Stranded in Siberia, Kat and Ben must navigate the snowy wastes to make it to Moscow so they can stop the god Veles from taking over their world. But surprises lurk in the north, one from her past days in Empress Catherine's court, and the other a creature out of legend. To survive, Kat needs to confront more than her past.

Stranded in Siberia, Kat and Ben must navigate the snowy wastes to make it to Moscow so they can stop the god Veles from taking over their world. But surprises lurk in the north, one from her past days in Empress Catherine's court, and the other a creature out of legend. To survive, Kat needs to confront more than her past.

When Professor of Dracophilology Simon Stillfield is asked to go to far away Russia to help set up a dragon post like that in the British Isles, his first impulse is to refuse. To his knowledge, there are few dragons in Russia besides the feral Ice Dragons of Siberia. But when a disappointment in love makes him long for a change of scene, Simon, his dragon friend Lakota and familiar Janus embark on a strange adventure in a distant, largely unknown land. The Russians seem curiously reluctant to begin work on the project, and puzzles abound on all sides. Who is the mysterious young woman in the home of his hosts? Why are the Secret Police spying on him? When a young boy Simon has befriended is kidnapped by an Ice Dragon, Simon must attempt a rescue, and face Russian Witches, Rusalka, and an evil Necro-mancer who seems bent on killing him for an unknown reason. It will take all of Simon's resources, magical and otherwise, to confront danger, death, and love.

“As the book’s subtitle indicates, Mr. Ziegler uses one of the world’s great rivers as a vehicle to pursue this story—and what a vehicle it is. . . . [He] writes beautifully, and with the fervor of a naturalist.” —The Wall Street Journal “The writing is superb . . . a true labour of love, Black Dragon River is a triumph.” —The Spectator Black Dragon River is a personal journey down one of Asia’s great rivers that reveals the region’s essential history and culture. The world’s ninth largest river, the Amur serves as a large part of the border between Russia and China. As a crossroads for the great empires of Asia, this area offers journalist Dominic Ziegler a lens with which to examine the societies at Europe's only borderland with east Asia. He follows a journey from the river's top to bottom, and weaves the history, ecology and peoples to show a region obsessed with the past—and to show how this region holds a key to the complex and critical relationship between Russia and China today. One of Asia’s mightiest rivers, the Amur is also the most elusive. The terrain it crosses is legendarily difficult to traverse. Near the river’s source, Ziegler travels on horseback from the Mongolian steppe into the taiga, and later he is forced by the river’s impassability to take the Trans-Siberian Railway through the four-hundred-mile valley of water meadows inland. As he voyages deeper into the Amur wilderness, Ziegler also journeys into the history of the peoples and cultures the river’s path has transformed. The known history of the river begins with Genghis Khan and the rise of the Mongolian empire a millennium ago, and the story of the region has been one of aggression and conquest ever since. The modern history of the river is the story of Russia's push across the Eurasian landmass to China. For China, the Amur is a symbol of national humiliation and Western imperial land seizure; to Russia it is a symbol of national regeneration, its New World dreams and eastern prospects. The quest to take the Amur was to be Russia’s route to greatness, replacing an oppressive European identity with a vibrant one that faced the Pacific. Russia launched a grab in 1854 and took from China a chunk of territory equal in size nearly to France and Germany combined. Later, the region was the site for atrocities meted out on the Russian far east in the twentieth century during the Russian civil war and under Stalin. The long shared history on the Amur has conditioned the way China and Russia behave toward each other—and toward the outside world. To understand Putin’s imperial dreams, we must comprehend Russia’s relationship to its far east and how it still shapes the Russian mind. Not only is the Amur a key to Putinism, its history is also embedded in an ongoing clash of empires with the West.

China and Russia, two giants dominating the Eurasian landmass, share a history of understanding and misunderstanding whose nuances are not well appreciated by outsiders. In his interpretation of this relationship from the Russian point of view, Alexander Lukin shows how over the course of three centuries China has seemed alternately to threaten, mystify, imitate, mirror, and rival its northern neighbor. Lukin traces not only the changing dynamics of Russian-Chinese relations but the ways in which Russia's images of China more profoundly reflected Russia's self-perception and its perceptions of the West as well. As both Russia and China take distinctive approaches to political and economic development and integration in the twenty-first century global economy, this reinterpretation of their relationship is timely and valuable not only to historians but to all students of international affairs.

For a good old fashioned romp that mixes Atlas Shrugged with The Wonderful Wizard of Oz, follow Annie, Gonzo, Malcolm X and Jiminy Cricket into the land of the golden ounce (oz.), as they discover their destinies, foment revolution against the empire and in the process, figure out how to get off the yellow brick road before the witches from the Emerald City destroy them.

A Dazzling Russian travelogue from the bestselling author of Great Plains In his astonishing new work, Ian Frazier, one of our greatest and most entertaining storytellers, trains his perceptive, generous eye on Siberia, the storied expanse of Asiatic Russia whose grim renown is but one explanation among hundreds for the region's fascinating, enduring appeal. In Travels in Siberia, Frazier reveals Siberia's role in history—its science, economics, and politics—with great passion and enthusiasm, ensuring that we'll never think about it in the same way again. With great empathy and epic sweep, Frazier tells the stories of Siberia's most famous exiles, from the well-known—Dostoyevsky, Lenin (twice), Stalin (numerous times)—to the lesser known (like Natalie Lopukhin, banished by the empress for copying her dresses) to those who experienced unimaginable suffering in Siberian camps under the Soviet regime, forever immortalized by Aleksandr Solzhenitsyn in The Gulag Archipelago. Travels in Siberia is also a unique chronicle of Russia since the end of the Soviet Union, a personal account of adventures among Russian friends and acquaintances, and, above all, a unique, captivating, totally Frazierian take on what he calls the "amazingness" of Russia—a country that, for all its tragic history, somehow still manages to be funny. Travels in Siberia will undoubtedly take its place as one of the twenty-first century's indispensable contributions to the travel-writing genre.