Since the publication of Eliza May Butler's Tyranny of Greece over Germany in 1935, the obsession of the German educated elite with the ancient Greeks has become an accepted, if severely underanalyzed, cliché. In Down from Olympus, Suzanne Marchand attempts to come to grips with German Graecophilia, not as a private passion but as an institutionally generated and preserved cultural trope. The book argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors; German "neohumanists" promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts. Focusing on the history of classical archaeology, Marchand shows how the injunction to imitate Greek art was made the basis for new, state-funded cultural institutions. Tracing interactions between scholars and policymakers that made possible grand-scale cultural feats like the acquisition of the Pergamum Altar, she underscores both the gains in specialized knowledge and the failures in social responsibility that were the distinctive products of German neohumanism. This book discusses intellectual and institutional aspects of archaeology and philhellenism, giving extensive treatment to the history of prehistorical archaeology and German "orientalism." Marchand traces the history of the study, excavation, and exhibition of Greek art as a means to confront the social, cultural, and political consequences of the specialization of scholarship in the last two centuries.

"This is the book on porcelain we have been waiting for. . . . A remarkable achievement."—Edmund de Waal, author of The Hare with Amber Eyes A sweeping cultural and economic history of porcelain, from the eighteenth century to the present Porcelain was invented in medieval China—but its secret recipe was first reproduced in Europe by an alchemist in the employ of the Saxon king Augustus the Strong. Saxony’s revered Meissen factory could not keep porcelain’s ingredients secret for long, however, and scores of Holy Roman princes quickly founded their own mercantile manufactories, soon to be rivaled by private entrepreneurs, eager to make not art but profits. As porcelain’s uses multiplied and its price plummeted, it lost much of its identity as aristocratic ornament, instead taking on a vast number of banal, yet even more culturally significant, roles. By the nineteenth and twentieth centuries, it became essential to bourgeois dining, and also acquired new functions in insulator tubes, shell casings, and teeth. Weaving together the experiences of entrepreneurs and artisans, state bureaucrats and female consumers, chemists and peddlers, Porcelain traces the remarkable story of “white gold” from its origins as a princely luxury item to its fate in Germany’s cataclysmic twentieth century. For three hundred years, porcelain firms have come and gone, but the industry itself, at least until very recently, has endured. After Augustus, porcelain became a quintessentially German commodity, integral to provincial pride, artisanal industrial production, and a familial sense of home. Telling the story of porcelain’s transformation from coveted luxury to household necessity and flea market staple, Porcelain offers a fascinating alternative history of art, business, taste, and consumption in Central Europe.

Emily and Pegasus face their greatest challenge yet when they venture back to Earth to save a friend in this sixth and final book of an exciting series that puts a modern thrill into ancient mythology. After the events in Hawaii, Emily is contending with diminished powers, a new body, and the fact that she has to teach the Titan Lorin how to use her own powers. To make matters worse, Joel has been acting strangely towards her ever since she changed, and it’s all become too much. However, Emily has one last promise to fulfill, one she made a long time ago: to save Agent B from the secret government agency called the CRU. But when Emily, Pegasus, Joel, and Paelen arrive in London, they discover that Agent B has been captured by the CRU and the only way to free him is for Emily and Lorin to surrender. As Emily and her friends delve deeper into the CRU’s history, horrible discoveries are made. Not only about the victims the powerful agency has been trapping and abusing for centuries, but about the very origins of the secret agency itself. Origins that lead directly back to...Emily.

With the arrival of a powerful new threat in orbit around Earth, the Alliance is forced to vacate Earth space while a small group stays behind to ensure humanity isn't enslaved or worse, wiped out. ____________________________________________________________________ REVIEWS By Bobbi Amann on December 25, 2016 Reinventing the whole meaning to good sci-fi! I was truly taken by the book! Not have read previous books to understand who all of the characters in the story were it took some time to get into it! But I overlooked that and just read it! Amazing story! Enough so that purchased first two in series to understand who all the people are and why they are! Looking forward to #7 but in the mean time will devour all previous books by Chris! BTW, if you haven't read "Rewind 717" do yourself a favor and read it! Different than this series but very very good! That's how I got introduced to Chris! ____________________________________________________________________ BOOK DESCRIPTION: With the arrival of a powerful new threat in orbit around Earth, the Alliance is forced to vacate Earth space while a small group stays behind to ensure humanity isn't enslaved or worse, wiped out. Meanwhile, the rest of the fleet splits into separate missions, each of them vital in rebuilding the Earth Alliance forces and strengthening what's left of the fleet. Sarah, Chris and Daniel follow a lead to a remote part of space in the hope of establishing a dialogue with the Asgardians, unaware of the dangers that await them upon arrival. Chase's visit to Olympus to meet with Zeus doesn't go as planned but he learns crucial information that could turn the tides of the Fury war. Chase soon realizes that to achieve a permanent alliance with Olympus; he will have to deal with a deadly new foe, one powerful enough to cancel out his Ultra Fury powers. ____________________________________________________________________ As a matter of principle: this book is DRM free.

A Good Morning America Book Club Pick! • A bighearted novel with technicolor characters, plenty of Texas swagger, and a powder keg of a plot in which marriages struggle, rivalries flare, and secrets explode, all with a clever wink toward classical mythology. For fans of Madeline Miller's Circe: "The Iliad meets Friday Night Lights in this muscular, captivating debut" (Oprah Daily). The Briscoe family is once again the talk of their small town when March returns to East Texas two years after he was caught having an affair with his brother's wife. His mother, June, hardly welcomes him back with open arms. Her husband's own past affairs have made her tired of being the long-suffering spouse. Is it, perhaps, time for a change? Within days of March's arrival, someone is dead, marriages are upended, and even the strongest of alliances are shattered. In the end, the ties that hold them together might be exactly what drag them all down. An expansive tour de force, Olympus, Texas cleverly weaves elements of classical mythology into a thoroughly modern family saga, rich in drama and psychological complexity. After all, at some point, don't we all wonder: What good is this destructive force we call love?

In tracing the emergence of the Macedonian kingdom from its origins as a Balkan backwater to a major European and Asian power, Eugene Borza offers to specialists and lay readers alike a revealing account of a relatively unexplored segment of ancient history. He draws from recent archaeological discoveries and an enhanced understanding of historical geography to form a narrative that provides a material-culture setting for political events. Examining the dynamics of Macedonian relations with the Greek city-states, he suggests that the Macedonians, although they gradually incorporated aspects of Greek culture into their own society, maintained a distinct ethnicity as a Balkan people. "Borza has taken the trouble to know Macedonia: the land, its prehistory, its position in the Balkans, and its turbulent modern history. All contribute...to our understanding of the emergence of Macedon.... Borza has employed two of the historian's most valuable tools, autopsy and common sense, to produce a well-balanced introduction to the state that altered the course of Greek and Near Eastern history."--Waldemar Heckel, Bryn Mawr Classical Review

OLYMPIAN GODS. LEGENDARY MONSTERS. NOWHERE TO RUN. An action-packed tale as epic as the legends that spawned it.