Evolutionary game theory attempts to predict individual behavior (whether of humans or other species) when interactions between individuals are modeled as a noncooperative game. Most dynamic analyses of evolutionary games are based on their normal forms, despite the fact that many interesting games are specified more naturally through their extensive forms. Because every extensive form game has a normal form representation, some theorists hold that the best way to analyze an extensive form game is simply to ignore the extensive form structure and study the game in its normal form representation. This book rejects that suggestion, arguing that a game's normal form representation often omits essential information from the perspective of dynamic evolutionary game theory.

Integrating text and pictures, this edition also includes colour diagrams and examples of work done by students.

Rudolf Arnheim has been known, since the publication of his groundbreaking Art and Visual Perception in 1974, as an authority on the psychologicalinterpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In The Power of the Center, Arnheim uses a wealth of examples to consider the actors that determine the overall organization of visual form in works of painting, sculpture, and architecture. The Dynamics of Architectural Form explores the unexpected perceptual consequences of architecture with Arnheim's customary clarity and precision.

By redefining established topics of narratology, research has become highly diversified. The contributions to this volume neither synthesize developments nor work from shared postulates, but represent a fresh look at ongoing issues. Some scrutinize focalisation in a linguistic framework or in a poststructuralist vein; others take on reliable and unreliable narration in a pronominal perspective or the "unaddressed" reader who upsets the tidy schemes of narrative communication. Also outlined are a possible worlds approach to narrative time, a systematic treatment of metanarrative and a transgeneric application of narratology to poetry. The sequential ordering of narratives as a way of controlling reader response is examined in one article and in another is seen to elicit intertextual configurations. Both divergent and complementary, the contributions seek to integrate into narratological categories and methods the dynamic processes of narrative itself.

This is a readable and attractively presented textbook on fluid flow in biological systems that includes flow through blood vessels, pulsatile flow, and pattern formation. It bridges the divide among biomedical engineering students between those with an engineering and those with a bio-scientific background, by offering guidance in both physiological and mathematical aspects of the subject. Every chapter includes surprising, amusing, and stimulating effects that the reader may want to experiment on their own. Brief historical vignettes are also included throughout this book. We in the 21st century can so easily turn to the computer to provide a solution, that we forget the extraordinary sparks of insight that scientists in centuries past had to rely on to provide us with the foundational understanding and analytical tools that we now depend on. This book is an attempt to maintain our roots in past investigations, while giving us wings to explore future ones.