A loose retelling of Calderon's Life is a dream set along the contemporary border between Texas and Mexico, the story begins when a powerful drug smuggler banishes an undocumented midwife back across the Rio Grande and incurs a curse that gestates for 18 years. In that time, the smuggler's son Lazaro grows up alone and untrained in human interaction on a sandbar in the middle of the Rio, while the midwife's two surviving children, Blanca and Pepín, swim north across the river to exact revenge for the pain caused to their mother and to claim their birthright. All manners of border, geographic, political, gender, and metaphysical, are crossed in this struggle to know one's place in the world.

This volume collects three of US Latino playwright Octavio Solis' most exciting plays about US-Mexico border relations. With a preface by Douglas Langworthy, this is an essential volume to deepen understanding of not only US Latino and Chicano theatre but American theatre as a whole.

Prince Ivan in Dreamlandia is a rhyming picture book for children of all ages. Ivan is a baby Prince who lives in a fantastic Kingdom in the Clouds. In a blink of an eye, Ivan journeys to amazing lands where he has great quests and adventures. As he travels to the wonderful country of Dreamlandia, Ivan meets mythical creatures, finds a mysterious treasure, and rescues a baby Princess.

The only professional resource of its kind to offer in one volume original simulations, exercises, and games designed by academics and intelligence professionals from several countries. These interactive learning tools add immeasurable value to students’ understanding of the intelligence enterprise, and the various contributors provide an international perspective to the topics and approached. For use in undergraduate and graduate courses in intelligence, intel analysis, business intelligence, and various other national security policy courses offered in universities and government training facilities with the need for training in analytic principles and tradecraft.

Introducing "Sweet Dreams Delight: 30 Bedtime Short Stories" – a whimsical collection crafted to transport young readers into a world of enchantment and imagination before drifting into the land of dreams. This delightful anthology, filled with thirty captivating tales, promises to make bedtime a cherished adventure for every little dreamer. Each short story within this magical compilation is carefully tailored to captivate young hearts, offering a delightful blend of fantasy, friendship, and valuable life lessons. From talking animals and mystical lands to courageous little heroes and bedtime wonders, every narrative is a small, enchanting journey that encourages creativity and sparks the imagination. As the sun sets and the stars twinkle in the sky, "Sweet Dreams Delight" becomes the perfect companion for winding down. The 30 carefully curated bedtime short stories promise to ignite smiles, spark conversations, and create memories that will linger in young minds long after the final page is turned. With its charming narratives and colorful characters, this collection is designed to bring families together during the quiet moments before sleep. Immerse your little ones in tales of joy, whimsy, and bedtime delight, fostering a love for storytelling and planting the seeds of a lifelong appreciation for literature. "Sweet Dreams Delight: 30 Bedtime Short Stories" is not just a book; it's an invitation to embark on a journey of shared imagination, creating a nightly ritual that both children and parents will cherish. So, snuggle up, open the pages, and let the magic of these short stories weave a tapestry of sweet dreams and lasting memories for your little ones.

Latinx Theater in the Times of Neoliberalism traces how Latinx theater in the United States has engaged with the policies, procedures, and outcomes of neoliberal economics in the Americas from the 1970s to the present. Patricia A. Ybarra examines IMF interventions, NAFTA, shifts in immigration policy, the escalation of border industrialization initiatives, and austerity programs. She demonstrates how these policies have created the conditions for many of the most tumultuous events in the Americas in the last forty years, including dictatorships in the Southern Cone; the 1994 Cuban Rafter Crisis; femicides in Juárez, Mexico; the Zapatista uprising in Chiapas, Mexico; and the rise of narcotrafficking as a violent and vigorous global business throughout the Americas. Latinx artists have responded to these crises by writing and developing innovative theatrical modes of representation about neoliberalism. Ybarra analyzes the work of playwrights María Irene Fornés, Cherríe Moraga, Michael John Garcés, Caridad Svich, Quiara Alegría Hudes, Victor Cazares, Jorge Ignacio Cortiñas, Tanya Saracho, and Octavio Solis. In addressing histories of oppression in their home countries, these playwrights have newly imagined affective political and economic ties in the Americas. They also have rethought the hallmark movements of Latin politics in the United States—cultural nationalism, third world solidarity, multiculturalism—and their many discontents.

A History of Latinx Performing Arts in the U.S. provides a comprehensive overview of the development of the Latinx performing arts in what is now the U.S. since the sixteenth century. This book combines theories and philosophical thought developed in a wide spectrum of disciplines—such as anthropology, sociology, gender studies, feminism, and linguistics, among others—and productions’ reviews, historical context, and political implications. Split into two volumes, these books offer interpretations and representations of a wide range of Latinxs’ lived experiences in the U.S. Volume I provides a chronological overview of the evolution of the Latinx community within the U.S., spanning from the 1500s to today, with an emphasis on the Chicano artistic renaissance initiated by Luis Valdez and the Teatro Campesino in the 1960s. Volume II continues, looking more in depth at the experiences of Latinx individuals on theatre and performance, including Miguel Piñero, Lin-Manuel Miranda, María Irene Fornés, Nilo Cruz, and John Leguizamo, as well as the important role of transnational migration in Latinx communities and identities across the U.S. A History of Latinx Performing Arts in the U.S. offers an accessible and comprehensive understanding of the field and is ideal for students, researchers, and instructors of theatre studies with an interest in the diverse and complex history of Latinx theatre and performance.