"A model reference work that can be used with profit and delight by general readers as well as by more advanced students of Twain. Highly recommended." - Library Journal The Routledge Encyclopedia of Mark Twain includes more than 700 alphabetically arranged entries that cover a full variety of topics on this major American writer's life, intellectual milieu, literary career, and achievements. Because so much of Twain's travel narratives, essays, letters, sketches, autobiography, journalism and fiction reflect his personal experience, particular attention is given to the delicate relationship between art and life, between artistic interpretations and their factual source. This comprehensive resource includes information on: Twain’s life and times: the author's childhood in Missouri and apprenticeship as a riverboat pilot, early career as a journalist in the West, world travels, friendships with well-known figures, reading and education, family life and career Complete Works: including novels, travel narratives, short stories, sketches, burlesques, and essays Significant characters, places, and landmarks Recurring concerns, themes or concepts: such as humor, language; race, war, religion, politics, imperialism, art and science Twain’s sources and influences. Useful for students, researchers, librarians and teachers, this volume features a chronology, a special appendix section tracking the poet's genealogy, and a thorough index. Each entry also includes a bibliography for further study.

Red sandstone, lumber, paper, cows, and college students feature prominently in Potsdam. With its selection of two hundred stunning photographs, the book records aspects of life in Potsdam from the mid-1800s to the mid-1900s. Located on the Racquette River between the St. Lawrence River and the Adirondack Mountains, the town is one often that were created in 1787 to promote settlement of New York State. Education has played an important role in Potsdam since 1816, when St. Lawrence Academy opened. The success of the academy led to the establishment in 1866 of a normal school, the forerunner of Potsdam College, with its renowned Crane School of Music.

Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination is a twelve-book series of which this book is the second volume, subtitled Khayyami Millennium: Reporting the Discovery and the Reconfirmation of the True Dates of Birth and Passing of Omar Khayyam (AD 1021-1123). Each book is independently readable, although it will be best understood as a part of the whole series. In the overall series, the transdisciplinary sociologist Mohammad H. Tamdgidi shares the results of his decades-long research on Omar Khayyam, the enigmatic 11th/12th centuries Persian Muslim sage, philosopher, astronomer, mathematician, physician, writer, and poet from Neyshabour, Iran, whose life and works still remain behind a veil of deep mystery. Tamdgidi’s purpose has been to find definitive answers to the many puzzles still surrounding Khayyam, especially regarding the existence, nature, and purpose of the Robaiyat in his life and works. To explore the questions posed, he advances a new hermeneutic method of textual analysis, informed by what he calls the quantum sociological imagination, to gather and study all the attributed philosophical, religious, scientific, and literary writings of Khayyam. In this second book of the series, Tamdgidi lays down an essential foundation for the series by revisiting the unresolved questions surrounding the dates of birth and passing of Omar Khayyam. Critically reexamining the manner in which Omar Khayyam’s birth horoscope as reported in Zahireddin Abolhassan Beyhaqi’s Tatemmat Sewan al-Hekmat (Supplement to the Chest of Wisdom) was used by Swāmi Govinda Tīrtha in his The Nectar of Grace: Omar Khayyam’s Life and Works (1941) to determine Khayyam’s birth date, Tamdgidi uncovers a number of serious internal inconsistencies and factual inaccuracies that prevented Tīrtha (and, since then, other scholars more or less taking for granted his results) from arriving at a reliable date for Khayyam’s birth, hurling Khayyami studies into decades of confusion regarding Khayyam’s life and works. Tamdgidi then shares in the book the detailed account of his own discovery of Khayyam’s true date of birth for the first time, a finding that eluded Khayyami studies for centuries and is bound to revolutionize the studies for decades to come. Tamdgidi then turns his attention to the task of definitively establishing the true date of passing of Omar Khayyam. Conducting an in-depth, superposed analysis of Beyhaqi’s Tatemmat Sewan el-Hekmat (Supplement to the Chest of Wisdom), Abdorrahman Khazeni’s Mizan ol-Hekmat (Balance of Wisdom), Nezami Arouzi’s Chahar Maqaleh (Four Discourses), and Yar Ahmad Rashidi Tabrizi’s Tarabkhaneh (House of Joy), amid other relevant texts, he succeeds in firmly reconfirming and further discovering, in a textually reliable way, not only the year, the season, the month, and the day, but even the most likely time of day at which the poet mathematician, astronomer, and calender reformer died as a solar centenarian, completing his 102nd solar year age. Strange is that these discoveries are made just in time as we approach the first solar millennium of Omar Khayyam’s birth date on June 10, 1021, at sunrise of Neyshabour, Iran, and the ninth solar centennial of his passing on June 10, 1123, on the eve also of his birthday, closing the circle of his life’s “coming and going.” CONTENTS About OKCIR—i Published to Date in the Series—ii About this Book—iv About the Author—viii Notes on Transliteration—xix Acknowledgments—xxi Preface to Book 2: Recap From Prior Book of the Series—1 Introduction to Book 2: The Dilemma and Significance of Omar Khayyam’s Dates of Birth and Passing—11 CHAPTER I—Contributions, Inconsistencies, and Inaccuracies of Swāmī Govinda Tīrtha’s Findings Regarding Omar Khayyam’s Dates of Birth and Passing —27 CHAPTER II—In Search of the Correct Gemini Degree: The Story of How Omar Khayyam’s True Date of Birth Was Discovered Shortly Before Its Imminent Millennium—63 CHAPTER III—In Search of Omar Khayyam’s True Date of Passing: Superposing the Birth Date Findings With Beyhaqi’s “Tatemmat Sewan el-Hekmat” And Khazeni’s “Mizan ol-Hekmat”—133 CHAPTER IV—Searching More for Omar Khayyam’s True Date of Passing: Superposing the Birth Date Findings With Present and Older Manuscript Copies of Nezami Arouzi’s “Chahar Maqaleh”—171 CHAPTER V—Omar Khayyam’s True Date of Passing Discovered and Reconfirmed: Superposing the Birth Date Findings With All “Tarabkhaneh,” “Chahar Maqaleh,” And “Tatemmat Sewan el-Hekmat” Accounts—201 Conclusion to Book 2: Summary of Findings—255 Appendix: Transliteration System and Book 2 Glossary—267 Book 2 Cumulative Glossary of Transliterations—280 Book 2 References—287 Book 2 Index—291

In this first book on No. 44 in thirty years, thirteen especially commissioned essays by some of today's most accomplished Twain scholars cover an array of topics, from domesticity and transnationalism to race and religion, and reflect a variety of scholarly and theoretical approaches to the work. This far-reaching collection considers the status of No. 44 within Twain's oeuvre as they offer cogent insights into such broad topics as cross-culturalism, pain and redemption, philosophical paradox, and comparative studies of the "Mysterious Stranger" manuscripts. All of these essays attest to the importance of this late work in Twain's canon, whether considering how Twain's efforts at truth-telling are premeditated and shaped by his own experiences, tracing the biblical and religious influences that resonate in No. 44, or exploring the text's psychological dimensions. Several address its importance as a culminating work in which Twain's seemingly disjointed story lines coalesce in meaningful, albeit not always satisfactory, ways. An afterword by Alan Gribben traces the critical history of the "Mysterious Stranger" manuscripts and the contributions of previous critics. A wide-ranging critical introduction and a comprehensive bibliography on the last century of scholarship bracket the contributions. Close inspection of this multidimensional novel shows how Twain evolved as a self-conscious thinker and humorist--and that he was a more conscious artist throughout his career than has been previously thought. Centenary Reflections deepens our understanding of one of Twain's most misunderstood texts, confirming that the author of No. 44 was a pursuer of an elusive truth that was often as mysterious a stranger as Twain himself.

Metaphor theory, observes John Bird, is like Mark Twain: both seem simple upon first introduction. Now, in the most complete study to date of Twain's use of figurative language, a veteran Twain scholar tackles the core of his writing and explores it with theoretical approaches that have rarely been applied to Twain, providing new insights into how he imagined his world--and the singular ways in which he expressed himself. From "The Jumping Frog" to the late dream narratives, Bird considers Twain's metaphoric construction over his complete career and especially sheds new light on his central texts: Roughing It; The Adventures of Tom Sawyer; Adventures of Huckleberry Finn; A Connecticut Yankee in King Arthur's Court; Pudd'nhead Wilson; and No. 44,The Mysterious Stranger. He reconsiders "Old Times on the Mississippi" as the most purely metaphorical of Twain's writings, goes on to look at how Twain used metaphor and talked about it in a variety of works and genres, and even argues that Clemens's pseudonym is not so much an alter ego as a metaphorized self. By offering insight into how Twain handled figurative language during the composing process, Bird reveals not only hidden facets of his artistry but also new aspects of works that we think we know well--including some entirely new ideas regarding Huck Finn that draw on the recent discovery of the first half of the manuscript. In addition to dealing with issues currently central to Twain studies, such as race and gender, he also links metaphor to humor and dream theory to further illuminate topics central to his work. More than a study of Twain's language, the book delves into the psychological aspects of metaphor to reveal the writer's attitudes and thoughts, showing how using metaphor as a guide to Twain reveals much about his composition process. Applying the insights of metaphor theorists such as Roman Jakobson and Colin M. Turbayne, Bird offers readers not only new insights into Twain but also an introduction to this interdisciplinary field. In lively prose, Mark Twain and Metaphor provides a vital way to read Twain's entire corpus, allowing readers to better appreciate his style, humor, and obsession with dreams. It opens new ground and makes old ground fresh again, offering ways to see and resee this essential American writer.

A reference guide to the great American author (1835-1910) for students and general readers. The approximately 740 entries, arranged alphabetically, are essentially a collection of articles, ranging significantly in length and covering a variety of topics pertaining to Twain's life, intellectual milieu, literary career, and achievements. Because so much of Twain's writing reflects Samuel Clemens's personal experience, particular attention is given to the interface between art and life, i.e., between imaginative reconstructions and their factual sources of inspiration. Each entry is accompanied by a selective bibliography to guide readers to sources of additional information. Annotation copyright by Book News, Inc., Portland, OR