Inspector Thumm enlists the help of an actor to track down a stolen Shakespearean manuscript and solve a baffling murder in this classic mystery. Inspector Thumm has never seen such a marvelous beard. It is massive and pointed, a rainbow composed of all the colors of Joseph’s biblical coat. He’s so distracted by the beard that he hardly notices the man it belongs to: a prospective client with mysterious business. This bearded fellow hands over an envelope containing a million-dollar secret—and the key to a matter of life and death. However, Thumm quickly forgets his strange visitor when a rare Shakespearean manuscript is stolen, only to be replaced by a rarer, more valuable one. With the help of the legendary Shakespearean actor Drury Lane, Thumm must locate the missing manuscript and solve an impossible murder—before the curtain comes down forever.

William Shakespeare is perhaps the most frequently quoted author of the English-speaking world. His plays, in turn, "quote" a wide variety of sources, from books and ballads to persons and events. In this dynamic study of Shakespeare's plays, Douglas Bruster demonstrates that such borrowing can illuminate the world in which Shakespeare and his contemporary playwrights lived and worked, while also shedding light on later cultures that quote his plays. In contrast to the New Historicism's sometimes arbitrary linkage of literary works with elements drawn from the surrounding culture, Quoting Shakespeare focuses on the resources that writers used in making their works. Bruster shows how this borrowing can give us valuable insight into the cultural, historical, and political positions of writers and their works. Because Shakespeare's plays have often been quoted by other writers, this study also examines what subsequent uses of Shakespeare's plays reveal about the writers and cultures that use them. In this way, Quoting Shakespeare insists that literary production and reception are both integral to a historical approach to literature.