Dread Locks is the first entry in the Dark Fusion series from master storyteller Neal Shusterman. He cleverly weaves together familiar parts of fairy tales and Greek mythology to tell the story of fourteen-year-old Parker Bear, rich and utterly bored with life—until a new girl arrives in town. Tara's eyes are always hidden behind designer sunglasses, and her hair, blond with glimmering spirals, seems almost alive. Parker watches, fascinated, as one by one Tara chooses high school students to befriend; he even helps her by making the necessary introductions. Over time, her “friends” develop strange quirks, such as drinking gallons of milk, eating dirt, and becoming lethargic. By the time Parker realizes what Tara is doing, he is too embroiled to stop her. In fact, she has endowed him with certain cravings of his own. . . .To say more would spoil the spooky fun of this wild thriller—let the twist speak for itself and leave you still as a statue.

In Twisted: My Dreadlock Chronicles, professor and author Bert Ashe delivers a witty, fascinating, and unprecedented account of black male identity as seen through our culture's perceptions of hair. It is a deeply personal story that weaves together the cultural and political history of dreadlocks with Ashe's own mid-life journey to lock his hair. Ashe is a fresh, new voice that addresses the importance of black hair in the 20th and 21st centuries through an accessible, humorous, and literary style sure to engage a wide variety of readers. After leading a far-too-conventional life for forty years, Ashe began a long, arduous, uncertain process of locking his own hair in an attempt to step out of American convention. Black hair, after all, matters. Few Americans are subject to snap judgements like those in the African-American community, and fewer communities face such loaded criticism about their appearances, in particular their hair. Twisted: My Dreadlock Chronicles makes the argument that the story of dreadlocks in America can’t be told except in front of the backdrop of black hair in America. Ask most Americans about dreadlocks and they immediately conjure a picture of Bob Marley: on stage, mid-song, dreads splayed. When most Americans see dreadlocks, a range of assumptions quickly follow: he's Jamaican, he's Rasta, he plays reggae; he stinks, he smokes, he deals; he's bohemian, he's creative, he's counter-cultural. Few styles in America have more symbolism and generate more conflicting views than dreadlocks. To "read" dreadlocks is to take the cultural pulse of America. To read Twisted: My Dreadlock Chronicles is to understand a larger story about the truths and biases present in how we perceive ourselves and others. Ashe's riveting and intimate work, a genuine first of its kind, will be a seminal work for years to come.

This book offers an interpretation of Yoruba people’s affective responses to an adult Yoruba male with a ‘deviant’ hairstyle. The work, which views hairstyles as a form of symbolic communicative signal that encodes messages that are perceived and interpreted within a culture, provides an ontological and epistemological interpretation of Yoruba beliefs regarding dreadlocks with real-life illustrations of their treatment of an adult male with what they term irun were (insane person’s hairdo). Based on experiential observations as well as socio-cultural and linguistic analyses, the book explores the dynamism of Yoruba worldview regarding head-hair within contemporary belief systems and discusses some of the factors that assure its continuity. It concludes with a cross-cultural comparison of the perceptions of dreadlocks, especially between Nigerian Yoruba people an d African American Yoruba practitioners.

Presents portraits of dread-heads from every walk of life and includes a brief history of this hairstyle

This manual is both educational and instructive. A practical guide for maintaining and living with dreadlocks, a hairstyle that most in American society consider impractical. This book is full of good advice and even contains helpful diagrams. I am buying a copy for a friend

The classic work on the history and beliefs of the Rastafarians, whose roots of protest go back to the seventeenth-century maroon societies of escaped slaves in Jamaica. Based on an extensive study of the Rastafarians, their history, their ideology, and their influence in Jamaica, The Rastafarians is an important contribution to the sociology of religion and to our knowledge of the variety of religious expressions that have grown up during the West African Diaspora in the Western Hemisphere.

Rastafari has been seen as a political organization, a youth movement, and a millenarian cult. This lively collection of papers challenges these categories and offers a "new approach" to the study of Rastafari. Chevannes and his contributors suggest that we can better understand Rastafari-and Caribbean culture, for that matter-by seeing the movement as both a departure from and a continuance of Revivalism, an African-Caribbean folk religion. By linking Rastafari to Revival, we can enrich our understanding of an African-Caribbean worldview, and we can appreciate Rastafari not only as a political force but as a powerful expression of African-Caribbean culture and tradition. Barry Chevannes provides a concise overview of Rastafari and Revivalism and clearly lays out the volume's "new approach." Leading scholars of Rastafari illustrate and develop the theme with chapters on Rastafari as resistance, the origin of the dreadlocks, Rastafari and language, women in African-Caribbean religions and more. With chapters that range from the specific to the general, this volume will be important to specialists of Caribbean religion and the African diaspora and to those with a burgeoning interest in Rastafari. The contributors include Jean Besson, Ellis Cashmore, Barry Chevannes, John P. Homiak, Roland Littlewood, H.U.E Thoden van Velzen, and Wilhelmina van Wetering.