"Embark on a captivating exploration of the vibrant and complex island of Cuba with Maturin Murray Ballou in 'Due South or Cuba Past and Present.' Penned in the late 19th century, this travel narrative provides readers with a vivid and firsthand account of Ballou's experiences as he delves into the culture, history, and landscapes of Cuba. As Ballou navigates the colorful streets of Havana, unravels tales of colonial history, and immerses himself in the rich traditions of the island, 'Due South' unfolds as more than a travelogue—it's a literary expedition capturing the unique charm and complexities of Cuba past and present. Join Ballou on this literary journey where each page reveals a new layer of Cuban life, making 'Due South or Cuba Past and Present' an essential read for those captivated by tales of exploration and the cultural richness of this Caribbean gem."

Maturin M. Ballou's 'Due South; or, Cuba Past and Present' offers a comprehensive exploration of the captivating island of Cuba. In this gripping travelogue, Ballou delves into the rich history, culture, and society of Cuba, blending personal observation with historical facts. His vivid descriptions and engaging narrative style transport the reader to the heart of the Caribbean, providing a nuanced understanding of Cuba's past and present. Ballou's meticulous research and insightful commentary make this book a valuable resource for anyone interested in Cuban history and culture. Maturin M. Ballou, a seasoned travel writer and journalist, draws on his extensive travels and experiences to craft a compelling account of Cuba. His genuine fascination with the country shines through in his meticulous attention to detail and profound insights. Ballou's expertise and passion for storytelling are evident throughout the book, making it a captivating read for history enthusiasts and armchair travelers alike. I highly recommend 'Due South; or, Cuba Past and Present' to readers seeking an in-depth exploration of Cuba's vibrant past and complex present. Ballou's eloquent prose and deep knowledge of the subject make this book a must-read for anyone looking to uncover the mysteries of this diverse and enigmatic island.

"Considered as a whole, this collection offers a basis for generalisations and specialised inquiry that will support both teaching and further research on the role of women in world history."—Itinerario "The book deserves credit for stimulating such questions, which have broad appeal among scholars of colonialism, including those who do not work on gender. Its broad coverage and accessible language give it access to a wider audience than many academic anthologies, thereby advancing the interests of all those who value the study of colonial history."—Journal of Colonialism and Colonial History Women and the Colonial Gaze is the first collection to present a broad chronological and geographical examination of the ways in which images and stereotypes of women have been used to define relationships between colonial powers and subject peoples. In essays ranging from ancient Rome to twentieth-century Asia and Africa, the contributions suggest that the use of gender as a tool in the imperialist context is much older and more comprehensive than previously suggested. Contributors look particularly at the ways in which colonizers constructed a national identity by creating a contrast with the colonial "other," in contexts ranging from Christian views of Islam women in medieval Spain to French beliefs about Native American women. They also examine the ways in which images of gender as constructed by colonial powers impacted the lives of native women from colonial-era India to Korea to Swaziland. Comparative in its approach, the volume will appeal to students and historians of women's studies, colonialism, and the development of national identity.

Lords of the Mountain is a colorful narrative that views how Cuba's violent history in the late nineteenth and early twentieth-century was also a history of economic violence. From the 1870s, the expanding sugar industry began to swallow up rural communities and destroy the traditional land tenure system, as the great sugar estates-the "latifundia" dominated the economy. Perez chronicles the popular resistance to these powerful landholders, and the violent uprisings and banditry propagated against them.

In this broad ranging study, Gretchen Woertendyke reconfigures US literary history as a product of hemispheric relations. Hemispheric Regionalism: Romance and the Geography of Genre, brings together a rich archive of popular culture, fugitive slave narratives, advertisements, political treatises, and literature to construct a new literary history from a hemispheric and regional perspective. At the center of this history is romance, a popular and versatile literary genre uniquely capable of translating the threat posed by the Haitian Revolution--or the expansionist possibilities of Cuban annexation--for a rapidly increasing readership. Through romance, she traces imaginary and real circuits of exchange and remaps romance's position in nineteenth century life and letters as irreducible to, nor fully mediated by, a concept of nation. The energies associated with Cuba and Haiti, manifest destiny and apocalypse, bring historical depth to an otherwise short national history. As a result, romance becomes remarkably influential in inculcating a sense of new world citizenry. The study shifts our critical focus from novel and nation, to romance and region, inevitable, she argues, when we attend to the tangled, messy relations across geographic and historical boundaries. Woertendyke reads the archives of Gabriel Prosser, Nat Turner, and Denmark Vesey along with less frequently treated writers such as John Howison, William Gilmore Simms, and J.H. Ingraham. The study provides a new context for understanding works by Washington Irving, Edgar Allan Poe, Herman Melville, and James Fenimore Cooper and brings together the theories of Charles Brockden Brown, the editorial work of Maturin M. Ballou, and the historical romances of Walter Scott. In Hemispheric Regionalism, Woertendyke demonstrates that US literature has always been the product of hemispheric and regional relations and that all forms of romance are central to this history.

The histories of Cuba and the United States are tightly intertwined and have been for at least two centuries. In Race to Revolution, historian Gerald Horne examines a critical relationship between the two countries by tracing out the typically overlooked interconnections among slavery, Jim Crow, and revolution. Slavery was central to the economic and political trajectories of Cuba and the United States, both in terms of each nation’s internal political and economic development and in the interactions between the small Caribbean island and the Colossus of the North. Horne draws a direct link between the black experiences in two very different countries and follows that connection through changing periods of resistance and revolutionary upheaval. Black Cubans were crucial to Cuba’s initial independence, and the relative freedom they achieved helped bring down Jim Crow in the United States, reinforcing radical politics within the black communities of both nations. This in turn helped to create the conditions that gave rise to the Cuban Revolution which, on New Years’ Day in 1959, shook the United States to its core. Based on extensive research in Havana, Madrid, London, and throughout the U.S., Race to Revolution delves deep into the historical record, bringing to life the experiences of slaves and slave traders, abolitionists and sailors, politicians and poor farmers. It illuminates the complex web of interaction and infl uence that shaped the lives of many generations as they struggled over questions of race, property, and political power in both Cuba and the United States.