A young woman visiting her childhood friend in Scotland is pursued by the restless spirit of a 200-year-old girl.

A young Los Angeles real estate developer consumed by power and political ambitions finds his orderly, upwardly mobile life thrown into chaos by the sudden appearance of his nutty mother, who's been deserted by T.'s now out–of–the–closet father After his mother's suicide attempt and two other deaths, T. finds himself increasingly estranged from his latest project: a retirement community in the middle of the California desert. As he juggles family, business, and social responsibilities, T. begins to nurture a curious obsession with vanishing species. Soon he's living a double life, building sprawling subdivisions by day and breaking into zoos at night to be near the animals. A series of calamities forces T. to a tropical island, where he takes a Conrad–esque journey up a river into the remote jungle. Millet's devastating wit, psychological acuity, and remarkable empathy for flawed humankind contend with her vision of a world slowly murdering itself.

Fifty years after the Grateful Dead was formed, the band still exerts a powerful influence over hundreds of thousands of fans around the world. Today, an entire generation of Deadheads who have never experienced a live Dead show are still drawn to the music and the complex and colorful subculture that has grown up around it. In This Is All a Dream We Dreamed, Blair Jackson and David Gans, two of the most well-respected chroniclers of the Dead, reveal the band's story through the words of its members and their creative collaborators, as well as a number of diverse fans, stitching together a multitude of voices into a seamless oral tapestry. Woven into this musical saga is an examination of the subculture that developed into its own economy, touching fans from all walks of life, from penniless hippies to celebrities, and at least one U.S. vice president. The book traces the band's evolution from its folk/bluegrass beginnings through the Jug Band craze, an early incarnation as Rolling Stones wannabes, feral psychedelic warriors, the Americana jam band that blazed through the '70s, to the shockingly popular but still iconoclastic stadium-filling band of later years. The Dead broke every rule of the music business along the way, taking risks and venturing into new territory as they fused inspired ideas and techniques with intuition and fearlessness to create a sound-and a business model-unlike anything heard and seen before.

Fiction. At the heart of MYSTERIOUS DREAMS OF THE DEAD is the spiritual search for a father who died in a plane crash north of Lake Superior when his son was fifteen. Mike Shintani decides in his early thirties to address the curious circumstances surrounding his father's death; the senior Shintani's body was never found, and wolves circled the crash site as if guarding the area. The impetus for Mike's search for truth is a diary he found in the basement of his home. It was obviously his father's, but it was written in Japanese. Mike never knew his father could write Japanese. He himself could neither read nor write the language. He was fortunate enough to enlist the help of Naoko Ito, a Japanese grad student at the University of Toronto. It turned out, the book was a dream diary, filled with poetry, descriptions of the surreal, and the story of a love affair with a woman named Chiemi. Chiemi is at the centre of the elder Shintani's dreams, and Naoko, after some time, seemingly disappears into thin air. Both appear as ghosts in dreams. Another great mystery of Mike's life is the behaviour of one of his best friends, Boku Sugiura, who decides one day to rob a bank, in the name of his grandfather and redress for Japanese Canadians. The two strains of the novel come together in Moose Jaw. Mike discovers the truth about his father's life and Boku's uncle (Daniel Sugiura from Terry's previous novel, THE THREE PLEASURES), a protestor in the Moose Jaw stand-off. Through elements of the Japanese ghost story (kwaidan), magic realism, and Buddhist myth, secrets are revealed and explored. MYSTERIOUS DREAMS OF THE DEAD is an imaginative examination of the effects of exile, internment, and dispersal on the third-generation of Japanese Canadians (the Sansei).

Nina O'Reilly collaborates with a grave exhumation expert and triggers a cat-and-mouse game between her former investigator Paul van Wagoner and a brilliant killer.

While in training at the C.G. Jung Institute in Zürich in 1988, Susan Olson suffered the loss of her daughter in an auto accident. In this intimate and unique exploration, Olson uses C. G. Jung’s psychological framework to describe her journey through tragedy, guided by a series of vivid dreams. In Images of the Dead in Grief Dreams: A Jungian View of Mourning, Jung's definition of the dream as a "harbinger of fate, a portent and comforter, a messenger of the gods" evolves from theory into embodied insight as Olson describes her encounter with the transforming power of grief. Drawing from personal experience as well as theoretical and clinical material, Olson presents premonitory dreams, which occur before the loss of a loved one, and grief dreams, which follow a loved one’s death, and analyzes both according to Jung’s method of dream interpretation. Sharing her own dreams as well as those of other mourners, Olson asserts that such dreams play a crucial role in the dreamer’s emotional recovery and psychological development, otherwise known as the process of individuation. She sensitively offers an assessment of the stages of grief and draws on the Greek myth of Demeter and Persephone, Jung’s memoirs, and other literature to amplify her experience of mourning. In this rare combination of grief theory and dream work, Images of the Dead in Grief Dreams is both a grief memoir and an extensive study of C. G. Jung’s view of the mourning process. This fully updated revised edition will be of immense interest to Jungian analysts and trainees, academics, psychologists, students of Jungian dream analysis, and to all who have suffered loss.

Populists on both sides of the political aisle routinely announce that the American Dream is dead. According to them, the game has been rigged by elites, workers can’t get ahead, wages have been stagnant for decades, and the middle class is dying. Michael R. Strain, director of economic policy studies at the American Enterprise Institute, disputes this rhetoric as wrong and dangerous. In this succinctly argued volume, he shows that, on measures of economic opportunity and quality of life, there has never been a better time to be alive in America. He backs his argument with overwhelming—and underreported—data to show how the facts favor realistic optimism. He warns, however, that the false prophets of populism pose a serious danger to our current and future prosperity. Their policies would leave workers worse off. And their erroneous claim that the American Dream is dead could discourage people from taking advantage of real opportunities to better their lives. If enough people start to believe the Dream is dead, they could, in effect, kill it. To prevent this self-fulfilling prophecy, Strain’s book is urgent reading for anyone feeling the pull of the populists. E. J. Dionne and Henry Olsen provide spirited responses to Strain’s argument.