Pratibha Ray makes a determined effort for a portrayal of the epic character and brings to the surface the broader and deeper aspects of Draupadi s mind that lay submerged in the majestic sweep of the grand Mahabharata. The novel won her the Bharatiya Jnanpith s prestigious ninth Moortidevi Award in 1993.

The life of a princess raised by a loving father and three doting brothers would seem like a bed of roses to any woman. But born out of sacred fire, Draupadi is no ordinary woman, and her destiny cannot be to walk the beaten path. Witnessing estrangement and betrayal within her own family makes her perceptive and intuitive beyond her years. A complicated marital relationship, a meteoric rise and a fateful loss, humiliation unheard of and a pledge of revenge, all culminating in a bloody warher o

Shomshuklla does experimental plays, influenced by international plays across the world. Her presentations are unique and her theme are always excellent. She uses vibrant colors to express her art. We Draupadi’s and Sitas And Other Plays is a collection of 11 outstanding plays enacted under her direction. All of these plays have been critically acclaimed in India and abroad.

This is the first volume of a projected three-volume work on the little known South Indian folk cult of the goddess Draupadi and on the classical epic, the Mahabharata, that the cult brings to life in mythic, ritual and dramatic forms. It focuses on the Draupadi cult's own double mythology, moving from its storieis about Draupadi's 'primal temple' near the capital of the medieval South Indian Kingdom of Gingee to its version of the Mahabharata war on the North Indian plain of Kuruksetra. Throughout, Hiltebeitel intertwines 'regional' data, gathered from both oral and written sources, with the 'epic', drawn from the cult's own performative traditions as well as from classical versions of the Mahabharata in both Tamil and Sanskrit. He re-examines many issues critical to Indological studies and takes up them while breaking new ground in investigating the further rapport between the Hindu goddess and the Indian epic. Future volumes will treat the rituals of the Draupadi cult and the Mahabharata as seen through a Draupadi cult retrospective. Contents List of Maps, List of Plates, List of Tables, Preface, Acknowledgements, Conventions, PART I: From Gingee: Introduction: Invocatory Songs to Draupadi, 'The Lady Who Resides in Gingee', The Draupadi Cult: Its Historical and Regional Settings, Social Background, Diffusion, Variation, and Change, The Sources of the Gingee Kingdom: The Living River and the Tree of Gold, Myths of the Melacceri Draupadi Temple, Muttal Ravuttan: Draupadi's Muslim Devotee, PART II: To Kuruksetra: The Draupadi Cult's Mahabharata: An Introduction, The Death of Baka: Prelude to the Drama Cycle, Additional Marriages, The two Sabhas: 'The Rajasuya Sacrifice' and 'Dice Match and Disrobing' , Arjuna's Tapas, Draupadi's Forest Exile and the Period in Disguise: Virapancali, Puvalicci, and Kuravanci, Krsna the Messenger, Aravan's Sacrifice, Pormannan's Fight: Pottu Raja at Kuruksetra, Pormannan's Flight: The War Kings Weapons and Their Mythical Sources, Kuruksetra: The Mahabharata War, When Draupadi Walked on fire, Appendix 1: The Lunar Dynasty from its origins to draupadi's Second Advent at Gingee, Appendix 2. An outline History of Gingee, Abbreviations, Bibliography, Index.

This dark beauty was no ordinary woman. Born from the pure flames of a sacred fire, Draupadi was devoted wife to the five famously talented and virtuous Pandava brothers. The evil Kauravas wanted her for themselves, and eyed the Pandava kingdom as well. Raging at their impertinence, and ranting at her husbands’ helplessness, Draupadi inspired a deadly war which wiped out the Kaurava scourge for ever.

With reference to 20th century Indian English literature with special reference to gender identity.

The Present Book, New History Of Ancient India, Is An Attempt To Present The Indian History In The Light Of Recent Discoveries And Excavations Made In This Field. The History Of India Before The Invasion Of Alexander The Great In 328 B.C. Has Been Generally Considered A Myth. Accordingly, Brahma, Vishnu And Mahesh, Manu And Mandhata, Harishchandra And Bhagirath, Shri Rama And Shri Krishna, All Have Been Treated Non-Historical, Mythical Personages. But The Recent Discoveries Like Those Of Dwarika Of Shri Krishna In The Sea And Lanka Of Ravana In Orissa As Well As The Authentic Determining Of The Date Of Floods, That Find Mention In The Purana, Have Outrightly Refuted The Past Presumptions. With New Things Coming To Light, It Is Desirable That History Be Rewritten. It Is With This View That The Present Book Has Been Written. It Aims At Presenting The Information In An Analytic Manner And Also In Chronological Order. Beginning From The Vedic Yuga, The Book Presents An In-Depth Study Of Devasura Yuga, Satya Yuga, Dwapar Yuga And Kaliyuga. All The Information, Both Conventional And Recent, Provided In The Book Are Authentic As They Are Taken From The Authoritative Sources. The Book Is Unique In Its Presentation As It Richly Provides Maps Of Ancient States, Photographs And Figures, Which Not Only Give A Glimpse Of The Related Age Or Yuga But Also Facilitate Easy Understanding Of Information. Since Miracles, Exaggerations, Mysteries And Supernatural Powers Find No Reference Here, The Book Can Be Held A Complete, Authoritative Text On Ancient Indian History.It Is Hoped That The Students, Research Scholars And Even Teachers Of Indian History Will Find This Book Highly Useful And Indispensable For Having A Thorough And Updated Knowledge Of Ancient India. Even The General Readers Will Find This Book Extremely Interesting And Informative.