Exhibition catalog of ten contemporary Indian women artists; includes their brief life sketch.

The Hindu pantheon is rich in images of the divine feminine—deities representing a wide range of symbolic, social, and meditative meanings. David Kinsley's new book documents a highly unusual group of ten Hindu tantric goddesses, the Mahavidyas, many of whom are strongly associated with sexuality and violence. What is one to make of a goddess who cuts her own head off, or one who prefers sex with a corpse? The Mahavidyas embody habits, attributes, or identities usually considered repulsive or socially subversive and can be viewed as "antimodels" for women. Yet it is within the context of tantric worship that devotees seek to identify themselves with these forbidding goddesses. The Mahavidyas seem to function as "awakeners"—symbols which help to project one's consciousness beyond the socially acceptable or predictable. Drawing on a broad range of Sanskrit and vernacular texts as well as extensive research in India, including written and oral interpretations of contemporary Hindu practitioners, Kinsley describes the unusual qualities of each of the Mahavidyas and traces the parallels between their underlying themes. Especially valuable are the many rare and fascinating images he presents—each important to grasping the significance of the goddesses. Written in an accessible, engaging style, Kinsley's book provides a comprehensive understanding of the Mahavidyas and is also an overview of Hindu tantric practice.

Shiv Shakti Dus Mahavidya 1 in English rhyme with original text covers the Devi's: Universe, Source of Power, Energy Within, Mantra, Gita, Upanisad, Stotra, Arti, Birth, Living Energy & Power, 10 Cosmic forces, yantra, kavach, armour, stuti, Tedmples and Sakti Peeths.

On the Tantric worship of Śakti, Hindu deity; a study.

Shiv Shakti Dus Mahavidya in English rhyme with original text includes various mantras, stuti, stotras etc English rhyme of Ma : Kali, Tara, Lalita, Bhuvaneshwari, Bharavi, Chinnamasta, umvanti, Banglamukhi, Matangi and Kamala.

The Dus Mahavidyas are Wisdom Goddesses. Dus means ten, Maha means great, and Vidya means wisdom. Ranging from the gentle to the horrific, each form of the Goddess has Her own name, story, quality, and mantras.Mahavidya Sadhana originated in India around 1700CE and is considered to be the most esoteric of all spiritual practices. It is a discipline meant only for the lion hearted!Mahavidya Sadhana is one of the best kept secrets of the Indian mystical traditions but not any more. This text provides a detailed, step by step guide to invoke, evoke and personally work with each of the Ten Mahavidyas. The results will be astonishing and life altering!Life is calling: Surrender NOW to the Grace of the Divine Feminine and experience unlimited power and bliss. Are you ready?

The Mahāvidyās are the representative Tantric feminine pantheon consisting of ten goddesses. It is formed by divergent religious strands and elements: the mātṛ and yoginī worship, the cult of Kālī and Tripurasundarī, Vajrayāna Buddhism, Jain Vidyādevīs, Śaiva and Vaiṣṇava faith, Śrīvidyā, the Brahmanical strand of Puranic traditions, etc. This volume is the first attempt to explore the historical process, through which these traditions culminated in the Mahāvidyā cult and the goddesses with different origins and contradictory attributes were brought into a cluster, with special reference to socio-political changes in the lower Gaṅgā and Brahmaputra Valley between the 9th and 15th centuries CE. Based on a close analysis of Purāṇas, Tantras and inscriptional evidence, and on extensive field research on archaeological remains as well as sacred sites, Jae-Eun Shin discusses the two trajectories of the Mahāvidyās in eastern Śākta traditions. Each led to the systematization of Daśamahāvidyās in a specific way: one, as ten manifestations of Durgā upholding dharma in the cosmic dimension, and the other, as ten mandalic goddesses bearing magical powers in the actual sacred site. Their attributes and characteristics have neither been static nor monolithic, and the mode of worship prescribed for them has changed in a dialectical religious process between Brahmanical and Tantric traditions of the region. This is the definitive work for anyone seeking to understand goddess cults of South Asia in general and the history of eastern Śākta traditions in particular. To aid study, the volume includes images, diagrams and maps. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.