Poet and writer Alison Deming once noted, ÒIn the desert, one finds the way by tracing the aftermath of water . . . Ó Here, Ken Lamberton finds his way through a lifetime of exploring southern ArizonaÕs Santa Cruz River. This riverÑdry, still, and silent one moment, a thundering torrent of mud the nextÑserves as a reflection of the desert around it: a hint of water on parched sand, a path to redemption across a thirsty landscape. With his latest book, Lamberton takes us on a trek across the land of three nationsÑthe United States, Mexico, and the Tohono OÕodham NationÑas he hikes the riverÕs path from its source and introduces us to people who draw identity from the riverÑdedicated professionals, hardworking locals, and the authorÕs own family. These people each have their own stories of the river and its effect on their lives, and their narratives add immeasurable richness and depth to LambertonÕs own astute observations and picturesque descriptions. Unlike books that detail only the Santa CruzÕs decline, Dry River offers a more balanced, at times even optimistic, view of the river that ignites hope for reclamation and offers a call to action rather than indulging in despair and resignation. At once a fascinating cultural history lesson and an important reminder that learning from the past can help us fix what we have damaged, Dry River is both a story about the amazing complexity of this troubled desert waterway and a celebration of one manÕs lifelong journey with the people and places touched by it.

An eye-witness account of the many demands on the Colorado, from irrigating 3.5 million acres of farmland to watering the lawns of Los Angeles.

Trevor Herriot’s memoir and history of the Qu’Appelle River Valley has won the CBA Libris Award for First-Time Author, the Writers’ Trust Drainie-Taylor Biography Prize, the Saskatchewan Book of the Year Award, and the Regina Book Award, and was shortlisted for the Governor General’s Award for Non-fiction.

Groundwater brings together a diverse community of artists, designers, and scientists interested in understanding and raising public awareness about local water and its relationship to global climate. This engaging collection of photographs, graphic design, architectural drawings, artist books, essays, and poems by University of Arizona faculty and students is an ode to the dry rivers of Tucson, Arizona. Poems and essays by Nathaniel Brodie, Alison Deming, Allison Dushane, Gregg Garfin, Ander Monson, Logan Phillips, and Paul Robbins provide poetic perspectives on the Rillito River; an overview of the region's climate, hydrology, and water policy; a comparison between the theory and practice of interdisciplinary research; and a trail of the overlapping roles of science and art in the construction of contemporary concepts of nature from the Romantic period to the present. Art and design projects include intercontinental comparisons of arid regions and river systems, finely detailed drawings and photographic series reflecting direct encounters with the local landscape, and collaborations with the Rillito River Project. One scientist in the project describes the ability of these creative projects to "transform messages from the stilted language of scientific literature into rich, multifaceted vocabularies that can be grasped by those interested, but inexpert, in the subject matter." Turning the desecrated and overlooked dry rivers of Tucson into muse and inspiration, this project speaks volumes about community, creativity, and responsibility. Groundwater is a work of art in itself, beautifully designed and produced with lush color reproductions, letterpress printed covers and open-sewn binding.

In the name of agriculture, urban growth, and disease control, humans have drained, filled, or otherwise destroyed nearly 87 percent of the world’s wetlands over the past three centuries. Unintended consequences include biodiversity loss, poor water quality, and the erosion of cultural sites, and only in the past few decades have wetlands been widely recognized as worth preserving. Emily O’Gorman asks, What has counted as a wetland, for whom, and with what consequences? Using the Murray-Darling Basin—a massive river system in eastern Australia that includes over 30,000 wetland areas—as a case study and drawing on archival research and original interviews, O’Gorman examines how people and animals have shaped wetlands from the late nineteenth century to today. She illuminates deeper dynamics by relating how Aboriginal peoples acted then and now as custodians of the landscape, despite the policies of the Australian government; how the movements of water birds affected farmers; and how mosquitoes have defied efforts to fully understand, let alone control, them. Situating the region’s history within global environmental humanities conversations, O’Gorman argues that we need to understand wetlands as socioecological landscapes in order to create new kinds of relationships with and futures for these places.

In this groundbreaking book, veteran science correspondent Fred Pearce travels to more than thirty countries to examine the current state of crucial water sources. Deftly weaving together the complicated scientific, economic, and historic dimensions of the world water crisis, he provides our most complete portrait yet of this growing danger and its ramifications for us all. "A strong-and scary-case that a worldwide water shortage is the most fearful looming environmental crisis. With a drumbeat of facts both horrific (thousands of wells in India and Bangladesh are poisoned by fluoride and arsenic) and fascinating (it takes 20 tons of water to make one pound of coffee), the former New Scientist news editor documents a "kind of cataclysm" already affecting many of the world"s great rivers." -Publishers Weekly, starred review "Oil we can replace. Water we can"t-which is why this book is both so ominous and so important." -Bill McKibben, author of The End of Nature

Guidebook for whitewater boating on the Selway River in Idaho.