In this gripping and provocative “ethnography of death,” anthropologist and MacArthur "Genius" Fellow Jason De León sheds light on one of the most pressing political issues of our time—the human consequences of US immigration and border policy. The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States. Drawing on the four major fields of anthropology, De León uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of “Prevention through Deterrence,” the federal border enforcement policy that encourages migrants to cross in areas characterized by extreme environmental conditions and high risk of death. For two decades, systematic violence has failed to deter border crossers while successfully turning the rugged terrain of southern Arizona into a killing field. Featuring stark photography by Michael Wells, this book examines the weaponization of natural terrain as a border wall: first-person stories from survivors underscore this fundamental threat to human rights, and the very lives, of non-citizens as they are subjected to the most insidious and intangible form of American policing as institutional violence. In harrowing detail, De León chronicles the journeys of people who have made dozens of attempts to cross the border and uncovers the stories of the objects and bodies left behind in the desert. The Land of Open Graves will spark debate and controversy.

The author investigates the appearance of a fashion in clothing, involving a knotted mantle worn across the chest, on many Attic stelae of the Roman period. She suggests that this style can be traced to Egyptian roots, and might have been particularly associated with a cult of Isis, popular among wealthy Athenians. The book presents a catalogue of the 106 known Isis reliefs from Attica and a review of all forms of evidence for the cult.

“Little white lies have never been so risky—or so much fun.” — Orlando Sentinel New York Times bestselling author Mary Kay Andrews delivers a tantalizing tale about an abandoned Atlanta housewife and mother who tells one tiny white lie that sets her world spiraling outrageously out of control. This winning and wonderful romp focuses on all the important things in life: marriage and divorce, mothers and daughters, friendship and betrayal. Throw in small town secrets, one woman’s lifelong quest for home, and the perfect chicken salad recipe, and you have an ideal escape for fans of Fannie Flagg, Jennifer Crusie, Adriana Trigiani, Emily Giffin, and the Sweet Potato Queens.

In language both plainspoken and lyrical, East Tennessee poet Jesse Graves examines the connections that hold people together across generations and against the breaches of time and distance. The landscapes of his native region possess a mythic beauty and Graves writes of the animating force it can become in a poet's imagination. Graves's poems are haunted by the lost futures of lives cut short and by speculative narrations of omens and portents. For all the darkness visible in the world, Graves elevates the great joy of feeding birds, walking in the woods, and sharing a life, sometimes only in memory, with the people we love. Those who have passed on are remembered here and their stories become a source of light. The new work in MERCIFUL DAYS will remind readers why Ron Rash has said, These poems have the music, wisdom, and singular voice of a talent fully realized, and make abundantly clear that Jesse Graves is one of America's finest young poets.

2017 IBPA Benjamin Franklin Award: Silver for Memoir 2017 National Indie Excellence Awards: Finalist 2017 Independent Press Award: Distinguished Favorite for Memoir 2016 Beverly Hills Book Awards: Memoir Finalist 2016 Readers' Favorite:Silver Medal for Non-fiction Memoir New York Public Library Top Pick Summer 2017 When Barbara Bracht's mother disappears, she is left a confused child whose blue-collar father is intent upon erasing any memory of her mother. Forced to keep the secret of her mother's existence from her younger brother, Barbara struggles to keep from being crushed under the weight of family secrets as she comes of age and tries to educate herself, despite her father's stance against women's education. The story is not only of loss and resilience, but one showing the power of literature—from Little Orphan Annie to Prince Valiant to the incomparable Nancy Drew—to offer hope where there is little. Told with true literary sensibility, this captivating memoir asks us to consider what it is that parents owe their children, and how far a child need go to make things right for her family.

Archaeologists excavating burials often find that they are not the first to disturb the remains of the dead. Graves from many periods frequently show signs that others have been digging and have moved or taken away parts of the original funerary assemblage. Displaced bones and artefacts, traces of pits, and damage to tombs or coffins can all provide clues about post-burial activities. The last two decades have seen a rapid rise in interest in the study of post-depositional practices in graves, which has now developed into a new subfield within mortuary archaeology. This follows a long tradition of neglect, with disturbed graves previously regarded as interesting only to the degree they revealed evidence of the original funerary deposit. This book explores past human interactions with mortuary deposits, delving into the different ways graves and human remains were approached by people in the past and the reasons that led to such encounters. The primary focus of the volume is on cases of unexpected interference with individual graves soon after burial: re-encounters with human remains not anticipated by those who performed the funerary rites and constructed the tombs. However, a first step is always to distinguish these from natural and accidental processes, and methodological approaches are a major theme of discussion. Interactions with the remains of the dead are explored in eleven chapters ranging from the New Kingdom of Egypt to Viking Age Norway and from Bronze Age Slovakia to the ancient Maya. Each discusses cases of re-entries into graves, including desecration, tomb re-use, destruction of grave contents, as well as the removal of artefacts and human remains for reasons from material gain to commemoration, symbolic appropriation, ancestral rites, political chicanery, and retrieval of relics. The introduction presents many of the methodological issues which recur throughout the contributions, as this is a developing area with new approaches being applied to analyze post-depositional processes in graves.

Macabre tales of death and mourning in Victorian America.