Perfect for fans of Shari Lapena and Hannah Mary McKinnon, a mystery writer’s sudden disappearance leads a budding filmmaker down a dark road to treachery, murder, and long-buried sins. Aspiring filmmaker June Masterson has high hopes for her first documentary, the true story of the disappearance of famed mystery author Greer Larkin. June learned about the vanishing at age fourteen, locked down on her family’s isolated commune. Now, the deeper she digs into the project, the darker the story gets. Everyone has a theory. Greer’s mother, Blanche, and her best friend, Rachel, believe that Greer’s fiancé, Jonathan, is the culprit. Greer’s agent is convinced that Greer committed suicide after a debilitating bout of writer’s block. And Jonathan claims it was either Greer’s controlling mother or Rachel, whose attachment to Greer went way beyond friendship. In desperation, Rachel gives June a suitcase full of Greer’s most personal writings in hopes of finding proof against Jonathan. Then Rachel turns up dead. As June pores over Greer’s writings, she makes a devastating discovery that could finally reveal the truth about the author’s fate. But now, June finds herself in the sights of a killer who’ll stop at nothing to keep their darkest secret.

A priceless manuscript. A missing scholar. A trail of riddles. Bombay, 1950 For over a century, one of the world's great treasures, a six-hundred-year-old copy of Dante's The Divine Comedy, has been safely housed at Bombay's Asiatic Society. But when it vanishes, together with the man charged with its care, British scholar and war hero, John Healy, the case lands on Inspector Persis Wadia's desk. Uncovering a series of complex riddles written in verse, Persis - together with English forensic scientist Archie Blackfinch - is soon on the trail. But then they discover the first body. As the death toll mounts it becomes evident that someone else is also pursuing this priceless artefact and will stop at nothing to possess it . . . Harking back to an era of darkness, this second thriller in the Malabar House series pits Persis, once again, against her peers, a changing India, and an evil of limitless intent. Gripping, immersive, and full of Vaseem Khan's trademark wit, this is historical fiction at its finest.

From acclaimed classical historian, author of Ghost on the Throne (“Gripping . . . the narrative verve of a born writer and the erudition of a scholar” —Daniel Mendelsohn) and editor of The Landmark Arrian:The Campaign of Alexander (“Thrilling” —The New York Times Book Review), a high-stakes drama full of murder, madness, tyranny, perversion, with the sweep of history on the grand scale. At the center, the tumultuous life of Seneca, ancient Rome’s preeminent writer and philosopher, beginning with banishment in his fifties and subsequent appointment as tutor to twelve-year-old Nero, future emperor of Rome. Controlling them both, Nero’s mother, Julia Agrippina the Younger, Roman empress, great-granddaughter of the Emperor Augustus, sister of the Emperor Caligula, niece and fourth wife of Emperor Claudius. James Romm seamlessly weaves together the life and written words, the moral struggles, political intrigue, and bloody vengeance that enmeshed Seneca the Younger in the twisted imperial family and the perverse, paranoid regime of Emperor Nero, despot and madman. Romm writes that Seneca watched over Nero as teacher, moral guide, and surrogate father, and, at seventeen, when Nero abruptly ascended to become emperor of Rome, Seneca, a man never avid for political power became, with Nero, the ruler of the Roman Empire. We see how Seneca was able to control his young student, how, under Seneca’s influence, Nero ruled with intelligence and moderation, banned capital punishment, reduced taxes, gave slaves the right to file complaints against their owners, pardoned prisoners arrested for sedition. But with time, as Nero grew vain and disillusioned, Seneca was unable to hold sway over the emperor, and between Nero’s mother, Agrippina—thought to have poisoned her second husband, and her third, who was her uncle (Claudius), and rumored to have entered into an incestuous relationship with her son—and Nero’s father, described by Suetonius as a murderer and cheat charged with treason, adultery, and incest, how long could the young Nero have been contained? Dying Every Day is a portrait of Seneca’s moral struggle in the midst of madness and excess. In his treatises, Seneca preached a rigorous ethical creed, exalting heroes who defied danger to do what was right or embrace a noble death. As Nero’s adviser, Seneca was presented with a more complex set of choices, as the only man capable of summoning the better aspect of Nero’s nature, yet, remaining at Nero’s side and colluding in the evil regime he created. Dying Every Day is the first book to tell the compelling and nightmarish story of the philosopher-poet who was almost a king, tied to a tyrant—as Seneca, the paragon of reason, watched his student spiral into madness and whose descent saw five family murders, the Fire of Rome, and a savage purge that destroyed the supreme minds of the Senate’s golden age.

In this Cold War spy thriller based on actual case files, a beautiful young woman is willing to do whatever it takes to bring her sister home In the darkest days of World War II, Laura McGill and her sister, Diana, were willing to go behind enemy lines on behalf of Britain’s Special Operations Executive. They knew the risks and were willing to take them for king and country. What they did not expect was that their government would forget all about them once the war was over. It is the spring of 1948, four years since Diana disappeared inside occupied France, and Laura is sick of being ignored—so sick that she is willing to kidnap the head clerk of the SOE at gunpoint in order to learn the name of the spy who ran her sister’s last mission. The name she gets, James Hadley Webb, will take Laura to Berlin, a divided city on the verge of being cut off from the Western world. Webb is on the front lines of a new kind of war, a shadow war of influence and intrigue—and losing. Laura’s arrival, unwelcome as it is, may be just what Webb needs to turn things around—and stop his agents from dying. Dying Day is the 3rd book in the Post-War Trilogy, which also includes After Midnight and Last Sunrise.

'Sorry, ' she said, 'it's just I've never met anyone famous before.' 'Sorry, ' I replied, 'you still haven't.' In 2008, the media reported that Alex Day was the first person in the UK to make money from YouTube videos. He was described as 'a YouTube star'. But he didn't feel like one. Alex watched as his channel grew, leading him to a YouTube party in Sydney, a video convention in Los Angeles and a world record attempt in London. He signed up to new sites like Facebook, Twitter and Tumblr. But as his professional life flourished, his personal life unravelled when a series of damning blog posts exposed his past and left him with no friends and no home -- and no audience. How would you cope if your worst mistakes were written up and torn apart by thousands of strangers, right before your eyes? A book about ambition, failure and responsibility, Living and Dying on the Internet is a timely and unparalleled look into the evolution of YouTube, the culture of public shaming and an insightful account of how the internet has changed -- and changed us -- over the last ten years.

When Matt Reid sets out to find the truth about his biological father, he doesn't expect to find family entanglements, or the strange and unpredictable Australian woman, whom he can't seem to erase from his mind.

*** WINNER OF THE CWA SAPERE BOOKS HISTORICAL DAGGER 2021 *** 'The leading character is the deftly drawn Persis Wadia, the country's first female detective. She's a wonderful creation and this is a hugely enjoyable book' ANN CLEEVES 'This is historical crime fiction at its best - a compelling mix of social insight and complex plotting with a thoroughly engaging heroine. A highly promising new series' Mail on Sunday Bombay, New Year's Eve, 1949 As India celebrates the arrival of a momentous new decade, Inspector Persis Wadia stands vigil in the basement of Malabar House, home to the city's most unwanted unit of police officers. Six months after joining the force she remains India's first female police detective, mistrusted, sidelined and now consigned to the midnight shift. And so, when the phone rings to report the murder of prominent English diplomat Sir James Herriot, the country's most sensational case falls into her lap. As 1950 dawns and India prepares to become the world's largest republic, Persis, accompanied by Scotland Yard criminalist Archie Blackfinch, finds herself investigating a case that is becoming more political by the second. Navigating a country and society in turmoil, Persis, smart, stubborn and untested in the crucible of male hostility that surrounds her, must find a way to solve the murder - whatever the cost.