The tunes in this collection were chosen from Peggy Carter’s half-century of performing, teaching, and arranging music for the hammered dulcimer. This anthology contains 60 tunes arranged especially for novice to intermediate-level players of the 12/11 dulcimer, including suggestions for note reading, hammering patterns and embellishments. Playing the dulcimer is not effortless, but it should be fun! The title tune, “Dulcimer Frolic,” is a family heirloom originally written for mandolin by Peggy’s grandfather in the early 1920s; transcribed for hammered dulcimer, the tune really lives up to its name. In fact, every tune in the collection is designed for fun and frolic. Some have lyrics, some are presented as bare-bones melodies, and some are embellished. You’ll find that these arrangements bring out the best in all of them.

You CAN play the mountain or lap dulcimer. This book makes it easy The mountain dulcimer is in the midst of a great revival It has found renewed popularity throughout the world. Persons of all nationalities are discovering the sweet music of this grand old instrument.

This CD-ROM version of the Guidebook contains every detail of the printed edition! In addition, it contains functional links to the Web sites and email addresses of every Supplier and Resource listed in the book - over 50 different companies! Includes registration access to a special Builder's Resource Web site for help in the building process. Provides easy-to-follow, step-by-step instructions on the construction of a 15/14 Floating Soundboard Hammered Dulcimer. This book covers tools, materials, resources and suppliers. Also contains instructions on building hammers, two kinds of stand, and templates for the Pin Blocks, Bridges, Soundhole and Hammers. The author provides helpful "Maker's Notes," Maker's Hints" and "Maker's Cautions" to give the reader the benefit of lessons learned!

The Playing the Mountain Dulcimer Made Easy Series of books has brought great pleasure to me and many dulcimer students. Beginning in Volume One much emphasis was placed on the basics, continuing in Volume II less prominence on the fundamentals allowed extra space for more songs. Now Volume III . . . includes many of my favorite traditional and gospel songs, again in both DAA and DAD tunings. With dulcimer players just like you in mind, it is my hope that you will realize many hours of enjoyment playing the songs in Volume III. Thank you for joining the untold number of dulcimer players and students reviving this grand old instrument. The mountain or lap dulcimer is currently in the midst of renewed interest with dulcimer players of all ages. This powerful, sweet and simplistic instrument can, will and does bring with it enjoyment beyond measure. Thanks again, Jeff

This book is designed to help fretted dulcimer players at all levels grow in their technical abilities by developing strength, precision, control and flexibility in both the right and left hands. Acquiring a solid technical foundation provides a base upon which to build strong musicianship, enabling one to play more satisfying music regardless of style. Explore flatpicking, fingerpicking, slurs, chords, strumming, left hand precision and placement, right hand strength and control, volume, tone, articulation, and more using both dulcimer tablature and standard music notation. In this book, Mike has used ideas drawn from classical guitar study plus years of teaching dulcimer to develop exercises that will inspire and challenge players at all levels. the tunes and exercises are in the common dulcimer tuning of D-A-D, with a few exceptions. Some exercises are included for the four-string and five-string dulcimers, and a 6+ fret is required. the accompanying CD demonstrates key exercises and most of the tunes in the book.

The last quarter of the twentieth-century saw a renewed interest in the hammered dulcimer in the United States at the grassroots level as well as from elements of the Folk Revival. This book offers the reader a discussion of the medieval origins of the dulcimer and its subsequent spread under many different names to other parts of the world. Drawing on articles the author has written in English as well as articles by specialists in their own languages, Gifford explains the history and evolution of the instrument. Special attention is paid to the North American tradition from the early 18th-century to the 1970s revival. Drawing from local histories, news clippings, photographs, and interviews, the book examines the playing of the dulcimer and its associated social meanings.

This book is a collection of traditional folksongs, Irish and American fiddle tunes, adaptations of classical pieces, and original songs. the songs combine melody lines in standard notation with suggested chords for accompaniment. Unlike Mark's other books, Mountain Dulcimer is best appreciated by a player of intermediate to advanced capability who wishes to learn how to add chords behind a melody line, or how to use octave and rhythm changes in creating an effective arrangement.