Eleven-year-old Polly Peabody knows her family?s world-famous rhubarb farm is magical. The plants taste like chocolate, jewels appear in the soil, bugs talk to her, and her best friend is a rhubarb plant named Harry. But the most magical thing is that every single Monday, at exactly 1:00, it rains. Until the Monday when the rain just stops. Now it?s up to Polly to figure out why?and whether her brother?s mysterious illness and her glamorous aunt Edith?s sudden desire to sell the farm have anything to do with it. Most of all, Polly has to make it start raining again before it?s too late. Her brother?s life, the plants? survival, and her family?s future all depend on it. Kathleen Van Cleve has woven an unforgettable comingof- age tale with all the heart and wonder of a Roald Dahl novel.

Yu Hua’s beautiful, heartbreaking novel Cries in the Drizzle follows a young Chinese boy throughout his childhood and adolescence during the reign of Chairman Mao. The middle son of three, Sun Guanglin is constantly neglected ignored by his parents and his younger and older brother. Sent away at age six to live with another family, he returns to his parents’ house six years later on the same night that their home burns to the ground, making him even more a black sheep. Yet Sun Guanglin’s status as an outcast, both at home and in his village, places him in a unique position to observe the changing nature of Chinese society, as social dynamics — and his very own family — are changed forever under Communist rule. With its moving, thoughtful prose, Cries in the Drizzle is a stunning addition to the wide-ranging work of one of China’s most distinguished contemporary writers.

When Iberian Jews were converted to Catholicism under duress during the Inquisition, many struggled to retain their Jewish identity in private while projecting Christian conformity in the public sphere. To root out these heretics, the courts of the Inquisition published checklists of koshering practices and "grilled" the servants, neighbors, and even the children of those suspected of practicing their religion at home. From these testimonies and other primary sources, Gitlitz & Davidson have drawn a fascinating, award-winning picture of this precarious sense of Jewish identity and have re-created these recipes, which combine Christian & Islamic traditions in cooking lamb, beef, fish, eggplant, chickpeas, and greens and use seasonings such as saffron, mace, ginger, and cinnamon. The recipes, and the accompanying stories of the people who created them, promise to delight the adventurous palate and give insights into the foundations of modern Sephardic cuisine.

It is an Anthology of 38 writers that contains poems, stories, Micro-tales, open-letters, Quotes on different themes with a variety of structures. The writings range on series of themes intending to reach out to the masses. The book comes out as a free space for amateur writers to explore emotions they truly believe in and re-present the same through their writings . From amateur writers to first time writers it features all, making this book an unbiased creative platform.

Cut her open She bleeds poetry Phuhaar- The Drizzle is a poetic voyage of ineffable human emotions souring high in serene supernal. Let’s dive into the ocean of love, warmth, pain, pleasure and positivity. It’s so soothing to read heart-warming and heart-breaking poetry; at the same time, just like love itself. Amidst the chaos of life We stood tall Facing all the troubles Slamming all the sorrows down Before reducing to ashes We all are living We all are alive ..

Before the "accident" Genie was an aspiring ballerina, a star pupil at her exclusive New York dance school, now she is a bitter teenager, permanently confined to a wheelchair, shutting herself off from her friends, her beloved teacher, and even her mother; but at physical therapy she meets Kyle, a gymnast whose traumatic brain injury has landed him in therapy--and through their growing friendship Genie realizes that she has to confront the things around her: like the booze her mother is hiding, or the fact that maybe her fall was not entirely accidental.