This study Encompasses a variety of topics relating to Dutch Jewry, from the beginning of Jewish settlement through the Holocaust.

How did Jews in the Netherlands view themselves and how were they viewed by others? This is the single theme around which the twenty-five essays in this volume, written by scholars from the Netherlands, Israel and other countries, revolve. The studies encompass a variety of topics and periods, from the beginning of the Jewish settlement in the Dutch Republic through the Shoah and its aftermath. They include examinations of the Sephardi Jews in the seventeenth and eighteenth centuries, the Jews in the periods of Emancipation and Enlightenment, social and cultural encounters between Jews and non-Jews throughout the ages, the image of the Jew in Dutch literature in the nineteenth and twentieth centuries, and the churches' attitudes toward Jews. Also highlighted are the second World War and its consequences, Dutch Jews in Israel and Israelis in the contemporary Netherlands.

The two decades since the last authoritative general history of Dutch Jews was published have seen such substantial developments in historical understanding that new assessment has become an imperative. This volume offers an indispensable survey from a contemporary viewpoint that reflects the new preoccupations of European historiography and allows the history of Dutch Jewry to be more integrated with that of other European Jewish histories. Historians from both older and newer generations shed significant light on all eras, providing fresh detail that reflects changed emphases and perspectives. In addition to such traditional subjects as the Jewish community’s relationship with the wider society and its internal structure, its leaders, and its international affiliations, new topics explored include the socio-economic aspects of Dutch Jewish life seen in the context of the integration of minorities more widely; a reassessment of the Holocaust years and consideration of the place of Holocaust memorialization in community life; and the impact of multiculturalist currents on Jews and Jewish politics. Memory studies, diaspora studies, postcolonial studies, and digital humanities all play their part in providing the fullest possible picture. This wide-ranging scholarship is complemented by a generous plate section with eighty fully captioned colour illustrations.

The articles of this volume deal with the connections between the history and culture of the Jews of the Netherlands from the beginning of the seventeenth century until the Holocaust and its aftermath, and phenomena and processes that distinguish all of Jewish history in the modern period.

There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries. Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam—which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood—Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented—far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictions of Jews during the Middle Ages and the Renaissance. Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now—a trip that, under ever-threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.

This volume, consisting of seventeen studies by leading experts in the field, constitutes an important new survey of Dutch jewish history.

In The Religious Cultures of Dutch Jewry an international group of scholars examines aspects of religious belief and practice of pre-emancipation Sephardim and Ashkenazim in Amsterdam, Curaçao and Surinam, ceremonial dimensions, artistic representations of religious life, and religious life after the Shoa. The origins of Dutch Jewry trace back to diverse locations and ancestries: Marranos from Spain and Portugal and Ashkenazi refugees from Germany, Poland and Lithuania. In the new setting and with the passing of time and developments in Dutch society at large, the religious life of Dutch Jews took on new forms. Dutch Jewish society was thus a microcosm of essential changes in Jewish history.