The essays demonstrate how profoundly eighteenth-century formulations of gender, race, class, and sexuality have, through their challenges to a less empirical, rational, and universalizing past, set the terms for debates in the centuries that followed. They explore a wide range of texts, from Georgic poetry to crime stories, from illness narratives to travel journals, from theatrical performances to medical discourse, and from political treatises to the novel."--BOOK JACKET.

This book critically examines Le Guin's fiction for all ages, and it will be of great interest to her many admirers and to all students and scholars of children's literature.

Reveals the historical impact of dream rhetoric on Chinese modernity and nation-building Realism and the rhetoric of dreams intersected in modern Chinese literature from the May Fourth Era in the early twentieth century through the period just following the end of the Cultural Revolution in 1976. The Edge of Knowing investigates this relationship, showing how writers’ attention to dreams demonstrates the multiple influences of Western psychology, utopian desire for revolutionary change, and the enduring legacy of traditional Chinese philosophy. At the same time, modern Chinese writers used their work to represent social reality for the purpose of nation building. Recent political usage of dream rhetoric in the People’s Republic of China attests to the continuing influence of dreams on the imagination of Chinese modernity. By employing a number of critical perspectives, The Edge of Knowing will appeal to readers seeking to understand the complicated relationship between literary form and Chinese history and politics.

A New York advertising executive leaves his job in the city to write poetry in a hut by the sea. Once there he finds himself caught in the coils of his attraction to two women—a situation that so unsettles his wits that he falls prey to a heavily symbolic dream obsession.

Through a richly detailed close reading of Wilfred R. Bion’s work on dreaming, as scattered across multifarious and largely unworked texts, this book argues that Bion’s thinking can form a unified theory of dreams which extends and has further implications as a visionary model of the mind. The central quality of Bion's visionary model of the mind is the belief that all that is interesting in the human mind pulsates with an unreadably complex dynamic beyond the unknown, the unknowable and the unthinkable. However, rather than interpreting this negatively, the author understands the inevitable unknowability of the human mind as a call to perplexity and wonder which actively encourages the intuition of fundamental insights into who and what determines our internal lives. A major implication of this belief is that psychoanalysis is itself essentially about the unknown, and Monteiro generates informed observations about how this may influence psychoanalytic work. Providing renewed insight into psychoanalytical understandings of dreams, this book is essential reading for any psychoanalyst wishing to broaden their knowledge of the importance of Wilfred R. Bion’s dream work.

Dreams is a work that defies conventional categorization; however, one might best capture its unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dream-vision poem. Though a work of prophecy, it proceeds with a light touch. The sequence of eleven dreams, loosely interlinked, leaves us to wrestle with our doubts; it takes up thorny questions that challenge a culture right where it may tend to be its proudest. The landscape of the work shifts as it moves among the African savannah, congested late-industrial London, and the olive tree-studded hillsides of Italy. The intersectionality of Schreiner’s writing—its concern with gender, sexual orientation, class, nation, and race—makes her a particularly salient voice for today’s students. The appendices to this edition provide an accessible representation of Schreiner’s key contexts, South African and British as well as American. The introduction features a biographical overview of a writer wrestling with questions of social justice pertinent to her own era yet relevant to our contemporary moment.

Putting a recognizable face on contemporary American cynicism.