Draw the Line is a powerful picture book about forgiveness from Kathryn Otoshi, author of the bestselling book One. When two boys draw their own lines and realize they can connect them together—magic happens! But a misstep causes their lines to get crossed. Push! Pull! Tug! Yank! Soon their line unravels into an angry tug-of-war. With a growing rift between them, will the boys ever find a way to come together again? Acclaimed author/illustrator Kathryn Otoshi uses black and white illustrations with thoughtful splashes of color to create a powerful, multi-layered statement about friendship, boundaries, and healing after conflict. A Kirkus Reviews Best Picture Book of 2017

Do the moral lives of artists affect the aesthetic quality of their work? Is it morally permissible for us to engage with or enjoy that work? Should immoral artists and their work be "canceled"? Matthes employs the tools of philosophy to offer insight and clarity to these ethical questions. He argues that it doesn't matter whether we can separate the art from the artist, because we shouldn't

After a hate crime occurs in his small Texas town, Adrian Piper must discover his own power, decide how to use it, and know where to draw the line in this “powerful debut” novel (Publishers Weekly, starred review) exquisitely illustrated by the author. Adrian Piper is used to blending into the background. He may be a talented artist, a sci-fi geek, and gay, but at his Texas high school those traits would only bring him the worst kind of attention. In fact, the only place he feels free to express himself is at his drawing table, crafting a secret world through his own Renaissance-art-inspired superhero, Graphite. But in real life, when a shocking hate crime flips his world upside down, Adrian must decide what kind of person he wants to be. Maybe it’s time to not be so invisible after all—no matter how dangerous the risk.

Argues that maps can be manipulated to distort the truth, and shows how they have been used for propaganda in international affairs, political districting, and finding toxic dump sites

Some of the most beloved characters in film and television inhabit two-dimensional worlds that spring from the fertile imaginations of talented animators. The movements, characterizations, and settings in the best animated films are as vivid as any live action film, and sometimes seem more alive than life itself. In this case, Hollywood's marketing slogans are fitting; animated stories are frequently magical, leaving memories of happy endings in young and old alike. However, the fantasy lands animators create bear little resemblance to the conditions under which these artists work. Anonymous animators routinely toiled in dark, cramped working environments for long hours and low pay, especially at the emergence of the art form early in the twentieth century. In Drawing the Line, veteran animator Tom Sito chronicles the efforts of generations of working men and women artists who have struggled to create a stable standard of living that is as secure as the worlds their characters inhabit. The former president of America's largest animation union, Sito offers a unique insider's account of animators' struggles with legendary studio kingpins such as Jack Warner and Walt Disney, and their more recent battles with Michael Eisner and other Hollywood players. Based on numerous archival documents, personal interviews, and his own experiences, Sito's history of animation unions is both carefully analytical and deeply personal. Drawing the Line stands as a vital corrective to this field of Hollywood history and is an important look at the animation industry's past, present, and future. Like most elements of the modern commercial media system, animation is rapidly being changed by the forces of globalization and technological innovation. Yet even as pixels replace pencils and bytes replace paints, the working relationship between employer and employee essentially remains the same. In Drawing the Line, Sito challenges the next wave of animators to heed the lessons of their predecessors by organizing and acting collectively to fight against the enormous pressures of the marketplace for their class interests -- and for the betterment of their art form.

Drawing a line is often the first thing a child learns about art. But how have famous artists over the years, used line to represent important issues, emotions or actions in their pictures? Award-winning art historian and children's book author, Gillian Wolfe explores paintings with bold lines, gentle lines, curvy lines, straight lines, doodle lines, action lines and many more in this fourth book in the acclaimed LOOK! series.

As World War II began, not only were Japanese Americans herded into internment camps, the young men were then drafted. But at Heart Mountain, a group of resisters drew the line - they refused to comply, on constitutional grounds - and wound up in federal prison. As the author contemplates a simple line drawing of the Heart Mountain camp, he revisits this moment of history with pain, pride, and thoughtful historical perspective. In a section about Japanese American life, Inada pays tribute to his elders, and delights in the detail of the day-to-day. His love for the landscape of Oregon is realized in poems that smell of pine and sparkle like a mountain stream. This is a rich, varied collection of poems brimming with hope, nourished by the wisdom of the past, alive with the electricity of the moment.