Deities, demons, and angels became important protagonists in the magic of the Late Antique world, and were also the main reasons for the condemnation of magic in the Christian era. Supplicatory incantations, rituals of coercion, enticing suffumigations, magical prayers and mystical songs drew spiritual powers to the humain domain. Next to the magician's desire to regulate fate and fortune, it was the communion with the spirit world that gave magic the potential to purify and even deify its practitioners. The sense of elation and the awareness of a metaphysical order caused magic to merge with philosophy (notably Neoplatonism). The heritage of Late Antique theurgy would be passed on to the Arab world, and together with classical science and learning would take root again in the Latin West in the High Middle Ages. The metamorphosis of magic laid out in this book is the transformation of ritual into occult philosophy against the background of cultural changes in Judaism, Graeco-Roman religion and Christianity. This volume, the first in the new series Groningen Studies in Cultural Change, offers the papers presented at the workshop The Metamorphosis of Magic from Late Antiquity to the Early Modern Period held from 22 to 24 June 2000, and organised by Jan N. Bremmer and Jan R. Veenstra. The papers have been written by scholars from such varying disciplines as classics, theology, philosophy, cultural history, and law. Their contributions shed new light upon several old obscurities; they show magic to be a significant area of culture, and they advance the case for viewing transformations in the lore and practice of magic as a barometer with which to measure cultural change.

Dorrie is busy helping out at the Library Bazaar. But she's so busy that she doesn't even notice when her mother, the Big Witch, accidentally drinks Wizard Wink's magic potion and disappears! Will Dorrie solve the mystery and break the spell?

For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.

'As heart-warming as it is heartbreaking, this novel is unputdownable' Sunday Express. Tarabeg is a small village on the West Coast of Ireland. In the aftermath of the Second World War, two women are waiting there for ambitious Michael Malone to return home. Rosie is the local schoolteacher and most people think she is promised to him. Just a few have guessed that he has secretly begun to woo Sarah, whose brutal fisherman father would kill her if he knew. Both Rosie and Sarah love Michael, both hope to become his wife and their lives will interweave in a tale of tangled secrets, old promises and new feuds. Michael Malone's choice will have fateful consequences for everyone – especially, in due course, for his young daughter. This is the first in a new sequence of novels with a brilliant cast of characters and a story that will lead to Liverpool in Mary Kate and back to Ireland in The Velvet Ribbon.