiful orphan who must come to terms with her mother's death in a largely hostile world. The Novel is largely autobiographical and the first written work of E. M. Delafield. "The War-Workers" (1918) - The travails of working in a Supply Depot under the tyrannical control of Charmain Vivian, who meets her match in a newly arrived clergyman's daughter Grace Jones. "Consequences" (1919) - A young woman entering a convent. Its heroine, Alex Clare, refuses to marry the only young man to make her an offer of marriage, and, finding herself regarded as a failure by society, must resort to convent life. "Tension" (1920) - Pauline Marchrose is a successful candidate, a woman claiming to be 28 but probably in her early thirties, when women are only beginning to fight for their rights and for equal opportunities. "The Heel of Achilles" (1921) - A middle-class young woman Lydia Raymond who intends to marry "above her" during the first world war in England while her daughter Jane rebels against her. "Humbug: A Study in Education" (1922) - The protagonist Lilly is a charming character who in spite of believing in the goodness of things is bogged down by her family and society to conform. E. M. Delafield (1890-1943) was a prolific English author. She is best known for her largely autobiographical works like Zella Sees Herself, The Provincial Lady Series etc. which look at the lives of upper-middle class Englishwomen.

The 'Collected Novels of E. M. Delafield' is a comprehensive collection featuring six unabridged editions of the author's work in one volume. Known for her sharp wit and satirical portrayal of British society, E. M. Delafield's novels offer a glimpse into the lives of women in the early 20th century. Delafield's literary style is marked by her keen observation of social norms and conventions, often highlighting the struggles and frustrations of her female characters in a patriarchal world. Her writing evokes a sense of irony and humor that engages readers in a thoughtful exploration of gender and class dynamics of the time. The collection includes popular titles such as 'Diary of a Provincial Lady' and 'The War-Workers', showcasing Delafield's range as a writer. E. M. Delafield, a British author and suffragette, drew inspiration from her own experiences as a woman navigating the complexities of society. Her perspective offers a unique insight into the challenges faced by women striving for independence and self-expression. The 'Collected Novels of E. M. Delafield' is a must-read for fans of classic literature and anyone interested in a nuanced portrayal of women's lives in the early 20th century.

E. M. Delafield's 'E. M. Delafield Premium Collection: 6 Novels in One Volume' is a masterpiece in English literature, showcasing the author's unique style of combining wit and social commentary. Delafield's novels cover a wide range of topics, from the complexities of relationships to the challenges faced by women in early 20th-century society. The collection provides a fascinating insight into the lives of British middle-class families and the struggles they faced during that time period. Delafield's writing is characterized by its sharp humor, keen observations, and subtle critique of societal norms. E. M. Delafield herself was a prolific writer and a keen observer of human behavior. Her own experiences as a woman living in the early 20th century undoubtedly influence the themes and characters in her novels. Through her work, Delafield sheds light on the constraints and expectations placed on women of her time, while also celebrating their strength and resilience. I highly recommend 'E. M. Delafield Premium Collection: 6 Novels in One Volume' to readers who enjoy insightful, thought-provoking literature that explores the intricacies of society and human relationships. Delafield's keen observations and biting wit make this collection a must-read for anyone interested in the social dynamics of early 20th-century Britain.

"She could never, looking backwards, remember a time when she had not known that a woman's failure or success in life depended entirely upon whether or not she succeeded in getting a husband" When in the company of a young man a dutiful daughter should immediately assume an air of fresh, sparkling enjoyment. She should not speak of "being friends" with him-a young man is either eligible or he is not-and never, but never, should she get herself talked about, for a young girl who does so is doomed. "Men may dance with her, or flirt with her, but they don't propose." It would be quite a coup for a girl to find a husband during her first season, but if, God forbid, three seasons pass without success, she must join the ranks of those sad women who are a great embarrassment to society and, above all, to their disappointed mothers . . . With such thoughts in mind, how can Monica fail to look forward to her first ball?