This lavishly-illustrated volume provides an unprecedented look at twenty-eight houses (plus eleven barns and other structures) built in the seventeenth and eighteenth centuries by Dutch colonists in the north-eastern United States, primarily in upstate New York and along the Hudson River Valley, on Long Island and Staten Island, and in New Jersey. An authoritative work-- written by eminent experts in the field-- "Dutch Colonial Homes in America" explores the homes in their broader social context by focusing on the historical and religious forces of the times. This book is the first to investigate the meaning of the home and its aesthetics for the Dutch in America, and also the first to look at these homes as a form of art and craft and, importantly, the influence this form and these people had on the shape of the American house to come. The 200 spectacular new color photographs here are beautifully styled in a manner that recalls the paintings of Vermeer and evoke what might have been the ambiance of these homes hundreds of years ago.

The history, culture, and lifeways of New Netherland as researched and interpreted by Dutch and American scholars.

Anne Fairfax and Richard Sammons are at the forefront of a movement among architects today who draw inspiration from the wellspring of the classical traditions in architecture. They have developed a body of work that reflects and adheres to the long-held theories of proportion and order passed down through many past generations of scholarship and practice. The firm's office also served as the headquarters for Henry Hope Reid's Classical America, the only organization offering an alternative to modernist aesthetics until the establishment of the Institute of Classical Architecture in 1992. The twenty-four projects in this volume show the firm's consistent focus on classical architectural beauty, whether the chosen style be Palladian, Tuscan, Mediterranean, Georgian, Adamesque, Neo-classical, British or Dutch Colonial, Colonial Revival, or even East Coast Shingle Style, in all of which Fairfax & Sammons are eminently proficient. The projects selected out of the firm's large body of work include country houses located in Connecticut, New York, Virginia, and Florida, including the renovation of town houses and apartments in New York City—all presented in new color photography.

Rare plan book published by Loizeaux building-supply and lumber companies of New Jersey in 1927. Illustrations and floor plans for 134 houses — Colonial, Gothic, Modern English, Italian, and other styles. Over 230 illustrations.

How much of the Dutch world in America survived after the English? One hundred years after the English took control of New Netherland in 1664, New York retained many Dutch characteristics. The cultural milieu shifted abruptly, however, with population growth and increased affluence following the termination of the French and Indian Wars in 1760. British customs and tastes that were stylishly attractive to a new generation of moneyed colonists soon put Dutch culture in retreat in all but the most isolated areas. Some elements of the past persisted in ways never dreamed of by the Dutch West India Company officials, who oversaw their nation's colonization in America. These include caucus politics, separation of church and state, neighborly evening visits on the stoop, and Santa Claus. Even more striking is the similarity between principles and practices that emerged in the Dutch Republic four centuries ago and some of the precepts on which the American republic was founded. Much of the Dutch cultural and social history may be interpreted and understood through objects they brought with them and from those objects and structures they created in the New World. This landmark volume, originating in a major exhibit commemorating the tricentennial of the city of Albany, uncovers the range of Dutch colonial experience in America through some 350 objects: paintings, furniture, silver, gold, ceramics, textiles, prints, drawings, and architecture. The result is a rare and remarkable glimpse of New Netherland, a long-ago world that continues to resonate today. Roderic H. Blackburn is an ethnologist and architectural historian who has held positions as Director of Research at Historic Cherry Hill, Assistant Director of the Albany Institute of History and Art, and Senior Research Fellow at the New York State Museum. He is the author of Dutch Colonial Homes in America and Great Houses of New England. Ruth Piwonka is the author of A Portrait of Livingston Manor, 1686–1850 and the coauthor (with Roderic H. Blackburn) of A Visible Heritage: Columbia County, New York: A History in Art and Architecture.

At Home in the American Barn examines the fascinating possibilities for living and adaptive reuse provided by the expansive spaces and rough-hewn look of these traditional structures. Nationwide, Americans are turning to structures such as the barn with a mind to renovating them to fit the lifestyles of today, redesigning these often-wonderful places of the past into residential spaces. At Home in the American Barn embraces the dream to slow things down and return to basics and shares some success stories, as made plain by the buildings themselves.This richly illustrated volume focuses on the barn as home. Each of the structures featured has been adapted from its original utilitarian purpose to allow for comfortable, joyous living. Built at first as places for work, barns nevertheless often demonstrate fine craftsmanship and artistry. This volume emphasizes the rare beauty of these structures and shows throughout elegant solutions for living in these beautifully imagined homes. Soaring rafters here allow for dramatic chandeliers in one home or a wall of magnificent bookcases in another. Spaces that are unconventional in a traditional domestic sense here serve as springboards for inspiration that allow for, in one home, a spiral staircase of fantasy made from hand-planed wood, and, in another, a wall of glass that lets in the sun. At Home in The American Barn shows the way that this can be done successfully and artfully.