Down South and Other Places is a nonfiction work by Eric Koplin. He tells a tale of being a support troop (heavy-equipment operator) in Vietnam in 1969. He was an enlisted man, a lance corporal (E3) in the United States Marine Corps. He moves around southern I Corps, providing support to infantry units. His stories are about the craziness of that era and place. He then takes us home to Chicago, Illinois, and the western suburbs of that great city. He tells us stories of how a nineteen-year-old veteran was treated in 1970. He tells us a bit of how he adjusted, and he touches on his posttraumatic stress disorder (PTSD) and depression, which he deals with to this day. He tells of friends, people in general, and veterans hospitals and their staff. The book sums up the uselessness of that war and the awful treatment our returning veterans endured at the hands of their fellow Americans.

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Down South: Or, An Englishman's Experience At The Seat Of The American War, Volume 2; Down South: Or, An Englishman's Experience At The Seat Of The American War; Samuel Phillips Day Samuel Phillips Day Hurst and Blackett, 1862 History; United States; Civil War Period (1850-1877); Confederate States of America; History / United States / Civil War Period (1850-1877); Southern States; United States

Reprint of the original, first published in 1862.

From the seventeenth century Cavaliers and Uncle Tom's Cabin to Civil Rights museums and today's conflicts over the Confederate flag, here is a brilliant portrait of southern identity, served in an engaging blend of history, literature, and popular culture. In this insightful book, written with dry wit and sharp insight, James C. Cobb explains how the South first came to be seen--and then came to see itself--as a region apart from the rest of America. As Cobb demonstrates, the legend of the aristocratic Cavalier origins of southern planter society was nurtured by both northern and southern writers, only to be challenged by abolitionist critics, black and white. After the Civil War, defeated and embittered southern whites incorporated the Cavalier myth into the cult of the "Lost Cause," which supplied the emotional energy for their determined crusade to rejoin the Union on their own terms. After World War I, white writers like Ellen Glasgow, William Faulkner and other key figures of "Southern Renaissance" as well as their African American counterparts in the "Harlem Renaissance"--Cobb is the first to show the strong links between the two movements--challenged the New South creed by asking how the grandiose vision of the South's past could be reconciled with the dismal reality of its present. The Southern self-image underwent another sea change in the wake of the Civil Rights movement, when the end of white supremacy shook the old definition of the "Southern way of life"--but at the same time, African Americans began to examine their southern roots more openly and embrace their regional, as well as racial, identity. As the millennium turned, the South confronted a new identity crisis brought on by global homogenization: if Southern culture is everywhere, has the New South become the No South? Here then is a major work by one of America's finest Southern historians, a magisterial synthesis that combines rich scholarship with provocative new insights into what the South means to southerners and to America as well.

Offers a collection of ten insightful essays that illuminate the little-known history and increasing presence of Asian immigrants in the American southeast In sharp contrast to the “melting pot” reputation of the United States, the American South—with its history of slavery, Jim Crow, and the civil rights movement—has been perceived in stark and simplistic demographic terms. In Far East, Down South, editors Raymond A. Mohl, John E. Van Sant, and Chizuru Saeki provide a collection of essential essays that restores and explores an overlooked part of the South’s story—that of Asian immigration to the region. These essays form a comprehensive overview of key episodes and issues in the history of Asian immigrants to the South. During Reconstruction, southern entrepreneurs experimented with the replacement of slave labor with Chinese workers. As in the West, Chinese laborers played a role in the development of railroads. Japanese farmers also played a more widespread role than is usually believed. Filipino sailors recruited by the US Navy in the early decades of the twentieth century often settled with their families in the vicinity of naval ports such as Corpus Christi, Biloxi, and Pensacola. Internment camps brought Japanese Americans to Arkansas. Marriages between American servicemen and Japanese, Korean, Filipina, Vietnamese, and nationals in other theaters of war created many thousands of blended families in the South. In recent decades, the South is the destination of internal immigration as Asian Americans spread out from immigrant enclaves in West Coast and Northeast urban areas. Taken together, the book’s essays document numerous fascinating themes: the historic presence of Asians in the South dating back to the mid-nineteenth century; the sources of numerous waves of contemporary Asian immigration to the South; and the steady spread of Asians out from the coastal port cities. Far East, Down South adds a vital new dimension to popular understanding of southern history.

From Central District Seattle to Harlem to Holly Springs, Black people have built a dynamic network of cities and towns where Black culture is maintained, created, and defended. But imagine—what if current maps of Black life are wrong? Chocolate Cities offers a refreshing and persuasive rendering of the United States—a “Black map” that more accurately reflects the lived experiences and the future of Black life in America. Drawing on film, fiction, music, and oral history, Marcus Anthony Hunter and Zandria F. Robinson trace the Black American experience of race, place, and liberation, mapping it from Emancipation to now. As the United States moves toward a majority minority society, Chocolate Cities provides a provocative, broad, and necessary assessment of how racial and ethnic minorities make and change America’s social, economic, and political landscape.