This collection, unique to the Modern Library, gathers seven of Dostoevsky's key works and shows him to be equally adept at the short story as with the novel. Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicism, and the first major work of existential literature. Among Dostoevsky's prototypical characters is Yemelyan in The Honest Thief, whose tragedy turns on an inability to resist crime. Presented in chronological order, in David Magarshack's celebrated translation, this is the definitive edition of Dostoevsky's best stories.

A collection of excerpts from Dostoyevsky's writings, demonstrating his spiritual thoughts and grouped under such headings as "Man's Rebellion Against God" and "Life in God."

A celebrated new translation of Dostoevsky’s masterpiece reveals the “social problems facing our own society” (Nation). Published to great acclaim and fierce controversy in 1866, Fyodor Dostoevsky’s Crime and Punishment has left an indelible mark on global literature and on our modern world. Declared a PBS “Great American Read,” Michael Katz’s sparkling new translation gives new life to the story of Raskolnikov, an impoverished student who sees himself as extraordinary and therefore free to commit crimes—even murder—in a work that best embodies the existential dilemmas of man’s instinctual will to power. Embracing the complex linguistic blend inherent in modern literary Russian, Katz “revives the intensity Dostoevsky’s first readers experienced, and proves that Crime and Punishment still has the power to surprise and enthrall us” (Susan Reynolds). With its searing and unique portrayal of the labyrinthine universe of nineteenth-century St. Petersburg, this “rare Dostoevsky translation” (William Mills Todd III, Harvard) will captivate lovers of world literature for years to come.

War on Crime revises the history of the New Deal transformation and suggests a new model for political history-one which recognizes that cultural phenomena and the political realm produce, between them, an idea of "the state." The war on crime was fought with guns and pens, movies and legislation, radio and government hearings. All of these methods illuminate this period of state transformation, and perceptions of that emergent state, in the years of the first New Deal. The creation of G-men and gangsters as cultural heroes in this period not only explores the Depression-era obsession with crime and celebrity, but it also lends insight on how citizens understood a nation undergoing large political and social changes. Anxieties about crime today have become a familiar route for the creation of new government agencies and the extension of state authority. It is important to remember the original "war on crime" in the 1930s-and the opportunities it afforded to New Dealers and established bureaucrats like J. Edgar Hoover-as scholars grapple with the ways states assert influence over populations, local authority, and party politics while they pursue goals such as reducing popular violence and protecting private property.

Not much attention has been given to Dostoyevsky's concern with the crisis of the modern West, although allusions to almost every aspect of Western civilization—including the political, economic, and social dimensions—are present in his literary works and abound in his secondary writings. This book points the way to a better understanding of the apparent contradiction between Dostoyevsky's concern with the highest reaches of human spirituality and at the same time with the most detailed developments in domestic and international politics. Ward argues that the apparent polarization of "religious" thought and "political" analysis of the West are held together for Dostoyevsky in his search for the best human order. He demonstrates not only that Dostoyevsky's observations about the West constitute a coherent critique intimately related to the deepest aspects of his though, but also that these can be rendered more systematic and explicit. What results is an incisve account of both the religious and the political thought of Dostoyevsky, which helps clarify what Dostoyevsky, which helps clarify what Dostoyevsky can teach us about the modern situation of the Western world and about the problem of human order in general, for, as the author states, "it was Dostoyevsky's great virtue as a thinker always to see the pressing issues of his particular time and place in the light of the 'everlasting problems.'"