Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.

Kath Rutledge’s grandmother left her a charming fiber and fabric shop, a close-knit group of needlework lovers, and a television-addicted ghost in the attic. She may also have inherited the special skills required to untangle a murder. Always up for trying something new, Kath and her friends from the fiber and needlework group TGIF—Thank Goodness it’s Fiber—are visiting Cloud Hollow Farm for the day to learn the fine art of dyeing. With spring in the air, the friends head out to greet the sheep. But the sheep are more interested in something else—two bodies spread under a tall tree. And one of those bodies is someone they know. Kath’s friends nudge her to investigate, and no one is more adamant than Geneva, the ghost who loves to play assistant sleuth. But when Kath discovers another murder cut from the same cloth, she’s more determined than ever to hang a roving killer out to dry…

A simple do-it-yourself workbook to help people get their affairs in order and ease the burden on their survivors, Last Wishes covers everything from funeral arrangements to legal issues, location of key documents, and even an area to design a memorial.

*** 2023 Rakuten Kobo Emerging Writer Prize Finalist *** When I was seven, my mother died. I struck a bargain with the Gods to bring her back to life. For thirteen years now, I have served as a Harbinger of Death, coaxing dying wishes out of mortals so that the God of Death may grant them moksha, liberation from the cycles of birth and death. The man about to die this evening claims he has nothing to offer me. He is dying a content man, a rarity in our world. But when the God of Death arrives to lead his soul away, the man changes his mind about dying and flees, surreptitiously planting on me an enigma. I only know I cannot trust any God with this secret. And that I will pay an unbearable price for this concealment. Yet again, I underestimate how savagely the Gods can wound me. Set in Burlington, Ontario, this contemporary fantasy novel weaves Hindu mythology and South Indian folklore into a quest for belonging across different worlds – the World of Mortals and the World of Gods, India and Canada, the past and the present, the world outside and the one within. It is an offering to lovers of whimsical worlds and heartbreaking prose, and to anyone yearning to simply belong.

What was the life of a cow in early modern England like? What would it be like to milk that same cow, day-in, day-out, for over a decade? How did people feel about and toward the animals that they worked with, tended, and often killed? With these questions, Erica Fudge begins her investigation into a lost aspect of early modern life: the importance of the day-to-day relationships between humans and the animals with whom they worked. Such animals are and always have been, Fudge reminds us, more than simply stock; they are sentient beings with whom one must negotiate. It is the nature, meaning, and value of these negotiations that this study attempts to recover. By focusing on interactions between people and their livestock, Quick Cattle and Dying Wishes restores animals to the central place they once had in the domestic worlds of early modern England. In addition, the book uses human relationships with animals—as revealed through agricultural manuals, literary sources, and a unique dataset of over four thousand wills—to rethink what quick cattle meant to a predominantly rural population and how relationships with them changed as more and more people moved to the city. Offering a fuller understanding of both human and animal life in this period, Fudge innovatively expands the scope of early modern studies and how we think about the role that animals played in past cultures more broadly.

Have you put your affairs in order? This book is designed to help your loved ones after you've gone. In it you can record all the useful information they'll need to fulfill your wishes and manage your estate. It contains places to record everything from bank, property and insurance details, to what songs or hymns you'd like played at your funeral - from who you'd like invited to your service, to what you'd like done with your pets. A little bit of estate planning now, goes a long way to help those you'll leave behind later.

Following the death of her father, journalist and hospice volunteer Ann Neumann sets out to examine what it means to die well in the United States. When Ann Neumann’s father was diagnosed with non-Hodgkin’s lymphoma, she left her job and moved back to her hometown of Lancaster, Pennsylvania. She became his full-time caregiver—cooking, cleaning, and administering medications. When her father died, she was undone by the experience, by grief and the visceral quality of dying. Neumann struggled to put her life back in order and found herself haunted by a question: Was her father’s death a good death? The way we talk about dying and the way we actually die are two very different things, she discovered, and many of us are shielded from what death actually looks like. To gain a better understanding, Neumann became a hospice volunteer and set out to discover what a good death is today. She attended conferences, academic lectures, and grief sessions in church basements. She went to Montana to talk with the attorney who successfully argued for the legalization of aid in dying, and to Scranton, Pennsylvania, to listen to “pro-life” groups who believe the removal of feeding tubes from some patients is tantamount to murder. Above all, she listened to the stories of those who were close to death. What Neumann found is that death in contemporary America is much more complicated than we think. Medical technologies and increased life expectancies have changed the very definition of medical death. And although death is our common fate, it is also a divisive issue that we all experience differently. What constitutes a good death is unique to each of us, depending on our age, race, economic status, culture, and beliefs. What’s more, differing concepts of choice, autonomy, and consent make death a contested landscape, governed by social, medical, legal, and religious systems. In these pages, Neumann brings us intimate portraits of the nurses, patients, bishops, bioethicists, and activists who are shaping the way we die. The Good Death presents a fearless examination of how we approach death, and how those of us close to dying loved ones live in death’s wake.