Poetry. "The elegy which weaves the poems in DREAM WITH A GLASS CHAMBER lives in threshold: In the rooms of dream, in the change of season. And what lingers is the conversation between the living and the beloved. A tender, moody and resilient collection."—francine j. harris

Chinese president Xi Jinping is most famously associated with his “Chinese Dream” campaign, envisioning a great rejuvenation of the nation. Many observers, though, view China’s pursuit of this dream as alarming. They see a global power ready to abandon its low-profile diplomacy and eager to throw its weight around. Red Chamber, World Dream represents an interdisciplinary effort of deciphering the Chinese Dream and its global impact. Jing Sun employs methods from political science and journalism and concepts from literature, sociology, psychology and drama studies, to offer a multilevel analysis of various actors’ roles in Chinese foreign policy making: the leaders, the bureaucrats, and its increasingly diversified public. This book rejects a simple dichotomy of an omnipotent, authoritarian state versus a suppressed society. Instead, it examines how Chinese foreign policy is constantly being forged and contested by interactions among its leaders, bureaucrats, and people. The competition for shaping China’s foreign policy also happens on multiple arenas: intraparty fighting, inter-ministerial feuding, social media, TV dramas and movies, among others. This book presents vast amounts of historical detail, many unearthed the first time in the English language. Meanwhile, it also examines China’s diplomatic responses to ongoing issues like the Covid-19 crisis. The result is a study multidisciplinary in nature, rich in historical nuance, and timely in contemporary significance.

Dream of the Red Chamber is one of the four Chinese classics. The novel is semi-autobiographical and it gives an incredibly detailed insight into 18th-century life in China, particularly that of the aristocracy. The plot is grand in scale, peopled with a complex array of characters.

Bryn Llewelyn spends his life strung out on too much caffeine, fighting sleep at every turn. He can barely hold down a part-time job as he lurches from day to day, perpetually exhausted. He is trying to avoid Somnus, the dream world where people like Bryn—dreamwalkers—roam during their sleeping hours. Bryn has been dreamwalking since he was child. He’s never found navigating Somnus easy, but lately it’s become much, much harder. Each time he manifests in Somnus, he is helplessly drawn to a sinister tower. Something evil is imprisoned there—something that wants out—and every time Bryn falls asleep, he finds it more difficult to resist its lure. Not to mention the compelling man who patrols its walls…Laszlo Grimm. As a teenager, Laszlo Grimm suffered from a sleep disorder so profound, his family had him locked up for treatment. Whilst the brutal “therapy” he underwent was successful, Laszlo paid a steep price for it—his ability to feel emotion. Now, for the first time in years, Laszlo’s night terrors are returning, and with them, his fears about being locked up again. When Bryn and Laszlo meet in the real world, Bryn recognises Laszlo as the man he has already met in Somnus, but not only does Laszlo not know Bryn, he can’t even remember any of his dreams. Bryn fights to open Laszlo’s eyes to the truth but Laszlo cannot quite shake the conviction that his old condition is catching up with him...not least because Bryn Llewelyn is awakening emotions in him he hasn’t felt in years.

Fictions of Enlightenment is the first book to examine the fascinating and intricate relationship between Buddhism and the development of Chinese vernacular fiction. Qiancheng Li brings Buddhist models to bear on the vision, structure, and narrative form of three classics of late imperial literature—Journey to the West, Tower of Myriad Mirrors, and Dream of the Red Chamber—arguing that by fashioning their plots after the narratives of certain Mahāyāna sutras, the novelists transformed Buddhist concepts into narrative structures. Within the traditional Chinese novel Li even defines a new genre: the fiction of enlightenment.

BOOK DESCRIPTION Although dreams have been studied in great depth about this most influential classic Chinese fiction, the study of all the dreams as a sequence and in relation to their structural functions in the allegory is undertaken for the first time in this book. Major topics include: Dream Sequence as the Narrative Framework; The Co-existence of Dream and Reality; Discourse on Love: Daguanyuan and Its Literary Lineage; Medieval Allegory: Its Origin and Its Representation; Dream as Representation of Allegory: The Roman de la Rose and Honglou meng. THE AUTHOR Jeannie Jinsheng Yi earned her Ph.D. degree in Asian Studies from Washington University. Author of several books in both English and Chinese, she has been writing extensively on topics related to China and Asia.