This volume contains articles by 17 slavists from the Low Countries. Although they are all about Slavic linguistics, they cover a wide range of subjects and their theoretical implications are often not restricted to slavistics alone. Most contributions deal with Russian or Slavic in general, but South and West Slavic are also represented. The reader who knows the strong points for which Dutch slavistics is traditionally known and appreciated will not be disappointed: s/he will find papers on syntax and semantics (Fortuin, Van Helden, Honselaar, Keijsper, Tribušinina), aspectology (Barentsen, Genis), philology (Veder), historical Slavic phonology and morphology (Derksen, Kortlandt, Vermeer), dialectology (Houtzagers, Pronk), the study of sentence intonation (Odé) and papers representing crossroads between these disciplines: philology and historical linguistics (Hendriks, Schaeken), aspectology and philology (Kalsbeek). Apart from its quality in the linguistic fields enumerated here, Dutch Slavic linguistics is known for its empirical approach: the main goal is to find explanations for linguistic reality. Theory is relevant inasmuch as it helps us to find such explanations and not for its own sake. Though each and every paper in this volume exemplifies this empirical attitude, it might be especially illustrative to mention that almost all authors who studied the larger contemporary Slavic languages made extensive use of language corpus resources, part of which were collected at the University of Amsterdam.

In this volume of SSLP the contributions of Dutch scholars working in the field of Slavic literature and culture to the 14th International Congress of Slavists (Ohrid, Macedonia, September 10–16, 2008) are brought together. All of them except one (on the Polish poet Cyprian Norwid’s story Stigma), deal with Russian literature from the end of the 18th century up to recent years. A variety of topics is treated, such as the feminization of Russian literature, the reflection of poetry in prose, anthropological and religious dimensions of literature, the specifics of theme and of plot, Russian modernism and postmodernism, and the status of language, from different methodological angles: gender studies, structural analysis, philosophical-contextual, postcolonial. Works of such Russian authors as Ippolit Bogdanovich, Ivan Turgenev, Pavel Mel’nikov-Pecherskii, Ignatii Potapenko, Iurii Trifonov, Timur Kibirov and Viktor Pelevin are discussed in detail. This volume is of interest for a scholarly audience interested in Russian literature of the last 250 years.

In this volume of SSLP the contributions of Dutch scholars working in the field of Slavic literature and culture to the 14th International Congress of Slavists (Ohrid, Macedonia, September 10–16, 2008) are brought together. All of them except one (on the Polish poet Cyprian Norwid's story Stigma), deal with Russian literature from the end of the 18th century up to recent years. A variety of topics is treated, such as the feminization of Russian literature, the reflection of poetry in prose, anthropological and religious dimensions of literature, the specifics of theme and of plot, Russian modernism and postmodernism, and the status of language, from different methodological angles: gender studies, structural analysis, philosophical-contextual, postcolonial. Works of such Russian authors as Ippolit Bogdanovich, Ivan Turgenev, Pavel Mel'nikov-Pecherskii, Ignatii Potapenko, Iurii Trifonov, Timur Kibirov and Viktor Pelevin are discussed in detail. This volume is of interest for a scholarly audience interested in Russian literature of the last 250 years.

This volume contains articles by 17 slavists from the Low Countries. Although they are all about Slavic linguistics, they cover a wide range of subjects and their theoretical implications are often not restricted to slavistics alone. Most contributions deal with Russian or Slavic in general, but South and West Slavic are also represented. The reader who knows the strong points for which Dutch slavistics is traditionally known and appreciated will not be disappointed: s/he will find papers on syntax and semantics (Fortuin, Van Helden, Honselaar, Keijsper, Tribušinina), aspectology (Barentsen, Genis), philology (Veder), historical Slavic phonology and morphology (Derksen, Kortlandt, Vermeer), dialectology (Houtzagers, Pronk), the study of sentence intonation (Odé) and papers representing crossroads between these disciplines: philology and historical linguistics (Hendriks, Schaeken), aspectology and philology (Kalsbeek). Apart from its quality in the linguistic fields enumerated here, Dutch Slavic linguistics is known for its empirical approach: the main goal is to find explanations for linguistic reality. Theory is relevant inasmuch as it helps us to find such explanations and not for its own sake. Though each and every paper in this volume exemplifies this empirical attitude, it might be especially illustrative to mention that almost all authors who studied the larger contemporary Slavic languages made extensive use of language corpus resources, part of which were collected at the University of Amsterdam.

In this volume Jaap Kamphuis provides a comprehensive and systematic corpus-based quantitative and qualitative study of verbal aspect in Old Church Slavonic.

This book takes up the obtrusive problem of visual representation of fiction in contemporary Russian book design. By analyzing a broad variety of book covers, the study offers an absolutely unique material that illustrates a radically changing notion of literature in the transformation of Soviet print culture to a post-Soviet book market. It delivers a profound and critical exploration of Russian visual imaginary of classic, popular, and contemporary prose. Among all the carelessly bungled covers of mass-published post-Soviet series the study identifies gems from experimental designers. By taking a comparative approach to the clash of two formerly separate book cultures, the Western and the Soviet, that results both in a mixture of highbrow and lowbrow forms and in ideological re-interpretations of the literary works, this book contributes to opening an East-West dialogue between the fields of Russian studies, contemporary book and media history, art, design, and visual studies.