Forensic archeologist Ruth Galloway investigates her most heart-stopping caseto date after an old university friend and fellow archeologist is murdered inan arson attack.

Power, money, murder . . . Investigating a seemingly accidental death leads DCI Bill Slider and his team down a dark path in this gripping British police procedural. The woman lies dead at the foot of the stairs. It's obvious what happened: she tripped and fell. But PC D'Arblay, called to the dilapidated West London villa by an anonymous tip-off, can't shake the feeling that's exactly what someone wants him to think. It was the deep head wound that killed her - but her dying fall left no blood trail, so what was it she hit her head on? DCI Slider, of the Shepherd's Bush murder squad, is soon convinced D'Arblay's right. But with no motive, no murder weapon and no idea even who the victim is, Slider faces steep odds to get a result . . . while each painstaking step towards the truth brings him closer to a ruthless, evil killer. The Bill Slider series is in "a league of its own" (Publishers Weekly Starred Review). If you haven't met Slider and his team yet, why not start now?

Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.

The Last Word investigates the debased art of eulogy. Through insightful, surprisingly playful readings of famous eulogies (from a scene in Love Actually to Jacques Derrida’s heart-rending essays on the deaths of his peers), Cooper argues against the socially sanctioned desire to avoid thinking about death that results in clichéd memorials, honoring neither the living nor the dead.

When a curator is found murdered, Ruth Galloway and Detective Inspector Nelson track down links between the murder, Aborigine skulls, and a drug-smuggling operation that forces Ruth to question her loyalties.

Sophie Rivers, inner-city college lecturer and amateur singer, has a satisfying life in Birmingham: a job she enjoys, a close circle of friends. Then, suddenly, things go badly wrong. One of her students is murdered on college premises; worse still, her best friend George meets a tragic end on the site of the newly built Music Centre. Everyone believes his death was an accident – everyone except Sophie. Determined to find his killer, she starts asking questions. And soon she knows they must be the right questions, because now someone is trying to murder her...

"Bracing and beautiful . . . Every human should read it." —The New York Times A New York Times Book Review Editors' Choice and 2017 Critics' Pick One of Barack Obama's Favorite Books of 2017 At the age of sixty, Cory Taylor is dying of melanoma-related brain cancer. Her illness is no longer treatable: she now weighs less than her neighbor’s retriever. As her body weakens, she describes the experience—the vulnerability and strength, the courage and humility, the anger and acceptance—of knowing she will soon die. Written in the space of a few weeks, in a tremendous creative surge, this powerful and beautiful memoir is a clear-eyed account of what dying teaches: Taylor describes the tangle of her feelings, remembers the lives and deaths of her parents, and examines why she would like to be able to choose the circumstances of her death. Taylor’s last words offer a vocabulary for readers to speak about the most difficult thing any of us will face. And while Dying: A Memoir is a deeply affecting meditation on death, it is also a funny and wise tribute to life.