An analysis of relationships between strong women and emotionally weak men counsels women on how to recognize warning signs, prevent partners from sabotaging a relationship, and transform a compromising situation into one of strength.

Describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. This book looks into the lives of some of the opera's key actors, and explores their methods for earning a living, and their status in an ever-changing society.

Rex "TW" McMurtry’s perpetual single-hood wouldn't bother him so much if all his ex-girlfriends didn't keep marrying the very next person they dated, especially when so many of those grooms are his closest friends. He may be a pro-football defensive end for the Chicago Squalls, but the press only wants to talk about how he's always a groomsman and never a groom. Rex is sick of being the guy before the husband, and he’s most definitely sick of being the best man at all their weddings. Bartender Abigail McNerny is the gal-pal, the wing-woman, the she-BFF. She's dated. Once. And once was more than enough. Privy to all the sad stories of her customers, ‘contentment over commitment’ is her motto, and Abby is convinced no one on earth could ever entice her into a romantic relationship . . . except that one guy she’s loved since preschool. The guy who just walked into her bar. The guy who doesn’t recognize her. The guy who is drunk and needs a ride home. The guy who has a proposition she should definitely refuse.

This richly annotated edition takes a fresh look at the first part of Shakespeare's second tetralogy of history plays, showing how it relates to the other plays in the sequence. Forker places the play in its political context, discussing its relation to competing theories of monarchy, looking at how it faced censorship because of possible comparisons between Richard II and Elizabeth I, and how Bolingbroke's rebellion could be compared to the Essex rising of the time. This edition also reconsiders Shakespeare's use of sources, asking why he chose to emphasise one approach over another. Forker also looks at the play's rich afterlife, and the many interpretations that actors and directors have taken. Finally, the edition looks closely at the aesthetic relationship between language, character, structure and political import.