A penetrating, compulsively readable memoir about the four-decade career of a top courtroom sketch artist. Jane Rosenberg is America's pre-eminent courtroom sketch artist. For over forty years, she's been at the heart of the story, covering almost every major trial that has passed through the New York justice system. From mob bosses to fallen titans of finance, terrorists and sex abusers, corrupt cops and warring entertainment icons, she has drawn them all. In Drawn Testimony, Rosenberg brings us into the high-stakes, dramatic world of her craft, where art, psychology and courtroom drama collide. Over the course of her legendary career, Jane has had a front row seat to some of the most iconic and notorious moments in our nation's recent history, sketching everything from Tom Brady's deflate-gate case, to John Lennon's murder trial to cases against Ghislaine Maxwell, John Gotti, Harvey Weinstein and most recently, the indictment against former President Donald Trump. Readers will learn how she has honed her unique powers of perception, but also what her portraits reveal, not only about her subjects, but about the human condition in general. Fearless, fascinating and gorgeously written, Drawn Testimony captures the unique career of an artist whose body of work depicts history as it's happening.

In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman’s first “Maus” story about his immigrant family’s survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa’s inaugural work of “atomic bomb manga,” the comic book Ore Wa Mita (“I Saw It”)—a title that alludes to Goya’s famous Disasters of War etchings. Chute explains how the form of comics—its collection of frames—lends itself to historical narrative. By interlacing multiple temporalities over the space of the page or panel, comics can place pressure on conventional notions of causality. Aggregating and accumulating frames of information, comics calls attention to itself as evidence. Disaster Drawn demonstrates why, even in the era of photography and film, people understand hand-drawn images to be among the most powerful forms of historical witness.

From America’s top courtroom sketch artist, a penetrating, compulsively readable memoir about her dramatic four-decade career For over forty years, Jane Rosenberg has been at the heart of the news cycle, covering almost every major trial that has passed through the New York justice system as a courtroom sketch artist, including the most recent Donald Trump hush money trial. In Drawn Testimony, Rosenberg brings us into the dramatic high-stakes world of her craft, where art, psychology and courtroom drama collide. Over the course of her legendary career, Jane has had a front-row seat to some of the most iconic and notorious moments in our nation’s recent history, including cases pertaining to: • Mick Jagger • Martha Stewart • Tom Brady's "Deflategate" scandal • John Lennon’s murder trial • Ghislaine Maxwell • John Gotti • Harvey Weinstein • The Boston Marathon bomber • Donald Trump Readers will learn how she has honed her unique powers of perception and also what her portraits reveal, not only about her subjects, but about the human condition in general. Fearless, fascinating and gorgeously written, Drawn Testimony captures the unique career of an artist whose body of work depicts history as it’s happening.

1890-1926 include also Decisions of the Board of U.S. General Appraisers no. 1-9135.