Limited to remaining stock on hand! This "Monster Lit" mash-up novella from modern horror master Joe R. Lansdale, a highlight from the recent Classics Mutilated anthology, combines Lovecraft and Mark Twain in a way that can only be described as brilliant. Or, as Lansdale.

Island of Dread in the Channel is an engaging account of one man's fight for survival on the island of Alderney during 1942.

Relates the cultural history of cancer and examines society's reaction to the disease through a century of American life.

Edgar Award–Winning Author: “[A] smart twisty plot . . . Mulligan is a Hall of Fame P.I. who’d fit comfortably between Marlowe, Spade, and Easy Rawlins.” —Reed Farrel Coleman, New York Times–bestselling author of Sleepless City Since he got fired in spectacular fashion from his newspaper job, former investigative reporter Liam Mulligan has been piecing together a new life in Providence, Rhode Island—one that straddles both sides of the law. He’s getting some part-time work from his friend McCracken’s detective agency. He’s picking up beer money by freelancing for a local news website. And he’s looking after his semi-retired mobster friend’s bookmaking business. But Mulligan still manages to find trouble. He’s feuding with a cat that keeps leaving its kills on his porch. He’s obsessed with a baffling jewelry heist. And he’s enraged that someone in town is torturing animals. It’s all distracting him from a big case that needs his full attention: The New England Patriots, shaken by a series of murder charges against a star player, have hired Mulligan and McCracken to investigate the background of a college athlete they’re thinking of drafting. At first, the job seems routine, but as soon as they begin asking questions, they get pushback. The player, it seems, has something to hide—and someone is willing to kill to make sure it remains secret . . . “If you like your heroes hardboiled (but with a heart of gold), you’re in luck.” —S.J. Rozan, Edgar Award–winning author of The Mayors of New York “Superb . . . a classic of postmodern crime noir.” —The Providence Journal

This is a deeply unsettling collection of British horror offering three starkly different takes on the post-apocalyptic theme.A Slow Burn:"Shah has done it again ... The characters are so realistic that it's chilling. I will admit to having read this with the lights well and truly on!! Such vivid imagery ... I highly recommend this novella to all lovers of this genre." The Dead Party:"One of the best political satires that I've come across in a long time!" Rosa and Bella's Journal Of Decline:"Brilliant and addictive. Enjoyed from the first paragraph' second paragraph and I was hooked. Yet another fantastic book from this author."*All are UK based and are available individually.

FINALIST FOR THE GOVERNOR GENERAL'S LITERARY AWARD A CBC BEST CANADIAN NONFICTION BOOK OF 2022 AN INDIGO TOP TEN BEST SELF-HELP BOOK OF 2022 "A vital and deeply compelling read.” —Adam McKay, award-winning writer, director and producer (Don’t Look Up) “Britt Wray shows that addressing global climate change begins with attending to the climate within.” —Dr. Gabor Maté, author of The Myth of Normal "Read this courageous book.” —Naomi Klein An impassioned generational perspective on how to stay sane amid climate disruption. Climate and environment-related fears and anxieties are on the rise everywhere. As with any type of stress, eco-anxiety can lead to lead to burnout, avoidance, or a disturbance of daily functioning. In Generation Dread, Britt Wray seamlessly merges scientific knowledge with emotional insight to show how these intense feelings are a healthy response to the troubled state of the world. The first crucial step toward becoming an engaged steward of the planet is connecting with our climate emotions, seeing them as a sign of humanity, and learning how to live with them. We have to face and value eco-anxiety, Wray argues, before we can conquer the deeply ingrained, widespread reactions of denial and disavowal that have led humanity to this alarming period of ecological decline. It’s not a level playing field when it comes to our vulnerability to the climate crisis, she notes, but as the situation worsens, we are all on the field—and unlocking deep stores of compassion and care is more important than ever. Weaving in insights from climate-aware therapists, critical perspectives on race and privilege in this crisis, ideas about the future of mental health innovation, and creative coping strategies, Generation Dread brilliantly illuminates how we can learn from the past, from our own emotions, and from each other to survive—and even thrive—in a changing world.

Longlisted: 2017 OCM Bocas Prize for Caribbean Literature Bob Marley is dead. The Emperor Haile Selassie has been brutally murdered. The armed gangs of Kingston are at war and the murder rate soars. The people have lost all trust in self-serving politicians. It is hard to imagine worse times. The Marvellous Equations of the Dread tells the twin stories of Jamaica's nihilistic violence and its wondrously creative humanity and does truthful justice to both. It takes place in the worlds of the living and in the vivid afterlife of the dead, spanning the Kingston ghettoes, the Emperor's palace in Addis Ababa and Zion. There is even a fallen angel. At its heart are the human stories of the deaf Leenah who with her mother and daughter writes a powerful woman version of events; the relationship between Fall-down (the street madman and fallen angel) and Delroy the orphaned street-boy, and the meetings in the clock tower at Half Way Tree between Bob Marley, Marcus Garvey and the island's dead. There is also the enslaved boy who was hung from the silk cotton tree in 1766. The novel sets out to retrieve the word at the tip of his tongue. Not least of the novel's marvellous equations are the dread revenants who encourage the living to take responsibility for the future of the nation.