Using sand to create artistic masterpieces only compounds the fun had at the beach. The wide range of projects presented allows readers to develop their creativity through a fascinating, new medium. Readers will have no trouble following along with easy-to-understand instructions that are accompanied by photographs portraying each step.

For more than three years Maarten Munnik traveled on his motorbike around the world. From Europe through Asia to Australia, and from South America to Alaska. 100,000 miles of culture, adventure and most of all butt-pain. Every single day would be worthy of a chapter in this book, but there is just no printing-press large enough to print a book like that. Therefore you will have to settle with this collection of 'tales from the road'. Well aware of his own 'unsophisticated' view on the world, Maarten tells his tales the way he experienced them himself. He is no hero, not even a real adventurer. As he says himself: he is just stupid and naive and that combination leads him into, through and out of many unusual situations. Sometimes dramatic, sometimes hilarious, but always different.

Longlisted for the National Book Award "Mind-blowing." —Kim Gordon DEADPAN, EPIC, AND SEARINGLY CHARISMATIC, A Sand Book chronicles climate change and climate grief, gun violence and bystanderism, state violence and complicity, mourning and ecstasy, sex and love, and the transcendent shock of prophecy, tracking new dimensions of consciousness for our strange and desperate times.

Only Jane Yolen could write such a wonderful and poetic tribute to the beauties of the desert, where there is constant amazement to be found....Regan's paintings are inviting and breathtaking. --- American Bookseller

Aller captures the infinitely shifting colors and textures of water, sand and sky This new project by German-born photographer Renate Aller is an extension of the ongoing series and book Oceanscapes (2010). Aller has continued to make images of the ocean from a single vantage point--for which she is internationally known--but for the last several years, she has also photographed sand dunes in New Mexico and Colorado. She has now paired the resulting images in a fascinating new series that continues her investigation into the relationship between romanticism, memory and landscape in the context of our current sociopolitical awareness. There is both a visual and visceral relationship between the two bodies of work. The desert images also capture visitors to the dunes, who engage in beach activities far away from any large body of water. And while these parallel realities are from completely different locations, the simultaneous, multiple activities on the sloping sand hills appears as if layers of different people and activities were choreographed next to rolling waves of the sea. Aller's first combination of these images was in book form, for a mammoth handmade book that was 36 inches wide. The overwhelming success of that publication has inspired this new trade edition, which features the largest binding that can be mechanically bound, and includes an expanded selection of the work. Born in Germany, Renate Aller lives and works in New York. Ocean and Desert is her third monograph published with Radius Books, following Dicotyledon and the long-term project Oceanscapes-One View-Ten Years. Pieces from that series and other site-specific artworks are in the collections of corporate institutions, private collectors and museums, including the Lannan Foundation, Santa Fe; the Corcoran Gallery of Art, Washington, D.C.; Yale University Art Gallery, Conneticut; the George Eastman House, Rochester; New Britain Museum of American Art; Hamburger Kunsthalle; and the Chazen Museum of Art, Madison.