Montgomery, Alabama, December 1945. War hero Nat Weary has returned to his hometown, eager to rebuild his life. His childhood friend, the famous Nat King Cole, is also home for a rare performance. During the concert, Weary plans to propose to his sweetheart, and Cole will serenade them with a song. But Weary’s dreams for the future are destroyed when a white man, armed with a pipe, rushes the stage. Leaping from the audience, the former soldier stops the assailant—an act of bravery that leads to ten years of hard labor in prison. Free at last a decade later, Weary heads to Los Angeles to work for his old friend. It is the promise of a new life removed from the violence and degradation of Jim Crow Alabama. But he discovers that even in the City of Angels, wealth, popularity, and talent cannot protect a black man from discrimination and hate. Drawn back to Montgomery to lay some unfinished business to rest, Cole and Weary discover a city in the midst of change. A woman named Rosa Parks has inspired blacks to boycott the city’s buses—a daring fight for dignity and rights that will eventually grip the entire nation. “A moving tale about bigotry and the power of friendship.” —People “Heartbreaking. . . . A bold reimagining of [the] civil rights era.” —Los Angeles Times

Driving is a daily routine for more than 200 million people in the U.S. alone, but it is far from a mundane task: Every time drivers hit the road, they face multiple risks. In their new book “Survive the Drive: A Guide to Keeping Everyone on the Road Alive,” authors Tom Dingus and Mindy Buchanan-King combine years of facts, figures, reports, research, results from the newest and largest driving study ever conducted, and personal anecdotes into the first driving guide of its kind to help drivers understand and handle their everyday risks. This book is meant for everyone to read – adult drivers, teen drivers, senior drivers, professional drivers, and motorcyclists.

The incomparable Ray Bradbury is in the driver's seat, off on twenty-one unforgettable excursions through fantasy, time and memory, and there are surprises waiting around every curve and behind each mile marker. The journey promises to be a memorable one.

God created us for relationship, so why are relationships so difficult? He's Driving Me Crazy offers biblical hope and practical help through seven power principles designed to help us bring balance and healing to all relationships. In He's Driving Me Crazy, along with other lessons, authors Brown & King teach: How to communicate effectively with the opposite sex. How to compromise in order to create a win-win situation for everyone. How to keep all your relationships balanced and healthy. By applying the practical principles the authors present, you will soon find yourself well on your way to enjoying the life, as well as the healthy relationships, God desires for you.

From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself. This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s.

Winner of the Michael L. Printz Medal ★“King’s narrative concerns are racism, patriarchy, colonialism, white privilege, and the ingrained systems that perpetuate them. . . . [Dig] will speak profoundly to a generation of young people who are waking up to the societal sins of the past and working toward a more equitable future.”—Horn Book, starred review “I’ve never understood white people who can’t admit they’re white. I mean, white isn’t just a color. And maybe that’s the problem for them. White is a passport. It’s a ticket.” Five estranged cousins are lost in a maze of their family’s tangled secrets. Their grandparents, former potato farmers Gottfried and Marla Hemmings, managed to trade digging spuds for developing subdivisions and now they sit atop a million-dollar bank account—wealth they’ve refused to pass on to their adult children or their five teenage grandchildren. “Because we want them to thrive,” Marla always says. But for the Hemmings cousins, “thriving” feels a lot like slowly dying of a poison they started taking the moment they were born. As the rot beneath the surface of the Hemmings’ white suburban respectability destroys the family from within, the cousins find their ways back to one another, just in time to uncover the terrible cost of maintaining the family name. With her inimitable surrealism, award winner A.S. King exposes how a toxic culture of polite white supremacy tears a family apart and how one determined generation can dig its way out.

The true story behind NASCAR’s hardscrabble, moonshine-fueled origins, “fascinating and fast-moving . . . even if you don’t know a master cylinder from a head gasket” (Atlanta Journal-Constitution). “[Neal] Thompson exhumes the sport’s Prohibition-era roots in this colorful, meticulously detailed history.”—Time Today’s NASCAR—equal parts Disney, Vegas, and Barnum & Bailey—is a multibillion-dollar conglomeration with 80 million fans, half of them women, that grows bigger and more mainstream by the day. Long before the sport’s rampant commercialism lurks a distant history of dark secrets that have been carefully hidden from view—until now. In the Depression-wracked South, with few options beyond the factory or farm, a Ford V-8 became the ticket to a better life. Bootlegging offered speed, adventure, and wads of cash. Driving with the Devil reveals how the skills needed to outrun federal agents with a load of corn liquor transferred perfectly to the red-dirt racetracks of Dixie. In this dynamic era (the 1930s and ’40s), three men with a passion for Ford V-8s—convicted felon Raymond Parks, foul-mouthed mechanic Red Vogt, and war veteran Red Byron, NASCAR’s first champ—emerged as the first stock car “team.” Theirs is the violent, poignant story of how moonshine and fast cars merged to create a sport for the South to call its own. In the tradition of Laura Hillenbrand’s Seabiscuit, this tale captures a bygone era of a beloved sport and the character of the country at a moment in time.