Having been kidnapped by former pirates because of his ability to whistle up the wind, fifteen-year-old Jamie agrees to help their leader, a living corpse, find the dragon of Windrose Island.

Having been kidnapped by former pirates because of his ability to whistle up the wind, fifteen-year-old Jamie agrees to help their leader, a living corpse, find the dragon of Windrose Island.

This book covers everything from bullying self harm to why does death happen. Adispare is another world simulsr to Narnis Lord of the Rings and Bridge to terrabithia.

Pamela Wharton Blanpied provides an introduction to modern dragons, covering their basic anatomy, habits, recreation, preferences in food, and their legendary lust for treasure.

Dying isn’t an option. I’ve survived a kidnapping and now I’m on the run from the Knights of the Dragon who want my gift. I’m Abigail Owens and I can sense gemstones. There’s nothing a dragon loves more than treasure. But when I find a beautiful stone at a tiny shop in Moscow, I have no idea it’s a drakon tear, or that I’ve just put myself in the middle of a war between the Knights and a Drakon. I guess I’m just lucky like that. The only person I trust even a little is Vasili Zima, which is weird since I’m not sure if he wants to kill me or protect me. I’m drawn to him in a way I hadn’t thought possible, and he feels the same way, or he wouldn’t be risking his life to help me. He’s wanted by the bad guys just as much as I am, and staying with me, well, there’s a hundred percent chance I’m about to get us both killed. But I will not be going down without a fight. The Blood of the Drakon series is best enjoyed in order Reading Order: Book #1: Drakon’s Promise Book #2: Drakon’s Prey Book #3: Drakon's Plunder Book #4: Drakon's Past Book #5: Drakon Unchained Book #6: Drakon’s Tear Book #7: Drakon's Knight

From the 1790s until World War I, Western museums filled their shelves with art and antiquities from around the world. These objects are now widely regarded as stolen from their countries of origin, and demands for their repatriation grow louder by the day. In The Compensations of Plunder, Justin M. Jacobs brings to light the historical context of the exodus of cultural treasures from northwestern China. Based on a close analysis of previously neglected archives in English, French, and Chinese, Jacobs finds that many local elites in China acquiesced to the removal of art and antiquities abroad, understanding their trade as currency for a cosmopolitan elite. In the decades after the 1911 Revolution, however, these antiquities went from being “diplomatic capital” to disputed icons of the emerging nation-state. A new generation of Chinese scholars began to criminalize the prior activities of archaeologists, erasing all memory of the pragmatic barter relationship that once existed in China. Recovering the voices of those local officials, scholars, and laborers who shaped the global trade in antiquities, The Compensations of Plunder brings historical grounding to a highly contentious topic in modern Chinese history and informs heated debates over cultural restitution throughout the world.