The initial print run sold out in weeks, this stock is from the publisher's reprint. The Drover - droving captured through the lens of a camera The red dust swirls around you, filling your lungs and coating your face, the cattle low as they march onwards, you crack a cold one at the end of a long hot day. The path of a drover is a long and difficult one. Droving is woven in the fabric of Australian history, but droving cattle long distances is a rare event today. Now you can view the epic Brinkworth drove, as captured through the lens of photographer Al Mabin in her new book The Drover. During last year's severe drought, South Australian farmer Tom Brinkworth purchased 18,000 cattle from AACo properties. The $8 million transaction was the largest single purchase in the history of Elders Livestock.Having purchased the cattle, the next question was how to get them home to Brinkworth's 35,000 hectare property Uardry Station near Hay, New South Wales. Doing the sums, the cost of trucking the cattle was roughly the same as walking them down.The journey started in June last year, covering 2000km and crossing two states, as the cattle were walked south 'On the Long Paddock'. Mabin, who is building a reputation for her ability to capture spectacular photos of the Australian outback, tracked down the phone number of head drover Bill Little and asked if she could take photos of the drove one weekend. She found herself thrown on a horse and joining the drove. Heading home and scrolling through the photos, she realised she was missing the cattle and yearning for the drove. She decided to return and photograph all nine mobs. The result is the stunning coffee table book The Drover, going to the heart of droving, the people, and most importantly - the cattle. This book is sure to appeal to anyone who has ever fallen in love with the outback, and those who inhabit it.

Drovers hold an iconic place in our Australian identity, due to the courage and perseverance needed to transport cattle and sheep hundreds of kilometres through rural and outback areas. But what of the women and children who travelled with them?

Since the European settlement of New Zealand, drovers have moved stock 'on the hoof' from ships and stations to new homes scattered throughout the country. In this book – the first of its kind – Ruth Entwistle Low interviews almost 60 old-time drovers, revealing and reliving the practice of droving and the people who have underpinned it. Through original research, colourful storytelling and the voices of the drovers themselves, Ruth describes what the job entailed – where and how they travelled, the problems they faced, the ups and downs of the lifestyle. Ranging all over rural New Zealand, from our colonial past to the droving industry's 'twilight' years, Ruth documents both the day-to-day and the dramatic in a gripping narrative that will appeal to a wide body of readers. On the Hoof is a truly special book – a heartland history of New Zealand that seeks not simply to explain the drover and the droving way of life, but to honour them also.

The true story of an important pioneering woman in Australian history. Courageous, clever and daring, Drover is one of a kind. Travelling through the heart of the outback, Drover delivers a mob of cattle. Searing heat, dust and flies, hardship and danger: these are just part of the job. But there's no place Drover would rather be. The truly remarkable story of legendary drover Edna Jessop is celebrated through stunning oil illustrations and evocative text.

Based on Where the Outback Drovers Ride, the much-loved memoir of bushman and drover Bruce Simpson, Drover celebrates a way of life that has all but vanished - and records how it's changed with time. From saddling up at dawn, through long days of heat, dust and sheer hard graft working cattle, to evenings spent joking around the campfire, photographer Darren Clark was there to record contemporary outback life. In doing so he has captured the spirit of Bruce Simpson's yarns and memories in more than 150 images of the historic properties, landscapes, droving routes, towns and people of outback Northern Territory and Queensland.

Deep in the heart of Australia’s high country, along an ancient, hidden track, lives Molly Johnson and her four surviving children, another on the way. Husband Joe is away months at a time droving livestock up north, leaving his family in the bush to fend for itself. Molly’s children are her world, and life is hard and precarious with only their dog, Alligator, and a shotgun for protection – but it can be harder when Joe’s around. At just twelve years of age Molly’s eldest son Danny is the true man of the house, determined to see his mother and siblings safe – from raging floodwaters, hunger and intruders, man and reptile. Danny is mature beyond his years, but there are some things no child should see. He knows more than most just what it takes to be a drover’s wife. One night under the moon’s watch, Molly has a visitor of a different kind – a black ‘story keeper’, Yadaka. He’s on the run from authorities in the nearby town, and exchanges kindness for shelter. Both know that justice in this nation caught between two worlds can be as brutal as its landscape. But in their short time together, Yadaka shows Molly a secret truth, and the strength to imagine a different path. Full of fury and power, Leah Purcell’s The Drover’s Wife: The Legend of Molly Johnson is a brave reimagining of the Henry Lawson short story that has become an Australian classic. Brilliantly plotted, it is a compelling thriller of our pioneering past that confronts head-on issues of today: race, gender, violence and inheritance.

Since Henry Lawson wrote his story 'The Drover’s Wife' in 1892, Australian writers, painters, performers and photographers have created a wonderful tradition of drover's wife works, stories and images. The Russell Drysdale painting from 1945 extended the mythology and it, too, has become an Australian icon. Other versions of the Lawson story have been written by Murray Bail, Barbara Jefferis, Mandy Sayer, David Ireland, Madeleine Watts and others, up to the present, including Leah Purcell's play and Ryan O’Neill’s graphic novel. In essays and commentary, Frank Moorhouse examines our ongoing fascination with this story and has collected some of the best pieces of writing on the subject. This remarkable, gorgeous book is, he writes, 'a monument to the drovers' wives'.