Reading the twelve major novels of Lawrence Durrell, this study argues for their consideration as a single major project, an opus, marked by themes of liminality and betweenness. As major texts of mid-twentieth-century literature, repeatedly earning nominations for the Nobel Prize, Durrell’s work has attracted renewed critical attention since his centenary in 2012. This study shows the thematic unity of the opus in five areas. First, by disrupting expectations of love and death and by fashioning plural narrators, works in the opus blend notions of the subject and the object. Second, in their use of metafictional elements, the texts present themselves as neither fiction nor reality. Third, their approach to place and identity offers something between the naturalistic and the human-centric. Fourth, though the texts’ initial concerns are engaged with understanding the past and preparing for a future, they all resolve in something like the present. And fifth, though the novels reject many aspects of modernism, they reside nevertheless between the poles of modernism and postmodernism. Shared with other writers, including T.S. Eliot and Henry Miller, as early as the 1940s, Durrell’s plans for his major works of fiction remained consistent through the publication of the last novel in 1985, and these plans show the need to consider the twelve major works as a unitary whole.

From the olive trees of southern France to Gnostic cults in Egypt, a man and his lovers are invented and reinvented in this first volume of a great literary adventure. For British doctor Bruce Drexel, a return to Provence is bittersweet. Here, at a rustic chateau, he once fell in love with Sylvie, the Frenchwoman who would become his wife, and befriended her brother, Piers. The three made up a peculiar, potent ménage for years until Sylvie’s descent into madness and Piers’s suicide. As Drexel attends to Piers’s affairs, he becomes steeped in the memories of a spiritually transformational trip to Egypt; the band of intellectual confederates who used to be his intimate friends; and a three-sided love that became his reason for being. So begins Monsieur, the masterful first entry of Durrell’s Avignon Quintet, an infinite regress of memory and imagination that challenges the formal conventions of fiction.

Lawrence Durrell’s The Alexandria Quartet is regarded as the central work in his fiction. It has provoked critical commentary ever since the appearance of its individual volumes – Justine (1957), Balthazar (1958), Mountolive and Clea (1959) and the publication in a one-volume edition in 1962. Scores of Master’s and PhD dissertations have been written since the 1960s on this most compelling and provocative novel. Today, The Alexandria Quartet stimulates critical discussion in works addressing the city, Durrell’s representation of Alexandria, the theory of relativity, the role of memory, the recurring feature of the doppelgänger and the presence of the Gothic uncanny; his frequent references to D.H. Lawrence; his treatment of women characters; his interest in Gnosticism; and his own description of the Quartet as “a strange mixture of sex and the secret service”. This volume of essays addresses all these themes, and brings together the mature work of four scholars on this central work of Durrell’s fiction, together with two essays on its sequels, Tunc-Nunquam (1968-70) and The Avignon Quintet (1974-85).

National Bestseller: The complete trilogy that inspired Masterpiece production The Durrells in Corfu in one volume. The tales of a naturalist and his family, who left England for the Greek island of Corfu—where they interacted with fascinating locals of both human and animal varieties—these memoirs have become beloved bestsellers and inspired the delightful series that aired on PBS television. Included in this three-book collection are: My Family and Other Animals: Ten-year-old Gerald Durrell arrives on sun-drenched Corfu with this family and pursues his interest in natural history, making friends with the island’s fauna—from toads and tortoises to scorpions and geckos—while reveling in the joyous chaos of growing up in an unconventional household. Birds, Beasts and Relatives: Written after a boyhood spent studying zoology, this memoir is part nature guide, part coming-of-age tale, and all charmingly funny memoir. The Garden of the Gods: In the conclusion of the trilogy, Durrell shares more tales of wild animals and his even wilder family, including his mother, Louisa, and his siblings Lawrence, Leslie, and Margo, in the years before World War II. “[Durrell’s] books have an unfailing charm. . . . It is a tribute to his skill that one never tires of his accounts” (Chicago Tribune). This ebook features an illustrated biography of Gerald Durrell including rare photos from the author’s estate.

Collection of eight short stories by the author observing absurdity that abounds in the world.

"Demands comparison with the very best books of our century . . . A truly important writer . . . His people, his places are masterly."― New York Times Book Review Durrell's masterpiece is onne of the world's greatest romances, rich in political and sexual intrigue. This seductive tale of four tangled lovers in wartime Egypt is set in the city of Alexandria once home to the world's greatest library, attracting scholars dedicated solely to the pursuit of knowledge. But on the eve of World War II, the obsessed characters in this mesmerizing novel find that their pursuits lead only to bedrooms in which each seeks to know-and possess-the other.

'What we all need,' said Larry, 'is sunshine . . . a country where we can grow.' 'Yes, dear, that would be nice,' agreed Mother, not really listening. 'I had a letter from George this morning - he says Corfu's wonderful. Why don't we pack up and go to Greece?' 'Very well, dear, if you like,' said Mother unguardedly. Escaping the ills of the British climate, the Durrell family - acne-ridden Margo, gun-toting Leslie, bookworm Lawrence and budding naturalist Gerry, along with their long-suffering mother and Roger the dog - take off for the island of Corfu. But the Durrells find that, reluctantly, they must share their various villas with a menagerie of local fauna - among them scorpions, geckos, toads, bats and butterflies. Recounted with immense humour and charm My Family and Other Animals is a wonderful account of a rare, magical childhood. 'Durrell has an uncanny knack of discovering human as well as animal eccentricities' Sunday Telegraph