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Excerpt from Dramatists of to-Day: Rostand, Hauptmann, Sudermann, Pinero, Shaw, Phillips, Maeterlinck, Being an Informal Discussion of Their Significant Work Of old a "Critick " studied the masters in any given form of art and thus learned the rules of that art. He might then consider whatever came to his notice and pronounce it good or bad. We commonly do much the same sort of tiling now, when we read merely for fun. We have, every one of us, got together, consciously or unconsciously, some ideas on what's what as to novels or short stories or plays or pictures, and when we read or hear or see anything, we instinctively form some judgment of it according to whatever those ideas may be. The process we perhaps express by saying, "I don't pretend to know anything about criticism, but I know what I like." Whether we acknowledge it or not, we commonly form our opinion about current books and plays on some such basis. This mode of judgment, still popular with the general reader, was abandoned by many brilliant critics some time ago. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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