Finally back in print, a frighteningly lucid feminist horror story about marriage The Dry Heart begins and ends with the matter-of-fact pronouncement: “I shot him between the eyes.” As the tale—a plunge into the chilly waters of loneliness, desperation, and bitterness—proceeds, the narrator's murder of her flighty husband takes on a certain logical inevitability. Stripped of any preciousness or sentimentality, Natalia Ginzburg's writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don't more wives kill their husbands?

Finally back in print, a frighteningly lucid feminist horror story about marriage

What image best describes your heart? A water-drenched kid in front of an open fire hydrant? Or a bristled desert tumbleweed? You’re acquainted with physical thirst. Stop drinking and see what happens. Coherent thoughts vanish, skin grows clammy, and vital organs shut down. Deprive your body of necessary fluid, and it will tell you. Deprive your soul of spiritual water, and it will tell you. Dehydrated hearts and desperate messages. Snarling tempers. Waves of worry. Growing guilt and fear. Hopelessness. Resentment. Loneliness. Insecurity. But you don’t have to live with a dehydrated heart. God invites you to treat your thirsty soul as you would treat your physical thirst. Just visit the WELL and drink deeply. Receive Christ’s work on the cross, The energy of his Spirit, His lordship over your life, And his unending, unfailing love. Come thirsty and drink the water of life. The book you receive may have a different cover design than shown on the website.

The hauntingly beautiful epistolary novel from “a glowing light of modern Italian literature” (New York Times Book Review) Longlisted for the PEN Translation Award At the heart of Happiness, as Such is an absence—an abyss that pulls everyone to its brink—created by a family’s only son, Michele, who has fled from Italy to England to escape the dangers and threats of his radical political ties. This novel is part epistolary: his mother writes letters to him, nagging him; his sister Angelica writes, missing him; so does Mara, his former lover, telling him about the birth of her son who may be his own. Left to clean up Michele’s mess, his family and friends complain, commiserate, tease, and grieve, struggling valiantly with the small and large calamities of their interconnected lives. Natalia Ginzburg's most beloved book in Italy and one of her finest achievements, Happiness, as Such is an original, wise, raw, comic novel that cuts to the bone.

Part of a series of twelve books tied to the twelve lines of the London Underground, this title tells the darkly humorous tales of the author's escapades on the Tube.

There are the acknowledged classics of world literature: the canonical works assigned in schools, topping every must-read list . . . and then there are the B-Sides. These are the books that slipped through the cracks, went unread, missed their rightful appointment with posterity. They were ahead of their times or behind their times or on a whole different schedule than the rest of the universe. What do you do when a book that you love has been neglected or dismissed by everyone else? In B-Side Books, leading writers, critics, and scholars show why their favorite forgotten books deserve a new audience. From dusty westerns and far-out science fiction to obscure Czech novelists and romance-novel precursors, the contributors advocate for the unsung virtues of overlooked books. They write about unheralded novels, poetry collections, memoirs, and more with understanding, respect, passion, and love. In these thoughtful, often personal essays, contributors—including Stephanie Burt, Caleb Crain, Merve Emre, Ursula K. Le Guin, Carlo Rotella, and Namwali Serpell—read books by writers such as Helen DeWitt, Shirley Jackson, Stanislaw Lem, Dambudzo Marechera, Paule Marshall, and Charles Portis.