In early medieval Europe, dreams and visions were believed to reveal divine information about Christian life and the hereafter. No consensus existed, however, as to whether all Christians, or only a spiritual elite, were entitled to have a relationship of this sort with the supernatural. Drawing on a rich variety of sources—histories, hagiographies, ascetic literature, and records of dreams at saints' shrines—Isabel Moreira provides insight into a society struggling to understand and negotiate its religious visions. Moreira analyzes changing attitudes toward dreams and visionary experiences beginning in late antiquity, when the church hierarchy considered lay dreamers a threat to its claims of spiritual authority. Moreira describes how, over the course of the Merovingian period, the clergy came to accept the visions of ordinary folk—peasants, women, and children—as authentic. Dream literature and accounts of visionary experiences infiltrated all aspects of medieval culture by the eighth century, and the dreams of ordinary Christians became central to the clergy's pastoral concerns. Written in clear and inviting prose, this book enables readers to understand how the clerics of Merovingian Gaul allowed a Christian culture of dreaming to develop and flourish without compromising the religious orthodoxy of the community or the primacy of their own authority.

Here Deacon Eddie Ensley shows that mysticism isn't just for monastics and contemplatives. It's for each person, every day of their lives, every time they open their hearts to God. Mysticism, he says, is a simple and profound treasure, available to all of us.

The Merovingian era is one of the best studied yet least well known periods of European history. From the fifth to the eighth centuries, the inhabitants of Gaul (what now comprises France, southern Belgium, Luxembourg, Rhineland Germany, and part of modern Switzerland), a mix of Gallo-Roman inhabitants and Germanic arrivals under the political control of the Merovingian dynasty, sought to preserve, use, and reimagine the political, cultural, and religious power of ancient Rome while simultaneously forging the beginnings of what would become medieval European culture. The forty-six essays included in this volume highlight why the Merovingian era is at the heart of historical debates about what happened to Western Europe after the fall of the Roman Empire. The essays demonstrate that the inhabitants of the Merovingian kingdoms in these centuries created a culture that was the product of these traditions and achieved a balance between the world they inherited and the imaginative solutions they bequeathed to Europe. The Handbook highlights new perspectives and scientific approaches that shape our changing view of this extraordinary era by showing that Merovingian Gaul was situated at the crossroads of Europe, connecting the Mediterranean and the British Isles with the Byzantine empire, and it benefited from the global reach of the late Roman Empire. It tells the story of the Merovingian world through archaeology, bio-archaeology, architecture, hagiographic literature, history, liturgy, visionary literature and eschatology, patristics, numismatics, and material culture.

France has a long and rich music history that has had a far-reaching impact upon music and cultures around the world. This accessible Companion provides a comprehensive introduction to the music of France. With chapters on a range of music genres, internationally renowned authors survey music-making from the early middle ages to the present day. The first part provides a complete chronological history structured around key historical events. The second part considers opera and ballet and their institutions and works, and the third part explores traditional and popular music. In the final part, contributors analyse five themes and topics, including the early church and its institutions, manuscript sources, the musical aesthetics of the Siècle des Lumières, and music at the court during the ancien régime. Illustrated with photographs and music examples, this book will be essential reading for both students and music lovers.

The twelve articles in this volume promote the growing contacts between medieval linguistics and medieval cultural studies generally. Articles address medieval English linguistics, and the interrelation in Anglo-Saxon England between Latin and vernacular language and culture.

In this volume, scholars from three continents trace the role of dreams in the cultural transitions of the early modern Atlantic world, illustrating how both indigenous and European methods of understanding dream phenomena became central to contests over religious and political power.

This volume is the first to explore the breadth of vision types in late medieval English lay spirituality. Analyzing 1000+ accounts, it proposes that visions buttressed five core dynamics (relating to purgatory, saints, demons, sacramental faith, and the Church's authority).