A 2022 SUE GRAFTON MEMORIAL AWARD Nominee When a young journalist goes missing in sunny San Diego , P.I. Madison Kelly learns the true price of knowing too much. It's a perfect San Diego fall--cool and crisp with bright blue skies. But not everything is right in the sunny idyll dubbed "America's Finest City." Young journalist Barrett Brown has been missing for a week, and her boyfriend hires private investigator Madison Kelly to find her. Right away, Barrett reminds Madison of a younger version of herself: smart, ambitious, and a loner. As she launches her investigation, Madison realizes that Barrett's disappearance is connected to a big story she was chasing--and she sets out to walk in Barrett's footsteps to trace her whereabouts. As the trail grows colder, things begin to heat up between Madison and Barrett's boyfriend. But he doesn't seem to be telling everything he knows, and Madison gets the feeling that her every move is being watched. What dirty secrets lie at the heart of Barrett's big lead? If Madison can't get to the bottom of the case in time, she could be in line to become the next victim.

A compelling combination of photography, cultural history, and philosophical geography, Double Take presents more than seventy photographic pairs - each a distinctive "then" and "now" view of the same location - that document more than a century of change in downtown Madison, Wisconsin. Presented side-by-side, the dramatic transformations comprise one of the most ambitious and exacting urban rephotography surveys ever undertaken. Celebrated Wisconsin photographer Zane Williams has meticulously replicated the original views of an earlier Madison photographer, Angus McVicar, who first shot these locales from the 1920s to the 1950s. The result is a rich archive of historic and contemporary images and a provocative examination into the nature of change in a mid-sized American city.

It seemed that a good many people wanted to find out the identity of Ralph Johnston’s wife. Among them was the woman’s own husband...

“Kevin Connolly has used an unusual physical circumstance to create a gripping work of art. This deeply affecting memoir will place him in the company of Jeanette Walls and Augusten Burroughs.” — Sara Gruen, author of Water for Elephants “Charming … Connolly recounts growing up a scrappy Montana kid—one who happened to be born without legs... [Double Take] makes for an empowering read.” — People As featured on 20/20, NPR, and in the Washington Post: Kevin Connolly is a young man born without legs who travels the world—by skateboard, with his camera—on his “Rolling Exhibition,” snapping pictures of peoples’ reactions to him… and finds out along the way what it truly means to be human.

In Treasure Trouble, Nancy, George, and Bess are headed to Barnacle Beach for a pirate-themed birthday party. But when the treasure chest filled with party favors disappears, playtime is over. With the help of a mysterious treasure map, the Clue Crew needs to reclaim the missing loot before the party’s completely ruined. In Double Take, the Clue Crew has competition—one of their classmates has started a rival sleuthing club! Can Nancy and the girls solve the latest case before the phony detectives do?

When it comes to opposites, it’s all a matter of perspective! Lively text and fun retro art engage kids in the finer points of a favorite concept. Do you know opposites, yes or no? On. Off. Asleep. Awake. Opposites are a piece of cake . . . right? Not so fast! Time for a quick double take. Who knows what’s BIG unless there is SMALL? Does SHORT mean a thing except next to TALL? What is ABOVE and what is BELOW? The answer depends on who wants to know! Writer Susan Hood and illustrator Jay Fleck lead us on a topsy-turvy fun-house journey into the concept of opposites and takes it to the next level — with detours into relative terms and points of view (and a dollop of yin and yang for good measure).

In Double Take 2, Rabbi Jesse Horn bridges the gap between the traditional interpretations espoused by Chazal and other Rabbinic authorities on the one hand and the simple and straightforward reading of the Tanach on the other. By rigorous and sophisticated Biblical and Rabbinic textual analysis, Rabbinic sources which at first seems at odds with the text can be read harmoniously. Rabbi Horn uncovers parallels, and answers critical questions such as, Why is this story included in the Torah? Why is this detail left out? Why do these two stories parallel each other? and What understanding does the Torah want us to derive about each character?