"Duncan is set in a world almost exactly like ours, except that all animals can talk. Humans still have dominion over everything, and a lot of animals aren't too happy about it; they also see the world in very different ways from each other, and from people"--Publishers Weekly.

A NEW YORK TIMES NOTABLE BOOK Once in a great while a writer comes along who can truly capture the drama and passion of the life of a family. David James Duncan, author of the novel The River Why and the collection River Teeth, is just such a writer. And in The Brothers K he tells a story both striking and in its originality and poignant in its universality. This touching, uplifting novel spans decades of loyalty, anger, regret, and love in the lives of the Chance family. A father whose dreams of glory on a baseball field are shattered by a mill accident. A mother who clings obsessively to religion as a ward against the darkest hour of her past. Four brothers who come of age during the seismic upheavals of the sixties and who each choose their own way to deal with what the world has become. By turns uproariously funny and deeply moving, and beautifully written throughout, The Brothers K is one of the finest chronicles of our lives in many years. Praise for The Brothers K “The pages of The Brothers K sparkle.”—The New York Times Book Review “Duncan is a wonderfully engaging writer.”—Los Angeles Times “This ambitious book succeeds on almost every level and every page.”—USA Today “Duncan’s prose is a blend of lyrical rhapsody, sassy hyperbole and all-American vernacular.”—San Francisco Chronicle “The Brothers K affords the . . . deep pleasures of novels that exhaustively create, and alter, complex worlds. . . . One always senses an enthusiastic and abundantly talented and versatile writer at work.”—The Washington Post Book World “Duncan . . . tells the larger story of an entire popular culture struggling to redefine itself—something he does with the comic excitement and depth of feeling one expects from Tom Robbins.”—Chicago Tribune

One of the most acclaimed nonfiction books of 2011, Susan Orlean's New York Times bestseller Rin Tin Tin is "an unforgettable book about the mutual devotion between one man and one dog" (The Wall Street Journal). He believed the dog was immortal. So begins Susan Orlean's sweeping, powerfully moving account of Rin Tin Tin's journey from abandoned puppy to movie star and international icon. Spanning almost one hundred years of history, from the dog's improbable discovery on a battlefield in 1918 to his tumultuous rise through Hollywood and beyond, Rin Tin Tin is a love story about "the mutual devotion between one man and one dog" (The Wall Street Journal) that is also a quintessentially American story of reinvention, a captivating exploration of our spiritual bond with animals, and a stirring meditation on mortality and immortality.

Student and teacher. Owner and pet. Frank Boxer and Duncan Cannon are both teachers: Boxer, an English teacher of seniors at Pines Environmental High School, and Duncan, Frank’s sixteen-year-old dachshund, whose life and fast-approaching departure from this world teach Frank far more than he ever expected. This is the poignant and yet intriguing story of a dog, a teacher, and an oppressive education system that keeps them both fighting for love, for life—and for each other, emotionally, spiritually, and in every other way in which dogs and humans connect. Duncan and Frank’s journey, both through the natural parks that beckon them, and through the re-creation of the most important nation on earth, the Imagine Nation, will pull you in and tug at your heartstrings, long after you have turned the final page. Call this an “educational love story,” if love means never having to say, “Sit down!” or “Play dead!” So, first, take your own dog for a long walk, and then settle in with Running to Duncan’s Field to experience the warmth, love, and strength of the bond between a man and his beloved dog.

From the beloved author comes the sequel to Hotel for Dogs. It’s up to Andi and her brother Bruce to foil the plans of evil dognappers. Now that Andi is no longer running a hotel for dogs, she decides to start a new project—a newspaper for dogs! With her brother Bruce and a few friends, the kids make a hit out of their paper. But they also attract the attention of some mysterious dognappers. Can the kids find the criminals and bring their dogs safely home? “Readers seeking wholesome fare will appreciate the resourceful characters. At bottom, it is the dogs, from loyal Red Rover to pampered Bully Bernstein, who should win best in show.” —Kirkus Reviews “A plot that mixes journalism and crime into a potpourri of canines and middle-school moralizing . . . kids with a yen for dogs and a low tolerance for suspense will be comfortable with this.” —Booklist

NATIONAL BESTSELLER • From the author of The River: In this "end-of-the-world novel more like a rapturous beginning" (San Francisco Chronicle), Hig somehow survived the flu pandemic that killed everyone he knows. His gripping story is "an ode to friendship between two men...the strong bond between a human and a dog, and a reminder of what is worth living for" (Minneapolis Star-Tribune). Hig's wife is gone, his friends are dead, and he lives in the hangar of a small abandoned airport with his dog, Jasper, and a mercurial, gun-toting misanthrope named Bangley. But when a random transmission beams through the radio of his 1956 Cessna, the voice ignites a hope deep inside him that a better life exists outside their tightly controlled perimeter. Risking everything, he flies past his point of no return and follows its static-broken trail, only to find something that is both better and worse than anything he could ever hope for.

A rollicking account of a celebrated artist’s coming of age, full of outrageously bad behavior, naked ambition, fantastically good music, and evaporating barriers of taste and decorum, and featuring cameos from David Bowie, Andy Warhol, Patti Smith, and many more. “A phantasmagoria of alcohol, sex, art, conversation, glam rock, and New Wave cinema. Hannah’s writing combines self-aware humor with an intoxicating punk energy.” —The New Yorker Painter Duncan Hannah arrived in New York City from Minneapolis in the early 1970s as an art student hungry for experience, game for almost anything, and with a prodigious taste for drugs, girls, alcohol, movies, rock and roll, books, parties, and everything else the city had to offer. Taken directly from the notebooks Hannah kept throughout the decade, Twentieth-Century Boy is a fascinating, sometimes lurid, and incredibly entertaining report from a now almost mythical time and place.