Dual Impressions: Poetic Conversations About Art is a discussion between John Brantingham and Jeffrey Graessley about art and life in poetic form. The collection covers themes such as war, poverty, and social justice. Featured artists include: Max Beckman, Arnold Bocklin, Eugène Boudin, Constantine Brancusi, Pieter Bruegel (the Elder), Philip Hermogenes Calderon, Paul Cézanne, Marc Chagall, Frederick Edwin Church, Thomas Cole, Lucas Cranach (the Elder), Edgar Degas, Jan Davidz de Heem, El Greco, Max Ernst, Juan Gris, Paul-Camille Guigou,Edward Hopper, Paul Klee, Gustav Klimt, Pieter Lastman, René Magritte, Édouard Manet, Henri Matisse, Amadeo Modligliani, Claude Monet, Jacob Moore, Pablo Picasso, The Polyphemus Painter, Francesco Primaticcio, Pierre-Auguste Renoir, John Singer Sargent, Sassetta,Georges-Pierre Seurat, Henri de Toulouse-Lautrec, Vincent van Gogh, John William Waterhouse, James Whistler, Tung Yuan

Volume 5, Manifest West Series, Western Press Books Serenity and severity form a classic Western dichotomy with many manifestations. Beautiful growth and renewal follow a terrifying and destructive forest fire. Rain upon a hayfield can be interpreted as grace or judgment from above, depending on the season. The unpredictability of nature provides hikers with a breathtaking view one day and a life-threatening scenario the next. Yet the nature of the West does not only imply the outdoors. The people of the West encounter serenity and severity in all aspects of life, and this duality impacts their identity and shapes their lifestyles, outlooks, worldviews, and values. This year’s collection includes political discussions, philosophical ponderings, and lighthearted humor that are all a part of life in the West. For the fifth volume of Manifest West, twenty-nine writers explore this theme, revealing the duality of Western life through many different narrative trails—including governed environment, overwhelming fires, hiking adventures, and the effect of location on family. Creativity and diversity come to this anthology in both content and form, with flash fiction joining Manifest West’s standard genres of creative nonfiction, short fiction, and poetry. Their combined reflections enable us to see the intense relationship between humanity and nature; sometimes nature directs humans’ lives, to their harm and to their benefit, and other times, humanity abuses the very environment it cherishes as its home. Authors bring their personal styles, voices, and experiences with life in the West to contribute to a balanced and unique interpretation of serenity and severity. Contributors: Rebecca Aronson, Betsy Bernfeld, Heidi E. Blankenship, Kaye Lynne Booth, Sarah B. Boyle, John Brantingham, William Cass, David Lavar Coy, Benjamin Dancer, Gail Denham, Patricia Frolander, John Haggerty, Lyla D. Hamilton, Michael Harty, Rick Kempa, Don Kunz, Ellaraine Lockie, Nathan Alling Long, Sarah Fawn Montgomery, Juan J. Morales, Lance Nizami, Ronald Pickett, Terry Severhill, David Stallings, Scott T. Starbuck, Abigail Van Kirk, Victoria Waddle, Evan Morgan Williams, Steven Wingate Manifest West is Western Press Books’ literary anthology series. The press, affiliated with Western State Colorado University, produces one anthology annually and focuses on Western regional writing.

“Mesmerizing, magical, deeply moving.” —Elif Shafak Expanding on the popular podcast of the same name from On Being Studios, Poetry Unbound offers immersive reflections on fifty powerful poems. In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama’s appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem’s artistry and explores how its meaning can reach into our own lives. Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother’s body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience. For anyone who has wanted to try their hand at a conversation with poetry but doesn’t know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.

t'ai freedom ford's second collection of poems is direct, ingenious, vibrant, alive, queer, and BLACK. & more black won the Lambda Literary Award in Lesbian Poetry in 2020 and was a finalist for the Kingsley Tufts Poetry Award.

Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage à trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of word games (acrostic, anagram, homophone, parody, pun), as well as its reflections on the politics of language and dialect, Mullen's work is serious play. A number of the poems are inspired or influenced by a technique of the international literary avant-garde group Oulipo, a dictionary game called S+7 or N+7. This method of textual transformation--which is used to compose nonsensical travesties reminiscent of Lewis Carroll's "Jabberwocky"--also creates a kind of automatic poetic discourse. Mullen's parodies reconceive the African American's relation to the English language and Anglophone writing, through textual reproduction, recombining the genetic structure of texts from the Shakespearean sonnet and the fairy tale to airline safety instructions and unsolicited mail. The poet admits to being "licked all over by the English tongue," and the title of this book may remind readers that an intimate partner who also gives language lessons is called, euphemistically, a "pillow dictionary."

An award-winning poet, teacher, and “champion of poetry” (Neil Genzlinger, New York Times) demystifies the elusive element of voice. In this accessible and distilled craft guide, acclaimed poet Tony Hoagland approaches poetry through the frame of poetic voice, that mysterious connective element that binds the speaker and reader together. In short, essayistic chapters and an appendix of thirty stimulating exercises, The Art of Voice explores the myriad ways to create a distinctive poetic voice, including vernacular, authoritative statement, speech register, tone-shifting, and using secondary voices. “Rich with lively examples” (New York Times Book Review), The Art of Voice provides a compelling introduction to contemporary poetry and an invaluable guide for any practicing writer.

In this delightfully witty, provocative book, literature professor and psychoanalyst Pierre Bayard argues that not having read a book need not be an impediment to having an interesting conversation about it. (In fact, he says, in certain situations reading the book is the worst thing you could do.) Using examples from such writers as Graham Greene, Oscar Wilde, Montaigne, and Umberto Eco, he describes the varieties of "non-reading"-from books that you've never heard of to books that you've read and forgotten-and offers advice on how to turn a sticky social situation into an occasion for creative brilliance. Practical, funny, and thought-provoking, How to Talk About Books You Haven't Read-which became a favorite of readers everywhere in the hardcover edition-is in the end a love letter to books, offering a whole new perspective on how we read and absorb them.