Early on the morning of November 5, 1871 seven passengers continued on their journey toward Ehrenberg, Arizona Territory. One hour west of Wickenburg their stagecoach was attacked. The driver and five men were murdered. A seventh man and the only female passenger escaped, though severly wounded.

Hiroshima is the story of six people—a clerk, a widowed seamstress, a physician, a Methodist minister, a young surgeon, and a German Catholic priest—who lived through the greatest single manmade disaster in history. In vivid and indelible prose, Pulitzer Prize–winner John Hersey traces the stories of these half-dozen individuals from 8:15 a.m. on August 6, 1945, when Hiroshima was destroyed by the first atomic bomb ever dropped on a city, through the hours and days that followed. Almost four decades after the original publication of this celebrated book, Hersey went back to Hiroshima in search of the people whose stories he had told, and his account of what he discovered is now the eloquent and moving final chapter of Hiroshima.

A zombie killer-for-hire faces off against a dangerous undead overlord in this post-apocalyptic science fiction horror series debut. I am not going to complain to you about my life. We’ve got zombies. They are not the brainless, rotting creatures we’d been led to expect. Unfortunately for us, they’re just as smart as they were before they died, very fast, much stronger than you or me, and possess no internal editor at all. Claws. Did I mention claws? I kill them for a living, but it’s as much a vocation as a freelance career choice. It helps me, helps my neighborhood, and the people I consider to be my family of choice. What’s more? I’m really good at it. My life had a nice rhythm, and I'd almost gotten used to it, but the military bungled an attempt to wipe out an organized bunch of undead near a major commuting route into D.C. The formerly-human survivors relocated. Now they’re less than an hour’s stroll away from where I live. The new Zombie Overlord is smarter, crazier, and much more well-equipped than anyone we’d dealt with in the past. We have something he wants, badly. I know he’s going to come and get it and try and wipe us out in the process . . . men, women, and even the children. I’d seen it done before elsewhere for lesser reasons. This is my home. These are my people, my family. This is personal. Praise for Blood Soaked and Contagious “I give it an “EW!” factor of +10!” —Diana Gabaldon, #1 New York Times–bestselling author of the Outlander Series

An artist whose canvas signifies death. A Deputy Inspector desperate for a child who’s caught in the middle. An Inspector who prefers to work alone. These are the essential elements of ‘A Portrait of Death’. Deputy Inspector Lola Gúzman and her husband are on holiday innocently wandering around Barcelona, enjoying the sights and experiencing the culture, when all hell breaks loose as blood and death seem to occur all around her. However, the killing spree isn’t just confined to the Catalonian capital, but spreads to other cities all around Spain growing ever more gruesome. The massacres do have one thing in common; they come accompanied by works of art. Art created by the brush of a master. Deputy Inspector Lola Gúzman teams up with Inspector Andrés López of the UCO, Spain’s elite organized crime department. They are confronted by no ordinary criminal, but a madman who will stop at nothing to produce the most grotesque paintings possible; paintings that will live long in the memory. However, the paintings don’t just include random members of the general public, as the two police officers find that the lives of the ones they hold dearest have also stepped into the killer’s cross hairs.

The poignant, “powerful” (The Boston Globe) look at how to appreciate life from an extraordinary professor who teaches about death: “Poetic passages and assorted revelations you’ll likely not forget” (Chicago Tribune). Why does a college course on death have a three-year waiting list? When nurse Norma Bowe decided to teach a course on death at a college in New Jersey, she never expected it to be popular. But year after year students crowd into her classroom, and the reason is clear: Norma’s “death class” is really about how to make the most of what poet Mary Oliver famously called our “one wild and precious life.” Under the guise of discussions about last wills and last breaths and visits to cemeteries and crematoriums, Norma teaches her students to find grace in one another. In The Death Class, award-winning journalist Erika Hayasaki followed Norma for more than four years, showing how she steers four extraordinary students from their tormented families and neighborhoods toward happiness: she rescues one young woman from her suicidal mother, helps a young man manage his schizophrenic brother, and inspires another to leave his gang life behind. Through this unorthodox class on death, Norma helps kids who are barely hanging on to understand not only the value of their own lives, but also the secret of fulfillment: to throw yourself into helping others. Hayasaki’s expert reporting and literary prose bring Norma’s wisdom out of the classroom, transforming it into an inspiring lesson for all. In the end, Norma’s very own life—and how she lives it—is the lecture that sticks. “Readers will come away struck by Bowe’s compassion—and by the unexpectedly life-affirming messages of courage that spring from her students’ harrowing experiences” (Entertainment Weekly).