The definitive Gaelic-English anthology of medieval Scottish verse: an annotated treasure trove of literary history spanning a millennium. Duanaire na Sracaire—or Songbook of the Pillagers—is the first anthology to bring together Scotland’s Gaelic poetry from c.600-1600 AD, a time when Scotland shared its rich culture with Ireland. It includes a huge range of diverse poetry: prayers and hymns of Iona, Fenian lays, praise poems and satires, courtly songs and lewd rants, songs of battle and death, incantations and love poems. All poems appear with facing-page translations which capture the spirit and beauty of the originals and are accompanied by detailed notes. A comprehensive introduction sets the context and analyses the role and functions of poetry in Gaelic society. This collection will appeal to poetry lovers, Gaelic speakers and those keen to explore a vital part of Scotland’s literary heritage.

Duanaire na Sracaire is the first anthology to bring together Scotland's Gaelic poetry from the millenium c.600-1600 AD, when Scotland shared its rich culture with Ireland. It includes a huge range of diverse poetry: prayers and hymns of Iona, Fenian lays, praise poems and satires, courtly songs and lewd rants, songs of battle and death, incantations and love poems. All poems appear with facing-page translations which capture the spirit and beauty of the originals and are accompanied by detailed notes. A comprehensive introduction sets the context and analyses the role and functions of poetry in Gaelic society. This collection will appeal to poetry lovers, Gaelic speakers and those keen to explore a vital part of Scotland's literary heritage.

The Golden Treasury of Scottish Verse is a timeless collection of Scottish poetry. It contains over three hundred poems ranging from the early medieval period to the twenty-first century, and paints a full-colour portrait of Scotland’s poetic heritage and culture. Edited and introduced by award-winning poets Kathleen Jamie, Don Paterson and Peter Mackay, and including poems by Robert Burns, Carol Ann Duffy, Sorley Maclean, Violet Jacob, William Dunbar, Meg Bateman, George Mackay Brown, Màiri Mhòr nan Òran, Robert Louis Stevenson, Jackie Kay, Liz Lochhead, and many more, The Golden Treasury of Scottish Verse is a joyous celebration of Scotland’s literary past, present and future.

Fresche fontanis contains twenty-five studies presenting major new research by leading scholars in Scottish culture of the late fourteenth and fifteenth, sixteenth, and seventeenth centuries. The three-part collection includes essays on the prominent writers of the period: James I, Robert Henryson, William Dunbar, John Bellenden, David Lyndsay, John Stewart of Baldynneis, William Fowler, Alexander Montgomerie, Andrew Melville and Alexander Craig. There are also essays on the Scottish romances Lancelot of the Laik, Gilbert Hay’s Buik of King Alexander the Conquerour, The Buik of Alexander, Golagros and Gawain, and the comedic Rauf Coilyear, and the Scottish fabliau The Freiris of Berwick. Chronicles of Fordun, Bower, Wyntoun and Bellenden receive fresh attention in essays concerning Margaret of Scotland, and imperial ideas during the reign of James V. Essays on anthologies, family books, and collaborative compilations make another notable group, providing in-depth analysis, with findings not previously reported, of The Book of the Dean of Lismore, the Maitland Quarto manuscript and The Delitiae Poetarum Scotorum. These studies are enlarged by others on key contextualizing topics, including noble and royal literary patronage, early Scottish printing, performance, spectatorship, and translation. Together they make a significant contribution to a full understanding of the continuities and shifts in cultural emphases during this most imaginatively productive period.

Examines depictions of grief in the Middle Ages by exploring how grief relates to gender and identity, as well as how men and women perform grief within the various constructions of both gender and grief established by medieval culture.

The Highlands and Islands of Scotland experienced massive changes during the nineteenth century. Economic restructuring, introducing sheep and deer and encouraging clearance and eviction, is the best known change, but it was by no means the only one. Transport and communication improved massively, and the region was exposed to an ever-widening range of external influences. Many Highlanders reached out to the wider world, as soldiers, sailors and emigrants. Others remained steadfastly on their crofts, and maintained vigorous Gaelic communities, while those who left their homeland also created Gaelic communities in the Scottish Lowlands or overseas. In different contexts, at home and abroad, they reflected on the vicissitudes of their lives, and no small number expressed themselves eloquently in song and verse. This is the first general anthology of nineteenth-century Gaelic verse to be published since 1879. It covers all the main types of poetry produced in Gaelic during the nineteenth century. Thirteen themes are represented - among them homeland, clearance, emigration, transport, life in Lowland cities, love, war and protest. The anthology thus offers a fresh look at the poetic creativity of the nineteenth century, and the way in which song and verse were refashioned to meet the challenges of the time. As the poets respond to 'the wiles of the world', their output covers the full sweep of human emotions, from sadness to rollicking humour, from nostalgia to robust protest and great hope for the future. The poems are reproduced with English translations. These will allow the non-Gaelic reader to sample their stylistic sparkle, which has been seriously neglected until now.