El autor estas obras burlescas nació en Ciudad Habana, Cuba y actualmente reside en el sur de la Florida, Estados Unidos; entre sus escritos se destacan las novelas literarias 'Aventuras de Victorino Chang', 'El gran pacificador del Infierno' y 'El Rey Victorino'; además del conocido libro autobiográfico 'Nacido Patria o Muerte', y las obras literarias.'Dos obras del teatro burlesco cubano' refleja la corrupción y absurdidad del régimen comunista cubano dirigido por los psicópatas hermanos Castros, y denunciado aquí en este trabajo literario junto a sus compinches y guatacas que hundieron nuestra isla en la ignominia y esclavitud marxista.C0NTENIDO:-Acerca del autor.-Reyes y súbditos. Acto Primero.-Reyes y súbditos. Acto Segundo.-Reyes y súbditos. Acto Tercero.-El duende Hundimágio. Primera parte.-El duende Hundimágio. Segunda parte.-El duende Hundimágio. Tercera parte.Visitenos en:htt://alejandroslibros.blogspot.com

(abridged and revised) This reference grammar offers intermediate and advanced students a reason ably comprehensive guide to the morphology and syntax of educated speech and plain prose in Spain and Latin America at the end of the twentieth century. Spanish is the main, usually the sole official language of twenty-one countries,} and it is set fair to overtake English by the year 2000 in numbers 2 of native speakers. This vast geographical and political diversity ensures that Spanish is a good deal less unified than French, German or even English, the latter more or less internationally standardized according to either American or British norms. Until the 1960s, the criteria of internationally correct Spanish were dictated by the Real Academia Espanola, but the prestige of this institution has now sunk so low that its most solemn decrees are hardly taken seriously - witness the fate of the spelling reforms listed in the Nuevas normas de prosodia y ortograjia, which were supposed to come into force in all Spanish-speaking countries in 1959 and, nearly forty years later, are still selectively ignored by publishers and literate persons everywhere. The fact is that in Spanish 'correctness' is nowadays decided, as it is in all living languages, by the consensus of native speakers; but consensus about linguistic usage is obviously difficult to achieve between more than twenty independent, widely scattered and sometimes mutually hostile countries. Peninsular Spanish is itself in flux.