An important contribution to understanding the development of modern New York, focusing on elite domestic architecture—in particular the James B. Duke House—within the contexts of social history, urban planning, architecture and interiors, and adaptive reuse for new functions.

“Shows us just how brave, rebellious, and creative this unique woman really was, and how her generosity benefits us to this day.” —Gloria Steinem In The Silver Swan, Sallie Bingham chronicles the notorious tobacco heiress who was perhaps the greatest modern woman philanthropist. Duke established her first foundation when she was twenty-one; cultivated friendships with Jackie Kennedy, Imelda Marcos, and Michael Jackson; flaunted interracial relationships; and adopted a thirty-two year-old woman she believed to be the reincarnation of her deceased daughter. Even though Duke was the subject of constant scrutiny, little beyond the tabloid accounts of her behavior has been publicly known. When her personal papers were made available, Sallie Bingham set out to discover her true identity. She found an alluring woman whose life was forged in the Jazz Age, who was not only an early war correspondent but also an environmentalist, a surfer, a collector of Islamic art, a savvy businesswoman who tripled her father’s fortune, and a major philanthropist with wide-ranging passions from dance to historic preservation to human rights. In The Silver Swan, Bingham dissects the stereotypes that have defined Duke’s story while also confronting the disturbing questions that cleave to her legacy. “Illuminating . . . Bingham is a generous biographer in this exacting, measured work.” —Publishers Weekly “The most significant, dramatic, and compelling biography of Doris Duke. . . . that will delight and inspire all readers concerned about a more humane future.” —Blanche Wiesen Cook, author of Eleanor Roosevelt (vols. I, II, III)

This is the first study of the shape and diversity of the literary career in the 20th and 21st centuries. Bringing together essays on a wide range of authors from Australia, Canada, the United States and the United Kingdom, the book investigates how literary careers are made and unmade, and how norms of authorship are shifting in the digital era.

An award-winning historian surveys the astonishing cast of characters who helped turn Manhattan into the world capital of commerce, communication and entertainment --

Foreword by Arthur Drexler. Introduction by Vincent Scully.

What, where, and when is jazz? To most of us jazz means small combos, made up mostly of men, performing improvisationally in urban club venues. But jazz has been through many changes in the decades since World War II, emerging in unexpected places and incorporating a wide range of new styles. In this engrossing new book, David Ake expands on the discussion he began in Jazz Cultures, lending his engaging, thoughtful, and stimulating perspective to post-1940s jazz. Ake investigates such issues as improvisational analysis, pedagogy, American exceptionalism, and sense of place in jazz. He uses provocative case studies to illustrate how some of the values ascribed to the postwar jazz culture are reflected in and fundamentally shaped by aspects of sound, location, and time.

This volume is the first to offer a comprehensive critical examination of the intersections between contemporary ethical thought and post-1989 British playwriting. Its coverage of a large number of plays and playwrights, international range of contributors and original argumentation make it a key point of reference for students and researchers.