Raised on a Midwestern farm after World War II, Eric was considered worthless in his childhood. He was restricted by a body that did not allow him to walk. With stubborn determination, he struggled to cope with his disability, cerebral palsy. Eric endured abuse, discrimination and neglect and yet found the courage to face his challenges directly. In adulthood, he lived independently and was proud to have a job to pay his own way. He loved baseball, longed to play the game and be part of a team. Instead, he watched from the sidelines. He released pent-up emotions of his triumphs and tragedies through writing stories and poems. Connie Rubsamen's memoir of her brother is driven by his many writings. Down, Looking Up is an inspiring story of fighting against and coming to terms with a disability. This story illustrates how a disability impacts one's life. There is no escape.

Photographs present objects and scenes from different perspectives, some viewed from below and some from above.

This book is about an unusual journey: a unique journey through everyday surroundings. Rob Walters decided to become a shoeshine boy. He stowed his shoeshine kit, a tent, and a few items of clothing in a trailer, connected the trailer to his push bike and set off from Oxford to visit the old shoe-making cities of middle England. Along the way he polished many shoes, met lots of interesting people, pedalled many miles, and gained a fascinating insight into his own country from a rather unique perspective.Rejected by some, welcomed by many, he polished shoes in shopping centres, solicitor's offices, a kite festival, railway stations, campsites, street corners, and a bewildering selection of pubs. He polished the shoes of dossers, company directors, criminals, Morris dancers, publicans, bikers, policemen, schoolboys, reporters, a bowling green groundsman, an Icelander, and a Latvian - to name just a few. He slept in fields, in woods, and on the edge of golf courses. He was ejected from the Norfolk Show and welcomed into the offices of lawyers and fruit importers.During his journey he met members of the Household Cavalry, topless protestors, a homeless joss stick seller, a man who stole baths in hotels, a submariner, a beaten housewife, a disenchanted solicitor, a rubber recycler, a toyshop owner, and two ghost guides - amongst others. All of them had a story to tell: some sad, some amusing. It is their tales and Rob's own incisive observations that are related in this unusual book. Reading it will transport you to Northampton, the centre of the English shoe making tradition; then through the Fens to East Anglia; back across the country to the Midlands; down along the River Severn to Gloucester; and then over the Cotswolds to Oxford. Progress is at a comfortable cycling pace along the country roads and through the sleepy villages, yet interrupted regularly by diversions into the vibrancy of the cities.

More than just a history of a musical genre,Looking Up at Downtraces the evolution of the various strands of blues music within the broader context of the culture on which it commented, and discusses its importance as a form of cultural resistance and identity for Afro-Americans. William Barlow explores the lyrics, describes the musical styles, and portrays the musicians and performers who created this uniquely American music. He describes how the blues sound-with its recognizable dissonance and African musical standards-and the blues text, which provided a bottom up view of American society, became bulwarks of cultural resistance.Using rare recordings, oral histories, and interviews, Barlow analyzes how the blues was sustained as a form of Afro-American cultural resistance despite attempts by the dominant culture to assimilate and commercialize the music and exploit its artists. Author note:William Barlowis Associate Professor in the Radio, Television, and Film Department of Howard University. A music programmer for alternative radio stations for more than fifteen years, he currently produces "Blue Monday" on WPFW-FM.

Thoughts, Poems, and Prayers for those in the hospital.

3 board book parts bound vertically to padded cover.

Whether it’s fearful side hugs on one side or sexual abuse on the other, both the culture and the church aren’t doing very well with touch. Singles are staying single longer, dating is wrought with angst over purity, and marriages struggle to not interpret all forms of touch as sexual. Even the Bible seems to have endless rules about not touching things. There is simply no place where touch doesn’t seem threatened or threatening. But a curious thing happens when Jesus comes into His ministry: He touches. Jesus touches the sick and the outcast, the bleeding and the unclean. What could it mean for families, singles, marriages, churches, communities, and the world to have healthy, pure, faithful, ministering touch? Somewhere in the mess of our assumptions and fears about touch, there is something beautiful and good and God-given. As Jesus can show us, there is ministry in touching.