The terrifying conclusion to the critically acclaimed series from comics legend Kurt Busiek! After a powerful, predatory corporation acquires Dracula as a valuable asset, they soon discover one terrifying truth: no one can own the Son of the Dragon! As the vampire armies of the corporation and Dracula face off against each other, our hero Evan must enter into an unlikely alliance with Marta and her team of vampire hunters. As Dracula and the corporation's fight reaches a fever pitch, can Evan and Marta work together long enough to rally a rebellion that will be able to withstand the onslaught? It's bloodsuckers vs. bloodsucker, as Busiek brings an incredibly modern spin to the Dracula mythos with award-winning author Daryl Gregrory (PANDEMONIUM, PLANET OF THE APES) and artists Scott Godlewski (CODEBREAKERS) and Damian Couceiro (NOLA).

A powerful, predatory corporation acquires a valuable asset - Dracula! They think they own him, but no one can own the Son of the Dragon. There's a monster in their midst that puts Hannibal Lecter to shame - and he plans to gain his freedom in blood. It's bloodsuckers vs. bloodsucker, as Busiek brings an incredibly modern spin to the Dracula mythos.

It’s bloodsuckers vs. bloodsucker in this new original graphic novel from the mind of legendary comic book writer Kurt Busiek. A powerful, predatory corporation acquires a valuable asset – Dracula himself! They think they own him, but no one can own the Son of the Dragon. There's a monster in their midst that puts Hannibal Lecter to shame - and he plans to gain his freedom in blood. It's bloodsuckers vs. bloodsucker in the third volume of the new horror graphic novel critics are raving about. Legendary comics writer Kurt Busiek, along with award-winning author Daryl Gregory and sensational artist Scott Godlewski, take you through the dark corridors of the American corporate boardroom and show you vampires aren’t the only kind of bloodsuckers!

This is a comprehensive sourcebook on the world's most famous vampire, with more than 700 citations of domestic and international Dracula films, television programs, documentaries, adult features, animated works, and video games, as well as nearly a thousand comic books and stage adaptations. While they vary in length, significance, quality, genre, moral character, country, and format, each of the cited works adopts some form of Bram Stoker's original creation, and Dracula himself, or a recognizable vampiric semblance of Dracula, appears in each. The book includes contributions from Dacre Stoker, David J. Skal, Laura Helen Marks, Dodd Alley, Mitch Frye, Ian Holt, Robert Eighteen-Bisang, and J. Gordon Melton.

A powerful, predatory corporation acquires a valuable asse -Dracula! They think they own him, but no one can own the Son of the Dragon. As Dracula begins to amass a terrifying army, Evan soon discovers Dracula is not the only one out for blood! Imperiled by both his craven, monstrous uncle, and Dracula's calculating cruelty, Evan must consider making a pact with an enigmatic, deadly force. It's bloodsuckers vs. bloodsucker, as Busiek brings an incredibly modern spin to the Dracula mythos.

Bako, hoping to turn the course of the war and save the humans from the ape government, acts in desperation while sisters fight each other below the city.

Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.